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The Gupta Empire: The Classical "Golden Age"

High-Yield Fact Sheet


📊 High-Yield Data & Statistical Fact Sheet
Cue WordsNotes
List core chronological, political, numismatic and inscriptional anchors of the Gupta Empire for rapid recall.Chronology, Polity & Inscriptional Anchors:
  • Gupta Empire span: Established `A.D. 319` / ascended throne around `320 CE`; continued until `550 CE`; kept north India politically united for more than a century (smaller than the Maurya Empire).
  • Capital: *Pataliputra* (present-day Patna); under Chandragupta II, *Ujjain* seems second capital while Pataliputra continued.
  • Sri-Gupta founding: Around `240 CE`; titles *Maharaja* for early chiefs; Poona copper plate of Prabhavati Gupta: Sri Gupta as *Adhiraja*.
  • First three rulers (Gupta + I-Tsing records): *Maharaja* Sri Gupta → *Maharaja* Sri Ghatotkacha → *Maharajadhiraja* Sri Chandragupta (first Gupta emperor).
  • Gupta Era: Accession of Chandragupta I about `A.D. 319–20`.
  • Samudragupta: `A.D. 335–380`; Allahabad Prasasti by court-poet Harishena on Asokan pillar; Ashokan text in Brahmi dated `232 BCE`; Samudragupta’s eulogy in excellent Sanskrit, refined Gupta script.
  • Eran Sati: First reported monument of Sati dated `510 AD`; Bhanugupta stone pillar, Gupta Era year `191` (`510–11 CE`) — Goparaja’s wife cremated on funeral pyre.
  • Samudragupta gold coin types: Source states eight different types of pure gold; named types: Standard, Archer, Battle Axe, Ashvamedha, Tiger Slayer, King and Queen, Lyre Player.
  • Four conquest categories (Allahabad): 12 Dakshinapatha states (capture–liberation–reinstatement); 8 Aryavarta kings (violently exterminated); *atavirarajyas* + 5 *pratyantas* + 9 tribal republics; Daivaputra Shahi Shahanushahi, Shaka, Murundas, Sinhala and other islands.
  • Five Border States (*pratyantas*): Samtata (SE Bengal), Kamarupa (Assam), Nepala (Nepal), Davaka (Assam), Kartipura (Kashmir).
  • Nine tribal republics: Malavas, Yaudheyas, Madrakas, Abhiras, Prarjunas, Arjunayanas, Sarakinakas, Kavas, Kharaparikas.
  • Chandragupta II: `A.D. 380–412`; titles *Vikramaditya*, *Sakari*; defeated Rudrasimha III (Western Kshatrapas); Prabhavatigupta regency over Vakatakas `385–405 CE`.
  • Mehrauli Iron Pillar: King Chandra (identified by many with Chandragupta II); 98% wrought iron; stood more than 1,600 years without rusting.
  • Fa-Hien: Started China `399 CE`; reached India `405 CE`; stayed to `411 CE`; reign of Chandragupta II (does not name the king).
  • Kumaragupta I: `412–454 A.D.`; also Shakraditya and Mahendraditya; Bilsad inscription Gupta year `96` = `415 CE`; Mathura yaksha figure `432 CE`; pedestal presumably his reign `442 CE`.
  • Skandagupta: `454–467 A.D.`; crushed White Huns `455`; titles Vikramaditya and Kramaditya; last known date `467 A.D.` from silver coins; revalued dinar ~8.4 gm to *suvarna* ~9.2 gm.
  • Toramana / Mihirakula: Toramana defeated by Bhanugupta `510 A.D.`; Mihirakula succeeded `520`; capital Sakala (Sialkot); defeated by Yasodharman of Malwa `528` and Narasimhagupta Baladitya; by `542` driven to Kashmir; Yasodharman pillars Sondani; Yasodharman inscription samvat `589` (`532 AD`); title Vikramaditya.
  • Later rulers sequence after Skandagupta (~467): Purugupta (`467–473`), Kumaragupta II (`473–476`), Budhagupta (`476–495?`), Narasimhagupta Baladitya, Kumaragupta III, Vishnugupta, Vainyagupta, Bhanugupta.
  • Vainyagupta Gunaighar copper plate: Gupta era `188` (`507 CE`).
  • Empire disintegration: Hephthalites broke northwest defenses in 480s; much of NW overrun by `500`; Guptas continued till about `550 A.D.` with insignificant power; Yasodharman victory pillars `532 A.D.`
  • Provinces: Empire divided into 26 provinces (*Bhukti*, *Pradesha*, *Bhoga*).
  • Land types (5 in Gupta inscriptions layer): *Kshetra*, *Khila*, *Aprahata*, *Gopata Sarah*, *Vasti*.
  • Amarakosha 12 land types: *urvara*, *ushara*, *maru*, *aprahata*, *shadvala*, *pankila*, *jalaprayamanupam*, *kachcha*, *sharkara*, *sharkavati*, *nadimatrika*, *devamatrika*.
  • Eastern land measures: *adhavapa* (3/8–1/2 acre); *dronavapa* (1½–2 acres); *kulyavapa* (12–16 acres); *pataka* (60–80 acres).
  • Tenure terms: *nividharma*; *akshaya-nivi* & *aprada-dharma*; *nivi-dharmakshaya*; *bhumichhidranyaya*.
  • Private property in land (N. India): emerged c. `6th century BCE`; well entrenched `300–600 CE`.
  • Bengal land-sale corpus: 11 inscriptions for pious purchase; 5-step procedure via district office, city council, *pustapala*.
  • Ashrafpur plates (`7th`/`8th` c. CE, Bangladesh): enjoyed by Shravantara; cultivated by Shikhara & others; donated by king to Sanghamitra.
  • Fa-Hien revenue: One-sixth of total production; absence of poll-tax and land tax (as stated in his account).
  • Interest rates: Average ~20% per annum (vs 240% earlier period for overseas loans).
  • Aryabhata: `476–550 CE`; *Aryabhatiya* `499 CE` (age 23); pi `3.1416`; sidereal rotation 23h 56m 4.1s; decimal system also suggested by Gupta inscription of `AD 448` from Allahabad district.
  • Sultanganj Buddha: 7½ feet high copper; dated archaeologically between `500` and `700 AD`. Separate art-source note: two-metre-high bronze image of Buddha recovered from Sultanganj near Bhagalpur; Fa-Hien saw over 25 metre high copper Buddha (not traceable now).
  • Fa-Hien copper Buddha: Over 25 metre high image (not traceable now).
  • Gupta sculpture schools: Three main schools often recognised — Mathura, Varanasi/Sarnath, and to a lesser extent Nalanda (with Pataliputra area).
  • Mathura stone: Mottled red / pink sandstone; Sarnath stone: yellowish sandstone from Chunar quarries.
  • Ahichchhatra river goddesses: Elegant terracotta pair, 1.47 metres high.
  • Ajanta caves: Total 29 caves; 4 Chaityas (caves 9, 10, 19, 26); rest Viharas; paintings only in 6 caves (1, 2, 9, 10, 16, 17).
  • Bagh caves: 9 caves in M.P.; paintings in cave numbers 4 and 5 — religious and secular.
  • Udayagiri (Vidisha, M.P.): 20 caves — some rock-cut, some stone-built; Brahmanical/Hindu affiliation (Vishnu, Durga, Varaha etc.).
  • Dhamekh Stupa (Sarnath): 128 feet high; constructed on flat surface without platform; *takhs* at four corners for Buddhist statues.
  • Ajanta painting colours (6 main): white, red, yellow, black, green, blue; Fresco Secco technique.
  • Temple architecture phases (art source): Phase 1 — 4th–5th centuries (flat roof, open *mandapa*, no ornamentation: Eran, Sanchi, Tigwa); Phase 2 — 6th century AD (cruciform plan, *shikhara*/*rekha shekhara*, *panchayatana*: Deogarh, Bhitargaon).
  • Music evidence: Samudragupta Lyrist/*Veena* type gold coin shows him playing the *vina* (lyre).
  • Gupta drama (art source list): *Abhigyanashakuntalam* / *Abhigyanshakuntalam* and *Vikramorvasiyam* (Kalidasa / Kalidas); *Mudrarakshasa* / *Mudrarakshasha* (Vishakhadatta / Vishakhadutta); *Mricchakatika* (Shudraka).
  • Mehrauli iron pillar (art comparison): Constructed during Chandragupta II — contrasted with large-scale Mauryan monolithic stone pillars.
  • Gupta coinage name *Dinara*: Adopted from Kushans; scholars call abundance of gold the ‘rain of gold’.
  • Chess (*caturaṅga*): Early form in 6th century CE — four military divisions.
  • Vallabhi: Flourished `475` to `1200 A.C.`; ~100 monasteries / ~6,000 monks (Hiuen Tsang).
  • Vikramasila hierarchy counts: ~108 *Paṇḍit*; ~160 teachers including pandits; ~1,000 resident monks; 6 gate protectors.
  • Odantapuri: ~12,000 students (Tibetan records); ~6 miles from Nalanda.
  • Somapura: Ruins ~1 square mile; ~177 cells; flourished ~750 years.
  • Gupta central officers (polity source): *Sandhivigrahika* (peace and war); *Kumaramatya* (pre-eminent *amatya*, status of royal princes); *Dandanayakas*; *Baladhikrita* + *Mahashvapati*; *Mahapratihara*; *Khadyatapakita* (royal kitchen).
  • District town board: *Nagara-sreshthin*, *Sarthavaha*, *Prathama-kulika*, *Prathama-kayastha*; *Pustapalas*; rural *Ashtakula-adhikarana* / *Asthakuladhikarana*; *Pancha-mandali*.
  • Revenue theory: Narada Smriti — subjects owe revenue as reward for protection; *bhaga* = 1/6th produce (conventional; Manu also 1/8, 1/12). Kamandaka *Nitisara* — florist/milkman tax principle; corrupt officials “bled like swelling abscess”.
  • Fiscal terms (Gupta inscriptions): *kara*, *bali*, *udranga*, *uparikara*, *hiranya*, *bhoga*, *vata-bhuta*, *halirakara*, *shulka* / *shaulkika*; agrahara exemptions from touring-officer obligations.
  • Vakataka fiscal terms: *klipta*, *upaklipta*; *vishti* (forced labour). Pravarasena II: 18 inscriptions, 20 villages gifted; total gifted villages tally 35.
  • Vakataka political anchors: Vindhyashakti I *Dvija* (Cave XVI); Pravarasena I only *samrat*, 4 ashvamedhas; Gautamiputra–Bhavanaga Naga alliance; Prabhavatigupta regency `385–405` CE, Dharana gotra, Miregaon ‘mother of two kings’; Pravarapura capital; *Setubandha*/*Ravanavaho*; Harishena Ajanta Cave 16 (Varahadeva); end via Dandin *Dashakumaracharita*.
  • Vakataka admin units: *rashtras*/*rajyas* → *vishayas* → *aharas*/*bhogas*/*bhuktis*; *sarvadhyaksha* + *kulaputras*; *chhatras* & *bhatas*; *rajuka*; *rahasika*, *gramakuta*, *devavarika*, *dronagrakanayaka*.
  • Yijing (I-Tsing): `635–713 CE`; trip `671–695`; Srivijaya 687 CE two years Sanskrit translations; 689 Guangzhou paper/ink; two works — *Record of Buddhism As Practiced in India* (40 practices) and *Memoirs of Eminent Monks* (56 Chinese monks); Xuanzhao + Gaozong longevity-drugs mission; borderland complex (*biandi*).
  • Slavery category counts: Tripitakas **8** kinds; *Arthashastra* **5** kinds; *Manusmriti* **15**; *Narada Smriti* **15** (elaborations of known types: war captive, debt, voluntary).
  • Vinaya three + Digha fourth: *antojatako* (born of slave woman); *dhanakkito* (bought); *karamaraanito* (brought from another country); *samam dasavayam upagato* (self-accepted enslavement).
  • Ashoka Kalinga captives: ~**150,000** war-captives to Pataliputra may have been engaged in agriculture (number seems exaggerated); Rock Edicts **9** and **11** — courtesy to *dasas* and *bhatakas*/*bhritakas* as *dhamma*.
  • Karikala Kaveri embankment: `2nd c. AD`; **160 km**; labour of **12,000** Sri Lankan captive slaves; Sangam Yavanas supply wine and women slaves for pepper/gold.
  • *Vishti* (`300`–`600 CE`): forced labour more common; listed with taxes in land grants as state income-source; most inscriptions from **Madhya Pradesh** and **Kathiawar**.
  • Narada manumission ceremony: remove water-jar from slave’s shoulder and break it; sprinkle parched grain and flowers; say thrice ‘You are no longer a *dasa*’; house-born/bought/obtained/inherited freed only at master’s will.
  • Not a slave society: Greco-Roman productive slavery absent at scale; shudras as collective property of three higher *varnas* bore production/tax burden with vaishyas, peasants, artisans, merchants.

Overview


Overview
Cue WordsNotes
What is the dual character of the Gupta period (c. 319/320–550 CE) for UPSC Mains analysis?Political Unification and Classical “Golden Age” Duality: After centuries of political disintegration an empire was established in `A.D. 319` under the Guptas. Although not as large as the Maurya Empire, it kept north India politically united for more than a century. When the dynasty ascended around `320 CE` and continued until `550 CE`, it consolidated northern India by subjugating local and provincial powers that had become independent after the downfall of the Kushans. The empire covered most of Northern India and Eastern Pakistan, parts of Gujarat and Rajasthan, and what is now eastern India and Bangladesh; capital *Pataliputra* (Patna). The period is referred to as the Golden Age of India, embracing extensive inventions and discoveries in science, technology, engineering, art, dialectic, literature, logic, mathematics, astronomy, religion and philosophy that crystallized elements of what is generally known as Hindu culture — with high points in architecture, sculptures and paintings. Scholars such as Kalidasa, Aryabhata, Varahamihira, Vishnu Sharma and Vatsyayana made great advancements; strong trade ties made the region a cultural centre influencing Burma, Sri Lanka and Southeast Asia; earliest available Indian epics are also thought to have been written around this period. At the same time, Mains analysis must weigh feudalising land grants, *vishti*, social rigidity, debased late coinage and Huna pressure against elite cultural achievement.

1. Origin of the Guptas — Early Kings, Caste, Homeland Theories


1. Origin of the Guptas — Early Kings, Caste, Homeland Theories
Cue WordsNotes
Who were the earliest Gupta rulers, what titles did they hold, and what do Poona copper plate and I-Tsing records state?Early Kings — Sri Gupta, Ghatotkacha, Chandragupta:
  • As per an inscription, history of the Gupta dynasty begins with founding by Sri-Gupta around 240 CE; Ghatotkacha followed with title *Maharaja* (often borne by feudatory chiefs).
  • The Poona copper plate inscription of Prabhavati Gupta describes Sri Gupta as the *Adhiraja* of the Gupta dynasty.
  • Gupta Empire records and Chinese records of later traveller I-Tsing furnish names of the first three rulers: *Maharaja* Sri Gupta, *Maharaja* Sri Ghatotkacha, and Ghatotkacha’s son *Maharajadhiraja* Sri Chandragupta — considered the first Gupta emperor.
What caste theories attach to the Guptas, and what do Panchobh and Riddhapura plates state?Caste Theories — Vaishya Claim & Dharan Gotra:
  • According to many historians, the Gupta dynasty was a Vaishya dynasty. Many assert that Vaishya Guptas “appeared as a reaction against oppressive rulers”.
  • Some regarded caste as Vaishya on the basis of ancient Indian law texts which prescribe name ending with Gupta for a member of the Vaishya caste.
  • The rise of the Gupta Empire was one of the most prominent violations of the caste system in ancient India.
  • In the Panchobh Copper Plate, some kings bearing the title Guptas and related to the imperial Gupta Dynasty claimed themselves as Vaisyas.
  • In the Riddhapura copper plate inscription, Sri Gupta belonged to the Dharan Gotra.
State Theory-1 of Gupta homeland: Magadha / Prayag / UP base, material advantages and early territorial core.Homeland Theory-1 — Magadha, Prayag, Eastern Uttar Pradesh:
  • Guptas were initially a family of landowners who acquired political control in Magadha and parts of eastern Uttar Pradesh.
  • Uttar Pradesh seems more important for early Guptas than Bihar, because early Gupta coins and inscriptions have been mainly found in that region; hence UP seems the place from where Guptas operated and fanned out.
  • Probably with centre of power at Prayag they spread into neighbouring regions. They were possibly feudatories of the Kushanas in Uttar Pradesh and seem to have succeeded them without any wide time-lag.
  • Material advantages: centre of operations in fertile Madhyadesha (Bihar and UP); could exploit iron ores of central India and south Bihar; proximity to north Indian areas carrying on silk trade with the Byzantine Empire.
  • On these factors they set up rule over Anuganga (middle Gangetic basin), Prayag (modern Allahabad), Saket (modern Ayodhya) and Magadha; in course of time this kingdom became an all-India empire.
State Theory-2 (most accepted): Varendri / Bengal / Mrigashivana and I-tsing evidence.Homeland Theory-2 — Varendri (Bengal) / Mrigashivana (Most Accepted):
  • Another and the most accepted theory from both archaeological and written evidences is that Guptas originated from Varendri (now part of Rangpur, Bangladesh).
  • Mention of “Varendra Mrigashihavan Stupa” on a mound in Nepal is strong evidence of Bengal origin. As Sri Gupta built a temple in Mrigashivana and the place was in Varendri, historians point out Varendri might have been under Gupta sway when they ascended the throne.
  • Maharaja Sri-Gupta probably ruled a portion of Northern/Southern Bengal. Later Chandragupta I established dominion over Magadha through marital policy with the Licchavis.
  • I-tsing and other Gupta accounts write that Sri-Gupta was the first Gupta ruler and his ancestral homeland was Varendri in Bengal.

2. Chandragupta I (A.D. 319–320 to 335)


2. Chandragupta I (A.D. 319–320 to 335)
Cue WordsNotes
Who was Chandragupta I, what was his Lichchhavi marriage strategy, title, era and territorial extent?Founder Status, Kumaradevi Marriage, Gupta Era:
  • Chandragupta I (not to be confused with Chandragupta Maurya, `322–298 BCE`, founder of the Mauryan Empire), son of Ghatotkacha and grandson of Sri Gupta, is generally considered the founder of the Gupta dynasty.
  • By marrying a Lichchhavi (of Vaishali) princess Kumaradevi he sought to gain prestige, though Vaishali does not appear to have been a part of his kingdom. As ruler he is known for forging alliances with many powerful families in the Ganges region.
  • His rule remained confined to Magadha and parts of eastern Uttar Pradesh (Saketa and Prayaga).
  • He took the title of *Maharajadhiraja*, and his accession in about A.D. 319–20 marked the beginning of the Gupta era.
  • Queen Kumaradevi and King Chandragupta I are depicted on a coin of their son Samudragupta; coin dated 350–380 CE.

3. Samudragupta (A.D. 335–380)


3. Samudragupta (A.D. 335–380)
Cue WordsNotes
How did Samudragupta rise, what epithets attach to him, and which literary sources name him?Accession, Character & Epithets:
  • Chandragupta I was succeeded by his son Samudragupta after subduing rival Kacha, an obscure prince of the dynasty.
  • He was perhaps the greatest king of the Gupta dynasty — benevolent ruler, great warrior and patron of arts. His name appears in the Javanese text *Tantrikamandaka*. His name is taken as a title acquired by conquests (samudra referring to the ‘oceans’).
  • Harishena, court poet, rightly describes him as the hero of a hundred battles; Vincent Smith calls him the ‘Napoleon of India’.
Detail the Allahabad Prasasti: location history, scripts, Harishena, and later Mughal engravings.Source (a) — Asokan Pillar at Allahabad (Allahabad Prasasti):
  • Conquests known from a lengthy eulogy composed by court-poet Harisena / Harishena and inscribed on an Asokan pillar at Allahabad; contains a long list of states, kings and tribes conquered under various degrees of subjugation.
  • The pillar is one of the Pillars of Ashoka (Maurya). At some point it was moved from its original location and installed within Akbar’s Allahabad Fort. It is particularly notable for later inscriptions attributed to Samudragupta. Also engraved are inscriptions by Mughal emperor Jahangir (records an earlier visit in 1575 of Akbar’s courtier Birbal on pilgrimage to the Sangam).
  • Ashokan inscription is in Brahmi and dated to 232 BCE. Samudragupta’s eulogy is in excellent Sanskrit, written in the more refined Gupta script (a later version of Brahmi) by the poet and minister Harishena.
What does the Eran Stone Inscription of Samudragupta record, and how does Eran relate to Sati?Source (b) — Eran Stone Inscription of Samudragupta:
  • Written in Sanskrit — undated — found by Alexander Cunningham near the Varaha temple.
  • Mentions Gupta king Samudragupta compared with Dhanada (Kubera) and Antaka (Yama) in joy and wrath respectively; mentions setting up a temple of Janardana at Airikina to augment his own glories.
  • Eran is the site of the first reported monument of Sati dated 510 AD in India.
List Samudragupta’s gold coin types, martial epithets and numismatic significance.Source (c) — Coinage (Eight Gold Types; Father of Gupta Monetary System):
  • Much is known through coins and inscriptions. These were of eight different types and all made of pure gold. Conquests brought gold and coin-making expertise from acquaintance with the Kushana.
  • Samudragupta is most certainly the father of the Gupta monetary system. Named types: Standard Type, Archer Type, Battle Axe Type, Ashvamedha Type, Tiger Slayer Type, King and Queen Type, and Lyre Player Type.
  • They exhibit fine technical and sculptural finesse. At least three types — Archer, Battle-Axe and Tiger — represent him in martial armour. Epithets: parakramah (valour), kritanta-parashu (deadly battle-axe), vyaghra parakramah (valourous tiger).
  • Ashvamedha type commemorates Ashvamedha sacrifices and signifies many victories and supremacy. Coin of Samudragupta with Garuda pillar is also noted. Some gold coins represent him playing on the lyre (Veena).
Enumerate the four categories of Samudragupta’s conquests with every named state, king, forest realm, border state, republic and foreign power.Four Conquest Categories (Allahabad Prasasti) — Expansion of the Empire:
  • The most important epigraph of Samudragupta’s reign is the *prashasti* on the unique Allahabad pillar composed by court poet Harisena / Harishena. The inscription contains 33 lines. In prose and verse it eulogizes achievements, conquests and personality; Samudragupta emerges as a restless conqueror. He must have inherited an empire that included the Magadha area of Bihar and adjoining areas of Uttar Pradesh and Bengal, stretching to the Himalayan foothills in the north. Initial military campaigns directed towards extending control over territories lying immediately beyond this area.
  • Category 1 / Campaigns in South — Twelve states of Dakshinapatha: Lines 19 and 20 refer to Samudragupta having captured and then released several rulers from Dakshinapath — kings captured, then liberated and reinstated. Named (merged source forms): Kosala, Mahakantara, Kaurata / Kairala, Pishtapura, Kottura / Kusthalapura / Kushthalpura, Erandapalli / Erandapalla, Kanchi, Avamukta, Vengi, Palakka, Devrashtra / Devarashtra, and all other kings of Dakshinapath. In the south, the kings of the Dakshinapath were humbled but suffered neither annexation nor a reduction to feudatory status.
  • Category 2 / Campaigns in Aryavarta and forest regions:
    • Line 14 refers to his capturing a king of the Kota family who may be a ruler of upper Ganga valley.
    • Line 21 refers to Samudragupta violently exterminating a number of kings of Aryavarta namely Rudradeva / Rudradwa, Matila, Nagadatta, Chandravarman, Ganapatinaga, Nagasena, Achyuta, Nandin, and Balavarman and making all the kings of the forest his subordinates. This annexation led to extension of the Gupta empire over the Ganga–Yamuna valley up to Mathura and Padmavati in the west. Eran was annexed into the Gupta empire when he annexed many Aryavarta kingdoms. Source also lists “eight kings of Aryavarta” among them prominent Rudradwa, Ganapatinaga, Nagasena, etc.
  • Category 3 — Forest states (*atavirarajyas*), five Border States (*pratyantas*) and nine tribal republics / *ganas*: Line 22 of the *prashasti* refers to rulers offering tribute, obeying the orders of the Gupta kings, and coming to perform obeisance before him. Forest rulers reduced to servitude; border chiefs and republics forced to pay all kinds of taxes, obey orders and perform obeisance. The relationship between the Gupta emperor and all these groups had certain elements of a feudatory relationship.
    • Five Border States / frontier kings: Samtata / Samata (South-east Bengal), Davaka (Assam), Kamarupa (Assam), Nepala (Nepal), Kartipura / Kartripura (Kashmir / as per source labels).
    • Nine tribal republics / *ganas* subordinated: Malavas, Arjunayanas, Yaudheyas, Madrakas, Abhiras, Prarjunas, Sanakanithan / Sarakinakas, kakas / Kavas, and Kharaparikas.
  • Category 4 — Foreign and island powers / Others: Line 23 mentions some rulers rendering all kinds of service to Samudragupta, seeking the use of the Gupta garuda seal and entering into matrimonial alliances with the Guptas of their own accord. Named foreign powers: Daivaputra Shahi Shahanushahi (Kushanas), the Shaka, Murundas, dwellers of Sinhala (Ceylon) and all other islands who paid tribute. In north-west, Samudragupta claims to have impressed his might over the Shakas and the Kushanas.
  • Territorial conclusion: At the end of his reign, Samudragupta’s empire seems to have comprised much northern India, with the exception of Kashmir, Western Punjab, Rajasthan, Sindh, and Gujarat. It can be concluded that the Guptas did not create an all-India empire under their direct control but through successful military campaigns established a network of political relationships of paramountcy and subordination that extended over a large part of the subcontinent.
Assess Samudragupta’s culture, religion, Kaviraj title, court scholars and Bodh Gaya / Meghavarman episode.Culture, Religion, Kaviraj & Religious Tolerance:
  • In spite of political and military preoccupation, he cultivated music and poetry; gold coins show him playing the lyre (Veena). He was warrior, statesman, general, poet, musician and philanthropist; coins and inscriptions testify to ‘versatile talents and Indefatigable energy’.
  • According to Allahabad Prasasti’s exaggerated picture: “Samudragupta was man of many sided genius, who put to shame the preceptor of the Lord Gods and Tumburu and Narada and others by his sharp and polished intellect and musical accomplishment.” Title *Kaviraj* (King of poets) is justified by various poetical compositions — none of which have survived.
  • Important scholars in his court: Harishena, Vasubandhu and Asanga. He was a poet and musician himself.
  • Up-holder of Brahmanical religion; Allahabad inscription qualifies him as ‘Dharma-prachir bandhu’. Tolerant towards other religions: patronage to Buddhist scholar Vasubandhu; acceptance of request of Meghavarman, ruler of Sri Lanka (Ceylon), to build a Buddhist monastery at Bodh Gaya — called by Chinese traveller Xuanzang the Mahabodhi Sangharama.
  • Ashvamedha coins and coins with figures of Lakshmi and Ganga with her *vahana* makara (crocodile) testify Brahmanical faith. Described as ‘Anukampavan’ (full of compassion) and ‘as the giver of many hundreds of thousands of cows’ in the Allahabad inscription.

4. Ramagupta — Devichandraguptam, Durjanpur & Dhruvaswamini


4. Ramagupta — Devichandraguptam, Durjanpur & Dhruvaswamini
Cue WordsNotes
What literary and epigraphic evidence exists for Ramagupta, and how does the Devichandraguptam narrative run?Ramagupta — Play, Coins, Jaina Inscriptions & Succession Problem:
  • Initially known only from traditional narratives (Sanskrit play *Devichandragupta* by Vishakhadatta) and not supported by contemporary epigraphical evidence. Later, three Durjanpur inscriptions on Jaina tirthankara images from Durjanpur near Vidisha mention him as the *Maharajadhiraja*.
  • A large number of his copper coins from the Eran-Vidisha region are classified in five distinct types: Garuda, Garudadhvaja, lion and border legend types. Brahmi legends in early Gupta style. He may be the elder son and immediate successor of Samudragupta, succeeded by younger brother Chandragupta II.
  • In *Devichandragupta*, Ramagupta is portrayed as a weak and impotent king, afraid and incapable of warfare. He married by force Dhruvaswamini (Dhruvadevi), who was engaged with his brother Chandragupta II. He became King though his brother had been declared future King after Samudragupta’s death.
  • Traditional account: Ramagupta attacked Sakas in Gujarat; army trapped; Saka king Rudrasimha III demanded hand-over of wife Dhruvswamini for peace; weak king inclined to accept; Chandragupta went in disguise of the queen, killed the Saka chief, then murdered Ramagupta and married Dhruvswamini.
  • Historians still do not know what liberties Vishakadatta took; but Dhruvadevi was indeed Chandragupta II’s Chief Queen — Vaisali Terracotta Seal calls her “Mahadevi” Dhruvasvamini; Bilsad Pillar Inscription of their son Kumaragupta I (`414–455 CE`) refers to her as “Mahadevi Dhruvadevi”.
  • Official Gupta records do not refer to Ramagupta and trace succession directly from Samudragupta to Chandragupta II.

5. Chandragupta II “Vikramaditya” (A.D. 380–412)


5. Chandragupta II “Vikramaditya” (A.D. 380–412)
Cue WordsNotes
How did Chandragupta II reach the throne, and why is his reign called the high watermark / Golden Age?Accession & Zenith of Empire:
  • Samudragupta was succeeded by younger son Chandragupta II. According to some scholars, Samudragupta who died shortly before A.D. 380 was succeeded by elder son Ramagupta first.
  • During his rule the Gupta Empire achieved its zenith. Art, architecture and sculpture flourished; cultural development of ancient India reached its climax. Period of prominence often called the “Golden Age of India”.
Detail marriage alliances with Nagas and Vakatakas, and the Shaka-Kshatrapa conquest.Marriage Alliances & Conquests — Nagas, Vakatakas, Sakari:
  • Reign saw the high watermark of the empire; limits extended by marriage alliance and conquests.
  • According to the Allahabad Pillar inscription and *Devichandraguptam*, Chandragupta II married Kuberanaga of the Naga family. Nagas were a powerful ruling clan; matrimonial alliance helped expansion.
  • Marriage of daughter Prabhavati (by wife Kubernaga) with Vakataka king Rudrasena II helped establish political influence in the Deccan. Son-in-law died fortuitously in 385 CE after a very short reign; Queen Prabhavatigupta (`385–405`) ruled Vakataka kingdom as regent for two sons. During this twenty-year period the Vakataka realm was practically part of the Gupta empire. Many historians refer to this period as the Vakataka-Gupta Age.
  • Greatest victory: over the Shaka-Kshatrapa dynasty and annexation of western Malwa and Gujarat by defeating last ruler Rudrasimha III. Geographical location of Vakataka kingdom allowed Chandragupta II to defeat Western Kshatrapas once for all. After defeating Sakas he assumed title ‘sakari’.
  • Adopted title Vikramaditya (Sun of Power), first used by an Ujjain ruler King Vikramaditya who founded lunar calendar Vikram Samvat / Bikram Samwat after victory over Sakas in 56 BCE / 56/57 B.C. Title later used by 16th-century Hindu king Samrat Hem Chandra Vikramaditya as well.
  • Conquest gave Western sea coast famous for trade and commerce; contributed to prosperity of Malwa and chief city Ujjain. Ujjain seems second capital though Pataliputra continued as capital.
What do Kalidasa and Kshmendra claim about Chandragupta II’s campaigns against foreign tribes?Campaigns against Foreign Tribes — 21 Kingdoms; Brihatkathamanjari:
  • 4th century CE Sanskrit poet Kalidasa credits Chandragupta Vikramaditya with having conquered about twenty one kingdoms. After East and West campaigns he proceeded northwards, subjugated the Parasikas, then the Hunas and the Kambojas tribes located in the west and east Oxus valleys respectively; thereafter across the Himalaya reduced the Kinnaras, Kiratas etc. and lands into India proper.
  • The *Brihatkathamanjari* of Kashmiri writer Kshmendra states king Vikramaditya (Chandra Gupta II) had “unburdened the sacred earth of the Barbarians like the Sakas, Mlecchas, Kambojas, Yavanas, Tusharas, Parasikas, Hunas, etc. by annihilating these sinful Mlecchas completely”.
What does the Mehrauli Iron Pillar record about King Chandra, Vahlikas, Vanga and metallurgy?Mehrauli Iron Pillar — King Chandra, Vahlikas, Vanga, 98% Wrought Iron:
  • ‘King Chandra’ whose exploits are mentioned in the Mehrauli Iron Pillar Inscription (Qutub-Minar complex, Delhi) is identified by many scholars with Chandragupta II.
  • According to the inscription, Chandra crossed the Sindhu region of seven rivers and defeated Valhikas / Vahlikas (identified with Bactria). It also mentions victory over enemies from Vanga (Bengal).
  • Pillar erected as a flagstaff in honour of Hindu god Vishnu, in memory of Chandragupta II. A derivation of “*Natya-darpana*” by Vishakadata states the pillar had been put up by Chandragupta II himself after defeating Vahilakas as a memory of the victory.
  • Highlights ancient India’s achievements in metallurgy: made of 98% wrought iron; stood more than 1,600 years without rusting or decomposing.
  • Chandragupta II controlled a vast empire from the mouth of the Ganges to the mouth of the Indus and from what is now North Pakistan down to the mouth of the Narmada. Large number of beautiful gold coins attest imperial grandeur. He also started producing silver coins in the Saka tradition.
Describe Chandragupta II’s coin types in gold, silver, lead and copper.Coinage — Continuity, New Types, First Silver, Lead & Copper:
  • Continued most gold types of Samudragupta: Sceptre type (rare for Chandragupta II), Archer type, Tiger Slayer type. Introduced new types: Horseman and Lion-slayer (both used by son Kumaragupta I).
  • First Gupta king to issue silver coins — intended to replace silver coinage of Western Kshatrapas after defeat; modeled on Kshatrapa coinage. Main difference: replace Kshatrapa dynastic symbol (three-arched hill) by Gupta dynastic symbol (mythic eagle Garuda).
  • Silver coin of Chandragupta II, Western territories, Western Satraps style: Obv. Bust of king with corrupted Greek legend “OOIHU”; Rev. Brahmi legend “Chandragupta Vikramaditya, King of Kings, and a devotee of Vishnu”, around Garuda.
  • Also issued lead coins based on Kshatrapa prototypes and rare copper coins probably inspired by coins of another tribe he defeated, the Nagas.
What was the religious orientation of Chandragupta II and later Gupta kings?Religion — Parama Bhagavatas / Bhagavata Vaishnavas:
  • From Chandragupta II, kings of Gupta dynasty are known as Parama Bhagavatas or Bhagavata Vaishnavas.
  • The Bhagavata Purana entails fully developed tenets and philosophy of the Bhagavata tradition wherein Krishna gets fused with Vasudeva and transcends Vedic Vishnu and cosmic Hari to be turned into the ultimate object of *bhakti*.
List all Nine Gems (Navaratna) of Vikramaditya’s court with their fields and works as given in the source.Nine Gems (*Nava-ratna*) of Vikramaditya’s Court:
  • Indian tradition claims Dhanwanthari, Kshapanaka, Amarasimha, Shankhu, Khatakarpara, Kalidasa, Vetalbhatt (Vetalabhatta), Vararuchi, and Varahamihira were part of Vikramaditya’s court. The king commissioned nine men of letters called the “*nava-ratna*”. Source enumeration:
  • 1. Kalidasa: Author of the great epic ‘Shakuntala’; great poet, dramatist and most prominent scholar of Sanskrit language.
  • 2. Amarnatha / Amarasimha: Author of ‘Sanskrit Amarkosh’.
  • 3. Shapanaka / Kshapanaka: Prominent Astrologist who had achieved mastery in Astrology.
  • 4. Dhanvantri / Dhanwanthari: Doctor with mastery in science of medicine; expert in diagnosis; could prescribe different treatments for a single disease.
  • 5. Varruchi / Vararuchi: Expert Linguist and expert in Grammar.
  • 6. Varahamihira: Author of world famous epic ‘Brhatsamhita’ and mastery in Astrology; predicted the death of Vikramaditya’s son.
  • 7. Ghatakpara / Khatakarpara: Expert in sculpture and architecture.
  • 8. Shanku / Shankhu: Expert in Geography (name still well known in the field of geography).
  • 9. Vetalabhadra / Vetalbhatt: Expert in black magic & tantric sciences; Maga Brahmin known for writing the sixteen-stanza “*Nīti-pradīpa*” (lamp of conduct) in tribute to Vikramaditya.

6. Visit of Fa-Hien (405–411 CE)


6. Visit of Fa-Hien (405–411 CE)
Cue WordsNotes
Outline Fa-Hien’s itinerary, purpose, travelogue and comparison with Yuan Chwang.Journey, Scope of Account & Yuan Chwang Parallel:
  • Fa Hien / Fahien / Faxian, a Chinese Buddhist, was among the pilgrims who visited India in search of original Buddhist texts during the reign of Gupta emperor Chandragupta II (though he does not mention the name of any king in his account).
  • Started journey from China in 399 CE; reached India in 405 CE; walked from China across icy desert and rugged mountain passes; entered India from the north-west and reached Pataliputra; took back Buddhist texts and images sacred to Buddhism.
  • During stay up to 411 CE, pilgrimage to Mathura, Kanauj, Kapilavastu, Lumbini, Kushinagar, Vaishali, Pataliputra, Kashi and Rajgriha; made careful observations about the empire’s conditions. Spent rest of life translating and editing scriptures collected. Wrote a book filled with accounts of early Buddhism and geography and history of numerous countries along the Silk Roads at the turn of the 5th century CE.
  • Yuan Chwang / Huen Tsang was another Chinese who visited India during C 360–644 during the reign of King Harshavardhan; also Buddhist, came for Buddhist texts, places and authentic scriptures.
What did Fa-Hien record on political mildness, social customs, caste, punishments, revenue and hospitals?Political, Social, Economic & Religious Observations:
  • Noted peacefulness of India, rarity of serious crime, mildness of administration; possible to travel from one end of the country to another without molestation and without passports.
  • All respectable persons were vegetarians; meat-eating confined to low castes and untouchables. Most citizens did not consume onions, garlic, meat and wine. (Yuan Chwang aware of four classes and many mixed classes but no clear knowledge of caste in modern form; mentioned both vegetarian and non-vegetarian.)
  • Buddhism still flourishing, but theistic Hinduism very widespread. Record shows that in place of old sacrificial Brahminism, Hinduism has appeared. In best days of Gupta Empire Indian culture reached a perfection never again attained. Humanitarian ideas, probably encouraged by Buddhism, moderated fierce punishments of earlier days.
  • Death penalty not imposed in north India; most crime punished by fines; only serious revolt by amputation of one hand; executions rare. (Yuan Chwang, 200 years later: prisoners not executed under Harsha but left to rot in dungeons; punishments mild vs later times.)
  • Shudras / Chandalas: kept outside the town and entered by making a noise with a stick; were butchers, hunters and fishermen. (Yuan Chwang also described this.) Elsewhere source: Chandala entering gate of city or marketplace would strike a piece of wood to give prior notice so men could avoid him.
  • Government income mainly based on revenue taxes of one-sixth of total production; absence of poll-tax and land tax. “The people were rich and prosperous and seemed to emulate each other in the practice of virtue. Charitable institutions were numerous and rest houses for travelers were provided on the highway. The capital possessed an excellent hospital.”
  • Government officials given fixed income; no contribution from the people; donation prevalent. Special note of free hospitals maintained by donations of pious citizens. (Yuan Chwang: Nalanda supported by revenues of an enormous estate of one hundred villages and alms of many patrons including Harsha; free training for no less than 10,000 students with large staff.)
  • Enamored by Patliputra and the huge palace of Ashoka. According to Yuan Chwang, Patliputra was not a main city of north India; its place taken by Kannauj. Both stated economy based on agriculture; Fahien had not described varna system and marriage as Yuan Chwang did.
How does Fa-Hien describe Buddhism, Jainism, Shaiva-Vaishnava faiths and religious tolerance?Religious Landscape in Fa-Hien’s Description:
  • Detailed description of Buddhist pilgrimages; Buddhist religion divided into Mahayana and Hinayana. Saw twenty Buddha viharas in Mathura. In Kapilavastu, Gaya and Kushinagar condition was deteriorating — weakening of Buddhism.
  • Not clear from Fahien whether Brahmin religion was prevalent. Visited two viharas near the stupa of Ashoka in Patliputra — one for Mahayana monks, one for Hinayana monks. Ruler of Madhya Pradesh was a worshipper of Vishnu; mutual relation cordial and peaceful among Hindus and Buddhists — religious tolerance of society. (Yuan Chwang: Buddhism clearly declining, yet hundreds of monks resided.)
  • Fahien mentioned Jainism; no mention of Jain religion in Yuan Chwang’s texts. Fahien also mentioned Shaiv and Vaishnav religion.
  • Fahien, compared to Yuan Chwang, had not been so observant and informative on social, economic and political conditions; Yuan Chwang completely described period of Harshavardhana but Fa Hien did not mention name of Chandragupta Vikramaditya.
  • From his accounts the Gupta Empire was a prosperous period; until the Rome–China trade axis was broken with the fall of the Han dynasty, the Guptas did indeed prosper. His writings form one of the most important sources for the history of this period.

7. Kumaragupta I (412–454 A.D.)


7. Kumaragupta I (412–454 A.D.)
Cue WordsNotes
Who was Kumaragupta I, what titles and inscriptions mark his reign, and what threats did he face?Titles, Inscriptions, Threats & Coinage:
  • Chandragupta II died about A.D. 413 and was succeeded by son Kumaragupta, born of Mahadevi Dhruvasvamini.
  • Also known as Shakraditya and Mahendraditya. He erected an iron pillar, today visible at the Qutb complex in Mehraulli. (Note: Mehrauli pillar is also attributed to King Chandra / Chandragupta II in the same source — see Admin Alerts.)
  • Bilsad inscription is the oldest record of his reign — Gupta year 96 = 415 CE. Inscription on a figure of a yaksha from Mathura dated 432 CE; a pedestal (no king’s name, presumably his reign) dated 442 CE.
  • Maintained intact the vast empire of his two predecessors. Last days not good: empire threatened by rebellion of Pushyamitras (tribe settled in central India who then rebelled) and invasion of the White Huns. Kumaragupta successful in defeating both; performed the Ashvamedha to celebrate victory.
  • Tumain inscription mentions prince Ghatotkachagupta as governor of Airikina (Eran) appointed by Kumaragupta I — would have acted as buffer between Huns and Guptas when Huns extended eastward; easternmost boundary for the Huns.
  • Issued new coins with images of his namesake, Lord Kumara. Silver coin: Obv. Bust with cap decorated with crescents (derived from Western Satraps design); Rev. Garuda bird, Brahmi legend “Most devout King of Kings Kumaragupta Mahendraditya”. Gold coins also issued.
  • Founding of Nalanda University is attributed to Kumaragupta (source later links Nalanda patronage / founding with Kumaragupta and Buddhism tilt debate).

8. Skandagupta (454–467 A.D.)


8. Skandagupta (454–467 A.D.)
Cue WordsNotes
What were Skandagupta’s military achievements, titles, public works and economic stress signals?Last Powerful Monarch — Hunas, Junagadh, Debased Coinage:
  • Succeeded Kumaragupta I; perhaps the last powerful Gupta monarch. Had to fight the Pushyamitras; then faced invading Hephthalites / “White Huns” from across north-west frontiers. Crushed Huna invasion in 455 and kept them at bay — heroic feat entitled him, like Chandragupta II, to assume title of Vikramaditya; also assumed Kramaditya.
  • Wars adversely affected economy; debased gold coinage of Skandagupta bears testimony. Appears to have been the last Gupta ruler to mint silver coins in western India. Name appears in Javanese text *Tantrikamandaka*.
  • Junagarh / Junagadh inscription of his reign: public works — Sudarsana lake (originally built during Maurya times) burst due to excessive rains; in early part of his rule governor Parnadatta and his son Chakrapalita got it repaired. Junagadh rock contains inscriptions of Ashoka (fourteen of the Edicts of Ashoka), Rudradaman I and Skandagupta.
  • Last known date of Skandagupta is 467 A.D. from his silver coins.
Detail Skandagupta’s gold and silver coin types and the dinar-to-suvarna revaluation.Coinage — Four Gold Types, Four Silver Types, Revaluation:
  • Four gold types: Archer type, King and queen type, Chhatra type, Horseman type.
  • Four silver types: Garuda type, Bull type, Altar type, Madhyadesha type.
  • Initial gold coinage on old weight standard of father Kumaragupta of approximately 8.4 gm — quite scarce. At some point he revalued currency, switching from old dinar standard to new *suvarna* standard weighing approximately 9.2 gm. These later coins were all only of the Archer type; this standard and type was followed by all subsequent Gupta rulers.

9. Huna Invasion — Toramana, Mihirakula, Yasodharman


9. Huna Invasion — Toramana, Mihirakula, Yasodharman
Cue WordsNotes
Who were the Hunas/Hephthalites, what was their composition, and how did they press the Gupta frontier?Hunas / Hephthalites — Identity, Cardinal Hordes, Pressure on NW Frontier:
  • Hunas were Iranian-speaking Xionite tribes and a nomadic confederation in Central Asia who, via Khyber Pass, entered India at the end of the 5th or early 6th century and were defeated by the Indian Gupta Empire and the Indian king Yasodharman. In farthest geographical extent in India, Huna empire covered region up to Malwa in central India.
  • Central Asian Xionites consisted of four hordes in four cardinal directions: Northern Huna = Black Huns; Southern Huna = Red Huns; Eastern Huna = Celestial Huns; Western Huna = White Huns / Hephthalites.
  • Skandagupta repelled White Huna invasion in 455, but they continued to pressure South Asia’s northwest frontier (present-day Pakistan) and broke into northern India by the end of the 5th century, hastening disintegration of the Gupta Empire. Initial Huna or Alxon raids on Gandhara took place in late 5th and early 6th century AD upon death of Skandagupta (`455–470`). Based on Chinese and Persian histories, Hunas conquered Gandhara from the Ki-to-lo (Kidarites) in 475 AD.
Detail Toramana’s conquests, sources and defeat by Bhanugupta.(a) Toramana:
  • Ruler of the Hephthalite Empire; established rule over Gandhara and western Punjab; consolidated Hephthalite power in Punjab; conquered northern and central India including Eran in Madhya Pradesh; territory also included Uttar Pradesh, Rajasthan and Kashmir.
  • Defeated by Indian Emperor Bhanugupta of the Gupta Empire in 510 A.D. Known from *Rajatarangini* (by Kashmiri Brahman Kalhaṇa of 12th century CE), coins and inscriptions — including the Gwalior inscription in Sanskrit.
  • Succeeded by son Mihirakula in 520.
Detail Mihirakula’s empire, Sakala capital, defeats by Yasodharman and Baladitya, Sondani pillars and later career.(b) Mihirakula — Sakala, 528 Defeat, Sondani, Kashmir Aftermath:
  • One of the most important Hephthalite emperors; empire in present-day territories of Afghanistan, Pakistan and northern and central India. Capital Sakala / modern Sialkot in Pakistani Punjab. Guptas continued to resist and allied with neighbouring Indian states.
  • Gwalior inscription issued in the 15th regnal year of Mihirakula shows territory at least included Gwalior in Madhya Pradesh.
  • Suffered defeat by Aulikara king Yasodharman of Malwa in 528, and by Gupta emperor Narasimhagupta Baladitya who previously paid Mihirakula tribute.
  • According to Huen-tsang: Hunas suffered defeat by Yasodharman of Malwa in 528; by 542 Mihirakula driven off the plains of northern India, taking refuge in Kashmir where the king received him with honor. After a few years he incited a revolt against the king of Kashmir and seized power; then invaded Gandhara westward, killed many inhabitants and destroyed Buddhist shrines. Claimed to be a worshipper of Shiva.
  • Twin monolithic pillars at Sondani in Mandsaur District erected by Yasodharman as record of victory. Victory mentioned in sentence “Ajay Jarto Hunan” — refers to defeat of Huns by the Jats under leadership of Yasodharman.
  • Three inscriptions of Yasodharman found in Mandsaur; one of samvat 589 (`532 AD`). Yasodharman acquired title of Vikramaditya.
  • Kashmiri poet Kalhana mentioned three Kalidasas. The second Kalidasa, who wrote ‘Raguvansha’ and ‘Jyotirvidabharan’, was court poet of Yasodharman. According to some analysts, Kalidasa mentioned victories of Yasodharman as ‘Raghu digvijaya’.
  • Bijayagadh Stone Pillar Inscription of Vishnuvardhana (son of Yasodharman), locally known as Bhim ki Laţ, erected at Bayana in Bharatpur district, also mentions Yasodharman.
What became of later Hunas and how do they relate to Gurjars and Rajputs in the source?(c) Later Hunas:
  • After the end of the 6th century little is recorded in India about the Huna. They may have had matrimonial alliance with Gurjars; others cite assimilation into the dominant Gurjar community. Huna is one minor gotra among Gurjars.
  • In northwestern India, the Rajputs formed “as a result of the merging of the Hephthalites and the Gujars with population from northwestern India.” However, this is disputed.

10. Later Gupta Rulers and Decline to 550 CE


10. Later Gupta Rulers and Decline to 550 CE
Cue WordsNotes
Trace succession after Skandagupta and the course of imperial disintegration to c. 550 CE.Uncertain Succession & Disintegration:
  • Skandagupta died about A.D. 467; line of succession after him very uncertain. Followed by weak rulers: Purugupta (`467–473`), Kumaragupta II (`473–476`), Budhagupta (`476–495?`), Narasimhagupta Baladitya, Kumaragupta III, Vishnugupta, Vainyagupta and Bhanugupta — whose kingdom in the plains of Northern India was continuously attacked by the Hunas.
  • In the 480’s Hephthalites broke through Gupta defenses in the northwest; much of the empire in northwest overrun by the Hun by 500. Empire disintegrated under attacks of Toramana and successor Mihirakula. Inscriptions show Guptas, though much diminished, continued to resist. Hun invader Toramana defeated by Bhanugupta in 510 CE.
  • Huns defeated and driven out of India in 528 AD by a coalition of Gupta emperor Narasimhagupta and king Yashodharman from Malwa.
  • Guptas continued to rule till about 550 A.D., but by then their power had already become very insignificant.
What sources document Purugupta, Budhagupta, Vishnugupta, Vainyagupta and Bhanugupta?Individual Later Rulers — Seals, Pillars, Copper Plates:
  • Purugupta: No inscription found so far. Known from Bhitari silver-copper seal of grandson Kumaragupta III and Nalanda clay sealings of sons Narasimhagupta and Budhagupta and grandson Kumaragupta III. From Saranath Buddha image inscription concluded he was succeeded by Kumaragupta II.
  • Budhagupta: Successor of Kumaragupta II; predecessor of Narasimhagupta Baladitya. Close ties with rulers of Kannauj kingdom; together sought to rule Huns out of fertile plains of Northern India. Eran stone pillar inscription of two brothers Matrivishnu and Dhanyavishnu mentions Budhagupta as their emperor (*Bhupati*). Sandstone pillar setup in reign of Budhagupta; total height of column 43 feet including 5 feet high statues on top. Varaha Temple in Eran — inscription on neck of the boar — 8 lines Sanskrit Brahmi — dated in reign of Hun king Toramana — records building of temple by Dhanyavishnu, younger brother of deceased Maharaja Matrivishnu. Buddha image inscription from Mathura dated in Budhagupta’s reign shows authority extended to Mathura in the north.
  • Vishnugupta: From fragment of clay sealing at Nalanda excavations of `1927–28` — son of Kumaragupta III and grandson of Narasimhagupta Baladitya.
  • Vainyagupta: Known from fragmentary clay sealing at Nalanda and Gunaighar copper plate dated Gupta era 188 (`507 CE`). In Nalanda sealing: *Maharajadhiraja* and *paramabhagavata* (devout worshipper of Vishnu); Gunaighar plate: *Maharaja* and *Bhagavan Mahadeva padanudhyato* (devotee of Shiva).
  • Bhanugupta: Stone pillar inscription — Sanskrit — year 191 of Gupta Era (`510–11 CE`) — on a pillar turned into a Shivalinga, found by Cunningham. Does not mention reign of any particular sovereign king but a certain Bhanugupta who might not be sovereign but some king of the Gupta family. Non-sectarian; in company of Bhanugupta (great ruler), chieftain Goparaja came to Eran, fought a battle with the Maitras, Goparaja was killed, and his wife accompanied him by cremating herself on his funeral pyre near where the pillar was setup — probably the earliest record of Sati tradition. Various Sati Pillars from Early Medieval to Modern Period noticed in Eran; Saka Samvat used in all Sati Pillars; prayer to God at beginning; after Samvat and date, epigraph gives name of dead person and wife who became Sati along with him.
Enumerate all causes of Gupta decline given in the source without omission.Causes of Decline of the Guptas (Source Enumeration):
  • 1. Huna invasions — main cause for decline of Gupta power.
  • 2. Competition from the Vakatakas and rise of Yashodharman in Malwa. Yasodharman set up in 532 A.D. pillars of victory commemorating conquest of almost the whole of northern India. Rule short-lived but severe blow to Gupta Empire.
  • 3. Internal attacks of the Pushyamitras — identified with the Patumitras and Durmitras of the Puranas — caused notable destabilization.
  • 4. Succession of weak rulers after Skandagupta.
  • 5. Administrative weakness: Guptas made no efforts to impose effective control over their regions. Control effective only as long as powerful rulers occupied the throne and exercised authority effectively.
  • 6. Crisis of succession / weak monarchs led local chiefs to declare independence → constant military preparedness → crippling of financial resources. Though Skandagupta thwarted early Huna attacks, the struggle disrupted international trade of north-western India and eroded one of the most important financial bases of the Guptas.
  • 7. Regional powers asserting independence by end of 5th and beginning of 6th century AD, taking advantage of chaotic condition. For some historians, beginning of feudalization of polity, economy and society — land grants first to religious and later to secular beneficiaries resulted in loss of revenue and diminished administrative control; growing importance of *Samantas* weakened central authority.
  • 8. Alleged tilt towards asceticism of Buddhism during reign of Kumaragupta and Buddhagupta — founding of Nalanda by Kumaragupta and patronage of Buddhist learning by Buddhagupta as index of tilt towards Buddhism that advocates non-violence. Source notes counterpoint: patronage of Buddhist educational institutions does not mean they renounced violence for protection of territories, nor is there conclusive evidence they disowned royal duties and spent lives as ascetics embracing Buddhist philosophy.
  • Summary cluster also listed: divisions within the imperial family; concentration of power in hands of local chiefs or governors; loose administrative structure; decline of foreign trade; growing practice of land grants for religious and other purposes — all contributed towards disintegration.

11. Gupta Administration


11. Gupta Administration
Cue WordsNotes
How did Gupta kingship titles and theory of royal power differ from the Mauryas?Kingship — Monarchical State, Pompous Titles, Super-human Epithets, Limited Primogeniture:
  • The Gupta empire was essentially a monarchical state system as all the decision-making powers were in the hands of the Gupta monarchs. The King was the embodiment of all powers.
  • Unlike the Mauryas, Guptas adopted pompous imperial titles such as *Parameshvara*, *Maharajadhiraja*, *Paramabhattaraka* / *parama-bhattaraka*, etc., which imply existence of lesser kings with considerable authority within the empire.
  • They added other epithets claiming super-human qualities which raised them almost to the level of gods. In the Allahabad Pillar Inscription / *prashasti*, Samudragupta is referred to as a god dwelling on earth.
  • Kingship was hereditary, but royal power was limited by the absence of a firm practice of primogeniture.
List the Council of Ministers and high imperial officers with functions (Sandhivigrahika, Kumaramatya, Dandanayakas, Baladhikrita, Mahapratihara, Khadyatapakita).(1) Central Administration — Council of Ministers and High Functionaries:
  • Guptas continued traditional machinery of bureaucratic administration but it was not as elaborate as that of the Mauryas.
  • The King was assisted by a council of ministers. The ministers were known by various designations like *mantrin*, *amtya* / *amatya*, *sachiva* and were most probably hereditary.
  • *Mantri* (chief-minister) stood at the head of civil administration.
  • *Sandhivigrahika* (minister for peace and war / foreign minister) — high ranking official heard for the first time in Gupta records; in-charge of the conduct of relations with the other states, including initiating war and concluding alliances and treaties.
  • *Kumaramatya* — pre-eminent among the *amatyas* and equivalent in status to princes of royal blood. *Kumaramatyas* were variously attached to the king, crown prince, revenue department or a province. Together with *Ayuktas*, they formed the link between central and provincial administration. *Kumaramatyas* were high officers and personal staff of the emperor, appointed by the king in home provinces and possibly paid in cash. Recruitment not confined to upper varnas only; several offices combined in same person; posts became hereditary — naturally weakened royal control. *Ayuktas* entrusted with restoring wealth of kings conquered by the emperor and sometimes placed in charge of districts or metropolitan towns.
  • *Dandanayakas* — high-ranking judicial or military officers. Related form: *Mahadandanayaka* (general).
  • *Baladhikrita* / *Baladhikarta* — Commander-in-chief of the army. Related higher form: *Mahabaladikarta* / *Mahabaladhikarta* (commander-in-chief), probably corresponding to *Mahasenapati* of Satavahana kings; controlled subordinate officers such as *Mahashvapati* (Commander of cavalry / chief of cavalry), *Mahapilupati* (officer in charge of elephants), *Senapati* and *Baladhikarta*.
  • *Mahapratihara* — Chief of the palace guards.
  • *Khadyatapakita* — Superintendent of the royal kitchen.
Describe provincial administration: deshas/bhuktis, Uparikas, Goptri, military and waterworks roles.(2) Provincial Administration — *Deshas* / *Bhuktis*, *Uparikas*, *Goptri*:
  • Hierarchy of administrative divisions from top to bottom. Empire called by various names: *Rajya, Rashtra, Desha, Mandala, Prithvi, Avani*. Divided into 26 provinces styled as *Bhukti, Pradesha, Bhoga*. The Gupta empire was also described as divided into provinces known as *deshas* or *bhuktis*.
  • *Uparikas* — governors appointed by the king; carried on the administration of the *bhuktis*; assumed epithets like *maharaja*, *bhattaraka*, and *rajaputra*; also had military functions; appointed head of the district administration and the district town board. Provinces/divisions called *bhuktis* governed by *Uparikas* directly appointed by the kings.
  • *Goptri* — Skandagupta’s Junagarh inscription talks about Parnadatta as *Goptri* of Saurashtra; perhaps it was another term for the governor.
  • The provincial government also played important role in the repair of waterworks — e.g. repair of Sudarshana lake after it burst its embankments.
Describe district, municipal, vithi and village administration including Nagara-sreshthin, Sarthavaha, Prathama-kulika, Prathama-kayastha, Pustapalas, Asthakuladhikarana, Pancha-mandali.(3) District, Town Board, *Vithis* and Village Administration:
  • The provinces of the Gupta empire were divided into districts known as *vishayas*. *Vishyapati* — head of the *vishayas*, appointed by the provincial governor. Province often also ruled by *Kumaramatyas*, *Ayuktas* or *Vishayapatis* — appointment made by provincial governors.
  • *Vishyapati* assisted in administrative duties by prominent members of the town. Gupta inscriptions from Bengal: Municipal board — *Adhisthanadhikarana* associated representation from major local communities:
    • *Nagara-sreshthin* / *Nagarasresthi* — Chief merchant/banker; guild president
    • *Sarthavaha* — Chief caravan trader
    • *Prathama-kulika* / *Prathama Kulika* — Chief artisan
    • *Prathama-kayastha* / *Prathama Kayastha* — Chief scribe or an officer in-charge of revenue collection
  • Besides them, for town administration: *Pustapalas* — officials to manage and keep records; mayor of the city called *Purapala*.
  • Below district — *Vithis*: clusters of settlements; administered by *ayuktakas* and *vithi-mahattaras*. In eastern India, *vishayas* divided into *vithis*, again divided into villages.
  • *Grama* (village): *Gramika* and *gramadhyaksha* / *Gramapati* played important functions (village headman). *Mahattaras* — Village elder, village headmen or head of a family or community. *Ashtakula-adhikarana* / *Asthakuladhikarana* — a board of eight members headed by the *mahattaras* (Rural Board in Gupta inscriptions from north Bengal, comprising village elders *Mahattaras*, also including village headman *Gramika* and householders *Kutumbins*). *Pancha-mandali* — may have been a corporate village body.
  • With absence of close state supervision, village affairs managed by leading local elements. No land transactions without their consent. Village disputes settled by these bodies with help of *Grama-vriddhas* or *Mahattaras* (village elders).
Analyse Gupta military organisation, weapons, navy and dependence on feudatories.(4) Army:
  • Best accounts come not from Hindus themselves but from Chinese and Western observers. Contemporary Indian document *Siva-Dhanur-veda* offers insight into military system.
  • Numerical strength not known. In contrast to Mauryas, Guptas do not seem to have possessed a big organized army. Probably troops supplied by feudatories constituted major portion of military strength. Guptas did not enjoy monopoly of elephants and horses. This led to increasing dependence on feudatories who wielded considerable authority at least on fringes of the empire. Chariots receded into background; cavalry came to forefront.
  • Guptas apparently showed little predilection for horse archers, despite these being a main component in ranks of Scythian, Parthian and Hepthalite (Huna) enemies. However Gupta armies were probably better disciplined. Able commanders like Samudragupta and Chandragupta II would have understood need for combined armed tactics and proper logistical organization. Military success likely stemmed from concerted use of elephants, armored cavalry and foot archers.
  • Relied heavily on infantry archers; bow one of the dominant weapons. Indian longbow reputedly powerful — great range and penetration; effective counter to invading horse archers. Iron shafts used against armored elephants; fire arrows part of bowmen’s arsenal. India historically had prominent reputation for steel weapons, including steel bow. Archers frequently protected by infantry with shields, javelins and longswords. Gold coin of Gupta era depicts a Gupta king holding a bow.
  • Guptas also maintained a navy, allowing control of regional waters. Collapse before Huna onslaught was due not directly to inherent defects of Gupta army (which had initially defeated these people under Skandagupta) but more likely internal dissolution sapping ability to resist foreign invasion.
  • *Mahabaladhikarta* controlled staff of subordinate officers. Army paid in cash; needs looked after by officer in-charge of stores called *Ranabhandagarika*.
Explain Gupta revenue theory (Narada, Kamandaka), revenue department officers, and every fiscal term (bhaga, kara, bali, udranga, uparikara, hiranya, bhoga, shulka, vata-bhuta, halirakara, klipta, upaklipta).(5) Revenue Administration — Theory, Department, Fiscal Terms:
  • Land revenue was the most important / main source of the state’s income during the Guptas, besides fines.
  • Narada Smriti / *Narada-smiriti*: asserts that subjects owe the king revenue as a reward for the protection he provides them; states that one-sixth of the agricultural produce should be taken as land revenue — called *bhaga*.
  • Kamandaka’s *Nitisara*: advises the king to be like a florist or milkman in matters of taxation — just as cows have to be tended at certain times and milked at others, and just as a florist takes care of his plants and sprinkles water on them, besides cutting them — similarly the king should help his subjects with money and provisions at certain times and tax them at others. However, Kamandaka warns sternly that royal officials who become rich through ill-gotten gains should be bled like a surgeon bleeds a swelling abscess. The *Nitisara*, like the *Arthashastra* before it, emphasizes the importance of the royal treasury and mentions various sources of revenue. The many ambitious military campaigns of kings like Samudragupta must have been financed through revenue surpluses.
  • *Akshapataladhikrita*: keeper of royal records. In Samudragupta’s time an officer Gopasvamin / Gopasramin working as *Akshapataladhikrita* — duty to enter numerous matters in accounts registers, recover royal dues, check embezzlement and recover fines. The spurious Gaya copper plate inscription refers to Gopasvamin, the *akshapataladhikrita* of Samudragupta, as having ordered the copper plate to be inscribed.
  • *Pustapalas* (record-keepers): a number of *pustapalas* maintained records of land transfers; another prominent high official form *Pustapala*. Gupta kings maintained a regular department for proper survey and measurement of land as well as for collection of land revenue.
  • There were also taxes like *uparikara*, *kara*, *bhoga*, *bali*, *hiranya*, and *udranga*. *Sulka* / *shulka* was the commercial tax / tolls; the organization of traders had to pay. Urban sources of revenue included *shulka* or tolls. The Bihar stone pillar inscription of Skandagupta refers to an official called the *shaulkika* — collector of *shulka*.
  • *Bhaga*: king’s grain share; Narada Smriti describes as 1/6th of the agricultural produce. Supported indirectly by the Paharpur and Baigram plates, which state that 1/6th of the merit accruing from a donation, probably the equivalent of his standard grain share, would go to the king. But 1/6th was a conventional figure, and there is no information regarding the actual amount realized by ancient states from farmers. Even the Manu Smriti (earlier period) indicates as much when it states that the king should take 1/6th, 1/8th, or 1/12th of the crop yield from his subjects.
  • *Bhoga* and *Kara*: inscriptions of the Guptas and other contemporary dynasties often mention *bhoga* and *kara* along with *bhaga*. *Bhoga* may have referred to the periodical supplies of fruit, firewood, flowers, etc. that villagers were obliged to give to the king. *Kara* was a generic term for taxes; also variously interpreted as a property tax; an emergency tax levied on traders, artisans, and others; an agrarian tax over and above the king’s customary share; or a periodical tax levied on villagers.
  • *Bali*: known from earlier times; interpreted as a generic term for taxes; the king’s grain share (i.e., the same as *bhaga*); a tax on the area of land; or a religious cess.
  • *Uparikara*: may have been a tax imposed on farmers without any proprietary rights in the soil; a tax on temporary tenants; or an additional cess.
  • *Udranga*: may have been a tax on permanent tenants; or related to *dranga*, which, according to the *Rajatarangini*, was a watch station — by extension, a sort of police tax levied on a district for the maintenance of the local police station; yet another interpretation connects *udranga* to *udaka*, suggesting it may have been a water tax.
  • *Hiranya*: generally understood as the king’s share of the agricultural produce in cash; may have been a levy in addition to the standard tax realized in grain or its cash equivalent.
  • Other taxes: *Vata-bhuta* may refer to cesses for the maintenance of rites performed for the winds and spirits. *Halirakara* has been interpreted as a plough tax, or alternatively as an extra tax imposed on the area that could be cultivated by one plough in a single season.
  • Vakataka fiscal terms (also in Gupta-period Deccan context): Vakataka inscriptions mention the terms *klipta* and *upaklipta*; they also refer to *vishti* or forced labour. According to D. C. Sircar, *klipta* may have meant a purchase tax or a sale tax, while Maity suggests it may not refer to a tax at all but to some royal right over land. The *upaklipta* may have referred to some additional or minor taxes.
  • Sources of state income included royal monopolies on treasure trove, deposits, mines, and salt reserves. Villagers were obliged to provide royal officers on tour with grass for animals, hides for seats, and charcoal for cooking. Villages made into *agraharas* were exempted from such obligations.

12. Gupta Economy — Agriculture, Land Grants, Crafts, Trade


12. Gupta Economy — Agriculture, Land Grants, Crafts, Trade
Cue WordsNotes
What land types, measures and irrigation devices defined Gupta agriculture?Agriculture — Ownership, Land Types, Measures, Irrigation:
  • Agricultural crops constituted main resources society produced; major part of state revenue came from agriculture. Many scholars argue the state was exclusive owner of land. Most decisive argument: Paharpur copper plate inscription of Buddhagupta. Though land was to all intents and purposes that of the peasants, the king claimed theoretical ownership.
  • Types of land in inscriptions:
    1. *Kshetra* — land under cultivation
    2. *Khila* — uncultivable land
    3. *Aprahata* — forest land
    4. *Gopata Sarah* — pasture land
    5. *Vasti* — habitable land
  • Different land measures in different regions: *Nivartana*, *Kulyavapa*, *Dronavapa*.
  • Importance of irrigation recognized from earliest times. According to Narada smriti, two kinds of dykes: (1) *Bardhya* — protected field from floods; (2) *Khaya* — served purpose of irrigation. Canals meant to prevent inundation mentioned by Amarasimha as *jalanirgamah*. Tanks variously called according to size: *vapi*, *tadaga*, *dirghula*. Another irrigation method: use of *ghati-yantra* or *araghatta*.
Explain Agrahara, Devagrahara and secular land grants and their feudal implications.Land Grants — Agrahara, Devagrahara, Secular Grants:
  • Sources suggest important changes in agrarian society. Feudal development surfaced under Guptas with grant of fiscal and administrative concessions to priests and administrators. Started in Deccan by Satavahanas; became regular affair in Gupta times.
  • Religious functionaries granted land free of tax forever; authorised to collect from peasants all taxes which could have otherwise gone to the emperor. Religious grants of two types:
    1. *Agrahara* grants — meant for Brahmanas; perpetual, hereditary and tax-free, with assignment of all land revenue.
    2. *Devagrahara* grants — made to secular parties such as writers and merchants, for purpose of repair and worship of temples.
  • Secular grants to secular parties evident from a grant by the Uccakalpa dynasty: two villages bestowed as a mark of favour, in perpetuity with fiscal and administrative rights upon a person called Pulindabhatta.
  • Epigraphic evidence of land grants to officers for administrative and military services is lacking, though such grants cannot be ruled out. Designations such as *bhagika* and *bhogapalika* suggest some state officials may have been remunerated by land grants.
How did land grants, subinfeudation and vishti undermine the peasantry?Position of Peasantry — Serfdom, Subinfeudation, Vishti:
  • Land grants paved the way for feudal development in India. Several inscriptions refer to emergence of serfdom — peasants attached to their land even when it was given away. In certain parts, position of independent peasants undermined; reduced to serfs or semi-serfs.
  • Repression also caused by right of subinfeudation granted to recipients of land grants — often authorised to enjoy the land, get it enjoyed, cultivate it or get it cultivated. Donated land could be assigned to tenants on certain terms; also implied donee’s right to evict tenants. Subinfeudation reduced permanent tenants to tenants-at-will.
  • Position of peasants also undermined from Gupta period onwards on account of imposition of forced labour (*Vishti*) and several new levies and taxes.
What crafts, industries, metals and sites illustrate Gupta industrial production?Crafts Production and Industry:
  • Crafts production covered a wide range. Texts like *Amarakosha* of Amarasimha and *Brihat Samhita* list many items, Sanskrit names and categories of craftsmen. Important sites — Taxila, Ahichchhatra, Mathura, Rajghat, Kausambi, Pataliputra — have yielded earthen wares, terracottas, beads of different stones, objects of glass, items of metals, etc.
  • Different varieties of silk cloth, called *Kshauma* and *Pattavastra*, mentioned in texts of this period. An inscription of fifth century from Mandasor in western Malwa refers to a guild of silk weavers who had migrated from south Gujarat and settled in the Malwa region — indicates decline in trade and commerce.
  • Among various industries, mining and metallurgy occupied the top position. *Amarakosha* gives comprehensive list of metals. Iron most useful; blacksmiths only next to peasants in rural community. Most eloquent evidence of high metallurgy: Mehrauli iron pillar of King Chandra (usually identified as Chandragupta II). Significant development: manufacture of seals and statues, particularly of the Buddha.
  • Contemporary literature testifies to wide use of jewellery; ivory work remained at a premium; stone cutting and carving; cutting, polishing and preparing of precious stones — jasper, agate, carnelian, quartz, lapis-lazuli, etc., associated with foreign trade. Pottery remained basic industrial production though elegant black-polished ware no longer used; ordinary red ware with brownish slip produced in large quantities; some made more opulent by addition of mica giving metallic finish.
Analyse Gupta trade organisation, decline of long-distance trade, guilds, interest rates and currency.Trade and Commerce — Merchants, Decline Factors, Guilds, Coinage:
  • Not much material change in trade routes, commercial organization, currency systems, trade practices vs previous phase. Two types of merchants: *Sresthi* (usually settled at a particular place, eminent position) and *Sarthavaha* (caravan trader). Articles of internal trade: all sorts of commodities for everyday use, chiefly sold in villages and town markets. Luxury goods formed principal articles of long-distance trade. *Narada smriti* and *Brihaspati smriti* laid down many regulations governing trade practices.
  • Decline in long-distance trade because: (1) Silk and spices were chief Indian export articles of Indo-Roman trade; by middle of sixth century silk worms secretly brought overland from China and introduced into Byzantine Empire — adverse effect on India’s trade with the west; later expansion of Arabs under banner of Islam may have further disrupted India’s trade. (2) Indian merchants began to rely more heavily on South-East Asian trade; establishment of Indian trading stations in various parts of South-east Asia meant diversion of income to this region. Commercial prosperity of Gupta era was concluding phase of economic momentum begun in preceding period.
  • Guilds (*nigama*, *sreni*) continued as major institution in manufacture and commercial enterprise; almost autonomous in internal organization; government respecting their laws generally drafted by larger body — corporation of guilds — of which each guild was a member. Each guild had a president called *Prathama* or *Pravara*. Some industrial guilds such as silk weaver’s guilds had their own separate corporation responsible for large-scale projects (e.g. endowments for building a temple). Buddhist Sangha by now rich enough to participate in commercial activities.
  • Rate of interest on loans varied by purpose. High rates demanded in Mauryan period on overseas-trade loans no longer demanded — increased confidence in overseas trade. Average rate now twenty percent per annum as against two hundred and forty of earlier period — also indicates greater availability of goods and decrease in rates of profit.
  • Commercial decline indicated by paucity of coins of common use. Guptas issued the largest number of gold coins (*dinaras*) in ancient India; but these hardly flowed into day-to-day private economic relations. Copper and silver coins of the period are few. Fa-Hien tells us that cowries became the common medium of exchange. Economy largely based on self-sufficient units of production in villages and towns; money economy gradually becoming weaker. Languishing trade explains decline of urban centres at least in the Gangetic plains (heartland of Gupta Empire).
  • External factors in late period: decline of Western Roman Empire and disruption of Central Asian Silk routes by Huna invasions choked international markets; sparked decay of urban trade guilds and migration of silk-weaver guilds to rural interiors (Mandasor inscription).

12A. Land Ownership & Tenure Master Note (Ancient India)


12A. Land Ownership & Tenure Master Note — Communal vs Royal vs Private Debate
Cue WordsNotes
What three forms of land ownership have dominated the scholarly debate on ancient India?The Ownership Debate — Three Poles: The debate regarding the ownership of land in ancient India has focused on assessing the evidence for **communal/corporate ownership** (i.e. ownership in the hands of the village community), **royal ownership**, and **private ownership**.
What evidence supports communal/corporate land rights, and where does it fall short of full ownership?Communal / Corporate Ownership: Although the Dharmashastra texts have a great deal to say about property, their opinions on land rights vary considerably, and contradictory statements are sometimes made within the same text. Certain texts suggest that the **village community** had an important say in land-related matters, even if this did not amount to full-fledged ownership. For instance, the village community was assigned an important role in settling **boundary disputes** and the **sale of land**, and the king was supposed to **inform it when he made a gift of land**. According to **Vishnu Smriti** and earlier **Manu Smriti**, **pasture land** was community property and could not be partitioned. The village community seems to have exercised rights over **water resources** as well.

A few earlier sources assert the individuality of landed property, i.e., it could not be divided. The Gautama Smriti states that what is considered yoga-kshema (livelihood) cannot be divided. Similarly, the 4th/3rd century BCE Mimansa Sutra of Jamini states that the earth is common to all and even an emperor cannot give away all his land. This opinion was confirmed several centuries later by Shabarasvamin (4th Century CE) in his commentary on the Mimansa Sutra. A few inscriptions can also be cited to support the idea that in ancient India, land was considered the property of the village community.

What literary, Greek and Smriti evidence supports royal ownership, and what counter-traditions reject it?Royal Ownership: Much more evidence can be cited to support royal ownership. For the earlier period, there are the references in **Greek texts** that quote **Megasthenes** as saying that all land in India was owned by the King. While the intimate connection between the king and the earth is frequently invoked in ancient Indian texts, there are several more specific statements in the Dharmasastras that can be used to argue that the king owned the land and this was considered the justification for taxation. For instance, according to **Manu Smriti**, the king is entitled to **half a share of the ore** dug out of mines because he is the lord of the earth and gives protection.

The law books of the Gupta period reflect the growth of royal power and authority and make a stronger assertion of the king’s ownership of the soil, but also reveal some ambivalence. The Katyayana Smriti states that the king is the owner of the soil (bhu-swamin) and hence can claim 1/4th of the farmers’ produce. However, the very next verse states that because they dwell on the land, human beings are declared to be its owners. The Narada Smriti gives the king the right to divest the peasant of his field and house, but at the same time advises him not to resort to such a drastic measure as these are the householders’ means of subsistence.

An unequivocal assertion of the royal ownership of land is found in certain later sources such as a commentary on the Narsimha Puranam, which states that land belongs to the king and not to the cultivators, and in Bhattaswamin’s 12th century commentary on the Arthasastra, which seems to justify taxation on the ground of the royal ownership of the land.

On the other hand, from early times there was a school of thought that rejected the idea of the king’s ownership of land and declared taxation to be the king’s wages for the protection he provided to his subjects. Jamini and Shabara were the strongest proponents of this view. Inscriptions, especially land grants, have also been cited as proof of the royal ownership of land. However, although land grants indicate that the state or the king owned some land, they do not necessarily indicate that this applied to all land. That the king was not the absolute owner of all land is also indicated by inscriptions recording the purchase of land by kings for the purpose of pious donation.

When did private property in land emerge in north India, and what legal issues do the lawbooks treat?Private Property: In north India the institution of private property in land emerged in about the **`6th century BCE`**. This institution was well entrenched by **`300 to 600 CE`**. The lawbooks of this period discuss and distinguish between the issues of **possession**, **ownership** and **legal title** to property in general and land in particular. Laws regarding the **partition**, **sale** and **mortgage** of land are laid down. Literary references to various types of private land transactions are matched by those from inscriptions. Numerous inscriptions record the **purchase of land by individuals** for the purpose of donation to Brahmanas or religious institutions.
How can communal, royal and private evidence be reconciled for the period from c. 300 CE?Reconciliation — Hierarchy of Rights under Theoretical Royal Lordship: Epigraphic references suggesting corporate or communal ownership are **very few** and belong to an **early period**. And although the village community — or at least its dominant section — may have had a say in land-related matters, this did not amount to corporate or communal ownership.

On the other hand, from c. 300 CE onward, literary and epigraphic evidence can be marshalled to argue for both royal and private land ownership. The answer seems to be that from c. 300 CE onward, the king was considered the lord of all the land, but not the owner in the legal sense. Private property in land existed under the umbrella of a somewhat vague or largely theoretical notion of ultimate royal control, and the king’s claims did not preclude the rights of private individuals. Some tracts of land were under direct royal control. Private ownership prevailed outside these tracts.

It should also be remembered that notions of ownership in ancient India were not necessarily identical to modern Western ones, and the sources sometimes suggest a hierarchy of land rights rather than exclusive or absolute ownership rights. For instance, one of the Ashrafpur plates (7th/8th Century CE) from Bangladesh speaks of a plot of land that was enjoyed by a person named Shravantara, cultivated by Shikhara and others, and donated by the king to a Buddhist monk named Sanghamitra.


→ Dharmashastra Views on Property — Acquisition, Possession, Legal Title
Cue WordsNotes
What rights constitute ownership, and what lawful ways of acquiring property do the Smritis list?Ownership Rights and Modes of Acquisition: The **Gautama Dharmasastra** and **Manu Smriti** describe ownership rights as consisting of the right to do whatever the owner wanted to do with the property and specifically mention the right to **sell**, **gift**, and **mortgage**.
TextWays of Acquiring Property / Wealth
Gautama DharmasastraInheritance; purchase; partition; acceptance; finding
Manu Smriti (7 lawful ways of acquiring wealth)Inheritance; finding or donation; purchase; conquest; lending at interest; doing some work for others; accepting a gift
Brihaspati Smriti (7 ways of acquiring immovable property)Through learning; purchase; mortgage; valor; marriage; inheritance; succession to the property of an heirless kinsman
Narada SmritiInheritance; gifts made through love; and gifts brought into the home by the wife as the three sorts of wealth for all — then distinguishes ways in which members of the four varnas acquire wealth through their specific vocation
How do Manu, Narada and Brihaspati treat long possession versus legal title — including the 30-year and three-generation rules?Possession vs Legal Title — Contradictory Strands: On the subject of possession and legal title, the **Manu Smriti** states that the field belongs to him who first removes the weed and the deer to him who first wounds it. Both the **Narada** and **Brihaspati Smritis** state that **long and uninterrupted possession** is a ground for claiming ownership of property. The Narada Smriti states that if the owner of a piece of land is unavailable, dead, or unable to cultivate his land, a stranger who tills the land without being opposed by the owner should be allowed to keep the produce. According to the Brihaspati Smriti, if a person has enjoyed unopposed and uninterrupted possession of land for **30 years**, it cannot be taken away from him and the ownership rights of the original owner stand null and void. However, this does not apply if the person who is enjoying the property is a **friend or relative** of the original owner. Nor does a **king**, **minister**, or **learned Brahmana** become legal owner of property simply due to long-term possession. According to both the Narada Smriti and Brihaspati Smriti, if property has been enjoyed by **three generations** and has passed into the **fourth**, legal title becomes unnecessary and it cannot be taken away.

However, these texts also contain statements to the effect that long-term possession does not give a person legal rights over property. The Yajnavalkya and Brihaspati Smritis distinguish between mere possession of land and legal title. According to the Brihaspati Smriti and Narada Smriti, mere possession does not create proprietary rights; legal title is necessary to validate possession. The Narada Smriti lays down rules about illegal possession, and states that a person who cannot produce evidence of legal title to property has to be considered as a thief, even if he enjoyed possession for a hundred years.

→ Types of Land (Amarakosha 12 + Inscriptional Vocabulary)


→ Types of Land (Amarakosha 12 + Inscriptional Vocabulary)
Cue WordsNotes
List the 12 types of land in the Amarakosha with their meanings.Amarakosha — 12 Types of Land: The *Amarakosha* lists **12** types of land:
Sanskrit TermMeaning
UrvaraFertile
UsharaBarren
MaruDesert
AprahataFallow
ShadvalaGrassy
PankilaMuddy
JalaprayamanupamWet
KachchaAdjacent to water
SharkaraFull of pebbles and pieces of limestone
SharkavatiSandy
NadimatrikaWatered by a river
DevamatrikaWatered by rain
What land-type terms appear in inscriptions, and which plates show applications for wasteland?Inscriptional Land Vocabulary: In inscriptions:
TermMeaning
KshetraA field, especially a cultivated field
KhilaUntilled land or cultivable wasteland
AprahataCultivable wasteland
ApradaUnsettled land
VastuHabitat land

There is also mention of pasture land. Several inscriptions, e.g., the Gunaigarh grant of Vainyagupta, and the Damodarpur, Paharpur, and Baigram copper plates refer to potential donees applying for wasteland.

→ Land Measures, Boundary Demarcation


→ Land Measures, Boundary Demarcation
Cue WordsNotes
List ancient land measures from angula to pataka and eastern sow-area units.Land Measures: Texts and inscriptions mention various land measure terms. The ***angula*** (probably **¾ inch**) was the smallest measure. The ***hasta*** (cubit) was the standardized distance between the tip of the elbow and the middle finger. Larger units of measure included the ***dhanu***/*danda* and ***nala***.

The land measures used in eastern India included:

MeasureApproximate AreaBasis
Adhavapa3/8–1/2 acreArea required to sow one adhaka of grain
Dronavapa1½–2 acresArea required to sow one drona of grain
Kulyavapa12–16 acresArea required to sow one kulya of grain
Pataka60–80 acresAnother land measure

Other terms included pravartavapa (much smaller than a kulyavapa), padavarta (over 1 ft), and bhumi. The large number of land measure terms indicate that there was no single standard set of measurement and that different measures were current in different regions.

How were boundaries of landed property demarcated according to Smritis and inscriptions?Demarcation of Boundaries: The **Brihaspati** and **Narada Smritis** emphasize that boundaries of landed property should be clearly demarcated. Inscriptions suggest that this was in fact done, no doubt to prevent property disputes. Boundaries were demarcated using **trenches** or **pillars** or with reference to natural features such as **trees**, **tanks**, and **anthills**. The Brihaspati Smriti suggests that boundaries of landed property should become part of **common knowledge**, transmitted from one generation to the next.

→ Land Tenure Terms (Nividharma Family & Bhumichhidranyaya)


→ Land Tenure Terms (Nividharma Family & Bhumichhidranyaya)
Cue WordsNotes
Define nividharma, akshaya-nivi, aprada-dharma, nivi-dharmakshaya and the debated meaning of bhumichhidranyaya.Technical Tenure Terms in Land Grants: Inscriptions mention several technical terms pertaining to land tenure in the context of the rights given to donees over gifted land.
TermMeaning / Interpretation
NividharmaGrant of permanent usufructory rights (the right to enjoy the fruits of the land)
Akshaya-niviGift was inalienable (could not be given away, gifted, sold, etc.)
Aprada-dharmaLikewise — gift was inalienable
Nivi-dharmakshayaDonee was given full rights over the land, along with the powers of transfer and sale
BhumichhidranyayaInterpreted as non-agricultural land or land fit to be cultivated. D. C. Sircar, on the other hand, suggested that it alluded to the ancient custom whereby a person who brought fallow land under cultivation for the first time was entitled to its tax-free enjoyment, and in course of time bhumichhidra-nyaya came to mean uncultivable land. The frequent mention of this term in land grant inscriptions does not, however, support such an interpretation. It may have been a term that emphasized the permanent and comprehensive rights over the land bestowed on the donees.

→ Sale of Land — 11 Bengal Inscriptions & 5-Step Procedure (Pustapala)


→ Sale of Land — 11 Bengal Inscriptions & 5-Step Procedure (Pustapala)
Cue WordsNotes
Why are secular sale deeds rare, and what do the 11 eastern Indian purchase inscriptions show about procedure involving pustapala?Eleven Eastern Indian Purchase Inscriptions and Procedure: The fact that there are no secular sale deeds of this period may be because such records were maintained on **perishable material** and were not inscribed on stone or metal. However, **11 inscriptions**, all from **eastern India**, record the purchase of land for **pious donations** and reflect the involvement of **local governments** in the process. The basic procedure was as follows:
StepAction
1The potential buyer applied to the district office and city council, giving the details of the land he wanted to buy, the reasons why he wanted to do so, and his willingness to pay the prevailing price
2The city council consulted the office of the record keepers (pustapala)
3The applicant paid the price for the land to the district office
4The local government inspected the land and demarcated its boundaries according to the standard measure
5The city council then recorded and announced the sale in the presence of the royal officials, village headman, Brahmanas, and householders

13. Social Developments & Status of Women


13. Social Developments & Status of Women
Cue WordsNotes
How did varna, caste proliferation, kayasthas, shudras and untouchability evolve under the Guptas?Social Developments — Varna, Caste Proliferation, Untouchability:
  • Land grants to brahmanas on large scale suggest brahmana supremacy continued. Term *dvija* now beginning to be used increasingly for the brahmanas. Greater the emphasis on brahmana purity, greater the stress on impurity of the outcaste.
  • Varna system considerably modified owing to proliferation of castes. Kshatriya caste swelled with influx of Hunas and subsequently of Gurjars who joined their ranks as Rajputs. Increase in number of shudra castes and untouchables largely due to absorption of backward forest tribes into settled Varna society. Often guilds of craftsmen transformed into castes. Transfers of lands or land revenues gave rise to a new caste of kayasthas (scribes) who undermined monopoly of brahmanas as scribes.
  • Position of shudras improved; now permitted to listen to the epics and the Puranas; also allowed to perform certain domestic rites which naturally brought fee to the priests — attributable to change in economic status of shudras.
  • Practice of untouchability became more intense than earlier period. Penance provided to remove sin arising out of touching a chandala. Fa-Hien: chandala entering gate of city or market place would strike a piece of wood to give prior notice so men could avoid him.
  • Varna system did not always function smoothly. Shanti Parva of the Mahabharata (may be assigned to Gupta period) contains at least nine verses stressing need of combination of brahmanas and kshatriyas — may indicate concerted opposition from vaishyas and shudras. Anushashana Parva represents shudras as destroyer of the king.
  • Most legal texts of the period took Dharmashastra of Manu as basis and elaborated upon it. Best known works: those of Yajnavalkya, Narada, Brihaspati and Katyayana. Joint family system, essential feature of Hindu caste-society, was prevalent.
Analyse the decline in women’s status: sati, marriage age, property, education and religious access.Status of Women — Sati, Child Marriage, Stridhana:
  • Status of women continued to decline. In patriarchal set-up men began to treat women as items of property, so much so that a woman was expected to follow her husband to the next world. Practice of sati (self-immolation at funeral pyre of husband) gained approval of jurists but seems confined to upper classes. First memorial of a sati dated A.D. 510 found at Eran Inscription in Madhya Pradesh.
  • Lawgivers almost unanimously advocated early marriage; some preferred even pre-puberty marriage. Celibacy to be strictly observed by widows. Women denied any right to property except for *stridhana* in form of jewellery, garments and similar presents made to the bride on occasion of marriage. Not entitled to formal education.
  • Like shudras, women allowed to listen to epics and Puranas and advised to worship Krishna. But women of higher orders did not have access to independent sources of livelihood in pre-Gupta and Gupta times. Women of the two lower varnas free to earn livelihood — considerable freedom denied to women of upper varnas.
What amusements and daily practices defined Gupta social life, including chess and diet?Social Life — Amusements, Chess (*caturaṅga*), Diet:
  • Prosperous town dwellers lived in comfort and ease. *Kamasutra* by Vatsyayana describes life of a well-to-do citizen as one devoted to pleasures and refinements of life. Theatrical entertainment popular in court circles and outside. Dance performances and music concerts held mainly in homes of the wealthy and discerning. Gambling, animal fights, athletics and gymnastics important sporting events. Amusements of various kinds in which general public participated essential to festivals, religious or secular.
  • Chess said to have originated in this period; early form in 6th century known as *caturaṅga* — “four divisions of the military” — infantry, cavalry, elephants and chariotry — represented by pieces that would evolve into modern pawn, knight, rook and bishop respectively.
  • Contrary to Fa-Hien’s statement that vegetarianism was customary, meat was commonly eaten. Drinking of wine and chewing of betel-leaf was a regular practice.

13A. Slavery & Vishti Master Note (Chunk 3 — Mains_notes Final)


13A. Slavery & Vishti Master Note (Chunk 3 — Mains_notes Final)
Cue WordsNotes
What are the earliest Vedic references to dasi/dasa and how did slave association expand beyond the household?References to Slaves — Vedic *Dasi* to Post-Vedic Expansion: The first reference in Rig Vedic text (*Rig Veda Samhita* onward) of ‘*Dasis*’ given to sacrificial priest as a part of ‘*Dana*’ is mentioned in “**Dana Stutis**” (donation hymns). The Vedic period reference suggests that *Dasis* were meant for only household purposes. In the post-Vedic period, we get references of *Dasas* also i.e. male slaves. The references of post-Vedic period onward suggest slaves’ association with other activities i.e. beyond confines of the household like agriculture, trade and even army. This institution continued till in ancient time.
Catalogue textual categories of slaves (Tripitaka 8, Arthashastra 5, Manu/Narada 15) and who could become a slave.Various Categories of Slaves: Ancient texts mention various categories of slaves:
  • Three *tripitakas* mention **8 kinds** of slaves.
  • *Arthashastra* mentions **5 kinds** of slaves.
  • *Manusmriti* mentions **15 kinds** of slaves.
  • *Narada Smriti* mentions **15 kinds** of slaves.
Member of any *varna* could become slave (even brahmins). But most of the slaves were sudras. There were women slaves also but sale and purchase of Brahmin women was banned.
What rights did Dharmasastra assign to slaves regarding property, law, manumission and the master’s limits?Rights of Slaves: The ancient Dharmasastra literature defines the rights of the slaves and the relation with the masters.
  • Slaves had right to earn and right to property.
  • Slaves had right to inherit property.
  • Slaves had no right to sue and had no right to give evidence (that means their right in law was almost absent).
  • Slaves had right to manumission (to become free from slavery).
  • The right to become free was subject to master’s will. In general slaves entering ‘*sanyas*’ became free.
  • Masters had no right over life of the slave (master could not kill a slave).
By what paths did a person become a slave in ancient India?Freedom to Slaves / Paths into Slavery: There were various ways through which a person became a slave:
  • By selling oneself in the time of crisis. One could also sell his family.
  • Prisoner of war.
  • One born out of slave parents (hereditary character).
Characterise Vedic slavery: gift dasas/dasis, war/debt enslavement, domestic use, and gendered sexual exploitation.Slavery during Vedic Age: There were groups in society who were considered even lower than the Shudras. Slaves (*dasas* and *dasis*) are mentioned among gift items in the *dana-stutis*. However, on occasion, children born of slave women could aspire to high status. The *dasas* and the *dasyus*, who were conquered by the Aryans, were treated as slaves and shudras. The shudras were meant to serve the three higher *varnas* and worked as domestic slaves, agricultural slaves, craftsmen, and hired labourers in post-Vedic times.
  • Labour and slavery: The household was the basic unit of labour, and there is no mention of wage labour. The *Rig Veda* is, however, familiar with slavery. The *Rig Veda* refers to enslavement in the course of war or as a result of debt. The fact that in later times, *dasa* and *dasi* are terms used for male and female slaves, suggests that initially, ethnic differences may have been an important basis of enslavement. Slaves, male and female, generally worked in the household, but were not used to any significant extent in production-related activities. Slaves were not used directly in agriculture or other productive activities. We find domestic slaves but not wage-earners. We repeatedly hear of slaves who were given as gifts to the priests. These were primarily women employed for domestic purposes. Princes and priests employed women slaves for domestic service, but their number were probably not large. Throughout history, there was an important difference in the experience of enslavement for men and women — for women, enslavement generally involved sexual exploitation in addition to exploitation of their labour.
  • Gifts of slaves: Hymns in praise of gifts (*dana-stutis*) in the later books of the *Rig Veda* refer to generous presents of cows, horses, chariots, gold, clothes, and female slaves made by kings to priests.
How did NBPW / age of the Buddha regularise agricultural slaves and wage-earners, and what Vinaya/Digha types and resistance cases appear?Slavery during NBPW Period (Age of the Buddha, `600`–`300 BCE`): The new techniques and the use of force enabled some people to own large stretches of land which needed a substantial number of slaves and hired labourers to till it. In Vedic times, people cultivated their fields with the assistance of family members only; there is no word for wage-earner in Vedic literature. However, slaves and wage-earners engaged in cultivation became a regular feature in the age of the Buddha. Hence, during NBPW, large plots of land worked with the help of slaves and agricultural labourers. The texts of `600`–`300 BCE` period contain many references to the existence of male and female slaves:
  • The ***Digha Nikaya*** states that a *dasa* is not master of himself, depends on another, and cannot go where he likes.
  • The ***Vinaya Pitaka*** speaks of three kinds of slaves — the ***antojatako***, ***dhanakkito***, and ***karamaraanito***.
  • The *antojatako* seems to refer to the offspring of a woman slave.
  • A slave who is bought is known as *dhanakkito*.
  • One brought from another country and enslaved is the *karamaraanito*.
  • The *Digha Nikaya* mentions a fourth type of slave — ***samam dasavayam upagato***, one who has himself accepted enslavement.
There are a few references to the manumission of slaves. In fact one of the rules of the Buddhist *sangha* was that slaves could not join until and unless they were freed by their masters. Given the elitist bias of the literary sources, it is not easy to reconstruct the ways in which groups such as the Chandalas and slaves may have reacted to their subordination and oppression. **Chakravarti** has identified two instances of resistance in the Buddhist canon:
  • One is a reference in the *Vinaya Pitaka* to the *dasa-kammakaras* of the Sakyas attacking the womenfolk of their masters in the woods as an act of vengeance.
  • The second is the story of the *dasi* **Kali** and her mistress, the *gahapatni* **Vaidehi**, in the *Majjhima Nikaya*. Kali was submissive and hard-working, and came to the conclusion that her mistress’ even temper was the result of her own exemplary conduct. She decided to subject Vaidehi to a test. She started waking up late and did not respond to her mistress’ calls three days in a row. Vaidehi couldn’t take it. She got more and more angry and finally attacked Kali in fury. Kali was proved right.
How do Megasthenes, Arthashastra dasas/ahitakas, state farms, Kalinga captives and Ashokan rock edicts frame Mauryan slavery?Slavery during Mauryan Period: **Megasthenes** states that he did not notice any slaves in India, but there is little doubt that there had been domestic slaves from Vedic times onwards. The *Arthashastra*, on the other hand, has a very detailed discussion of *dasas* (slaves) and *ahitakas* (those pledged to creditors when contracting a debt). Various types of slaves and situations of enslavement temporary and permanent, are mentioned. The *Arthashastra* mentions village labour, bonded labour and slave labour. There is reference to slaves in the service of private individuals as well as the state. Kautilya lists various rules for the treatment of male and female slaves and lays down penalties for their transgression — e.g.: punishments are prescribed for those who sell or mortgage a pregnant woman slave without any arrangement for her maternity, and for those who cause such a slave to have a miscarriage. There is reference to the manumission (freeing) of slaves on payment of a sum of money. Kautilya also states that if a *dasi* bore her master a son, she was released from enslavement, and the child was considered the father’s legitimate son. According to the *Arthashastra* of Kautilya, a striking social development of the Maurya period was the employment of slaves in agricultural operations. During the Maurya period slaves were engaged in agricultural work on a large scale. The *Arthashastra* of Kautilya shows that during the Maurya period they worked on large state farms. The state maintained farms on which numerous slaves and hired labourers were employed. About **150,000** war-captives brought by Ashoka from Kalinga to Pataliputra may have been engaged in agriculture, but the number of 1,50,000 seems to be exaggerated. However, by and large, slaves in ancient India were meant to undertake domestic work. Generally the small peasant, occasionally aided by slaves and hired labourers, played the dominant role in production.
  • Ashoka’s Rock edicts: Ashoka’s rock edict **9** mentions courteous behaviour towards *dasas* and *bhatakas* (*bhritakas*, i.e., servants) as part of *dhamma*. In Rock edict 9, Ashoka describes ceremony of *dhamma* as consisting in proper courtesy to slaves and servants, respectful behaviour towards elders, restraint in one’s dealings with all living beings, and liberality to *shramanas* and Brahmanas. Rock edict **11** refers to the gift of *dhamma* being the best of all gifts. It is said to include proper courtesy to slaves and servants.
  • Buddhist texts: They refer to *dasas*, *dasis*, *kammakaras*, and *porisas* working in households and on land. The words *dasa* and *dasi* for male and female slaves are known in earlier sources. But *kammakara* is new and refers to someone who hired out his labour in return for wages.
  • In post-Maurya times in the republics of the **Malavas** and the **Kshudrakas**, the kshatriyas and the brahmanas were given citizenship, but slaves and hired labourers were excluded from it.
What Sangam and Karikala evidence shows about Yavana slave trade and captive labour on the Kaveri embankment?Slavery during Sangam Age: The Sangam texts speak of the **Yavanas** coming in their own vessels, purchasing pepper with gold, and supplying wine and women slaves to the natives. Agricultural operations were generally the task of members of the lowest class (*kadaisiyar*), whose status appears to have differed little from that of slave. In the `second century AD`, famous Chola king **Karikala** constructed **160 km** of embankment along the Kaveri river. This was built with the labour of **12,000 slaves** who were brought as captives from Sri Lanka.
How did vishti, Narada’s 15 slave types, property rules and jar-breaking manumission define slavery in 300–600 CE?Slavery during `300`–`600 CE` — *Vishti*, Narada’s 15 Types & Manumission Ceremony: Forced labour (***vishti***) became more common than before in the `300`–`600 CE` period. The fact that it is mentioned along with taxes in land grant inscriptions suggests that it was considered a source of income for the state, a sort of tax paid by the people. The fact that most of the inscriptions referring to *vishti* come from the **Madhya Pradesh** and **Kathiawar** regions may suggest that this practice was more prevalent in these areas. The *Narada Smriti* has a detailed discussion of slavery and lists **15 types** of slaves. This enumeration is greater than that in the *Arthashastra* and *Manu Smriti*, but basically consists of elaborations or sub-divisions of already known types. These include war captives reduced to slavery, debt enslavement, and voluntary enslavement.
  • Slave as property: Slaves could be handed down to descendants of their erstwhile owners along with other items of property. Slaves are generally mentioned as domestic servants or personal attendants. A child born of a woman slave in a master’s house was considered his slave as well. The *Narada Smriti* asserts that a slave can be pledged or mortgaged, and that the master could hire out his services to another. The *Narada Smriti* prescribes the amputation of the foot of a person found guilty of abducting a slave woman.
  • Manumission of slaves: The *Narada Smriti* discusses the manumission of slaves — a slave born in the house, bought, obtained, or inherited could be freed only when the master desired to do so. The ceremony of manumission is described — the master was supposed to remove a jar of water from the shoulder of the slave and break it. He was then supposed to sprinkle some parched grain and flowers over his head and say three times: ‘**You are no longer a *dasa*.**’
Why was ancient Indian society not a slave society, and how does it contrast with Greco-Roman slave production?Contrast with Roman / Greek Slave Society: However, ancient Indian society was **not a slave society**. The tasks that slaves performed in Greece and Rome were undertaken by the shudras in India. The shudras were regarded as the collective property of the three higher *varnas*. They were compelled to serve them as slaves, artisans, agricultural labourers, and domestic servants. Unlike Roman society, ancient Indian society did not employ slaves in production on any scale. In India, the principal burden of production and taxation fell on the peasants, artisans, merchants, and agricultural labourers, who were placed in the categories of vaishyas and shudras.

14. Culture of the Gupta Age — Sculpture, Architecture, Paintings, Music & Drama


14. Culture of the Gupta Age — Sculpture, Architecture, Paintings, Music & Drama
Cue WordsNotes
Why is the Gupta period called a Golden Age in culture, and what were the limits of that label?Golden Age Framing — Art/Literature vs Political-Socioeconomic Caveat:
  • Gupta period called Golden Age of ancient India. This may not be true in political and socio-economic fields because of several unhappy developments. However, archaeological findings show Guptas possessed large amount of gold and issued largest number of gold coins. Princes and richer people could divert part of income for support of those engaged in art and literature.
  • Both Samudragupta and Chandragupta II were patrons of art and literature. Samudragupta represented on coins playing the lute (veena); Chandragupta II credited with maintaining in his court nine luminaries or Navratna. Gupta period witnessed Golden Age only in fields of art, literature etc.
  • Religion intimately connected with developments in architecture and plastic arts (shaping/modeling; carving and sculpture).
  • The Gupta period is generally regarded as golden age of North Indian art for all the major religious groups. Most of the Gupta arts were inspired by the religion.
Characterise Gupta classical sculpture: balance of traditions, deity scale, Sultanganj, and overall classical phase.Sculpture — Classical Phase, Balance of Traditions, Buddha Types, Brahmanical Images:
  • With Gupta period India entered classical phase of sculpture. Techniques perfected, definite types evolved, ideals of beauty formulated with precision. Gupta sculptures remained models of Indian art for all time and served as ideals for Indian colonies in the Far East. Finished mastery and majestic serenity of Buddha image adopted and locally modified by Siam, Cambodia, Burma, Java, Central Asia, China and Japan when these countries adopted Buddhism.
  • All trends of preceding phases reached culmination in unified plastic tradition of supreme importance. Gupta sculpture is logical outcome of early classical sculpture of Amravati and Mathura — plasticity from Mathura, elegance from Amravati — yet belongs to an entirely different sphere. Art of Bharhut, Amravati, Sanchi and Mathura came closer, melting into one. In composition, female figure becomes focus of attraction; nature recedes into background. Human figure as image is pivot of Gupta sculpture. Most important contribution: evolution of perfect types of divinities, both Buddhist and Brahmanical.
  • The success of Gupta sculpture lies in its attaining a balance between the sensuousness of the Kushan figures and the symbolic abstraction of the early medieval ones.
  • An enormous amount of Hindu, Buddhist and Jain sculptures have been found in several places. Both Buddhist and Hindu sculpture concentrate on large, often near life-size, figures of the major deities, respectively Buddha, Vishnu and Shiva.
  • Large number of Buddha images unearthed at Sarnath; one regarded as finest in whole of India. Mathura art acquired progressively more Indian elements and high sophistication between 4th and 6th century AD; magnificent red sandstone Buddha from Mathura remarkable example. Art of Gupta considered pinnacle of Indian Buddhist art. Hellenistic elements still visible in purity of statuary and folds of clothing, improved upon with delicate rendering of draping and radiance reinforced by pink sandstone. Artistic details less realistic — symbolic shell-like curls for Buddha’s hairstyle. Stone and bronze images also found at Mathura and other places. Head of Buddha, Gupta period, 6th century Mathura; Buddha of Gupta period, 5th century Mathura noted.
  • Sultanganj Buddha (Bhagalpur district): 7½ feet high copper; fine piece of sculpture; Gupta-Pala transitional; largest substantially complete copper Buddha known from this time; dated between 500 and 700 AD. Stands with right hand raised in *abhayamudra*; left hand held downwards palm outwards (granting a favour); end of monastic robe held between thumb and forefinger in manner still practised by Theravadin monks.
  • Two metre high bronze image of Buddha is recovered from Sultanganj near Bhagalpur. Fa-Hien saw an over 25 metre high image of the Buddha made of copper, but it is not traceable now.
  • Standing Buddha from Sarnath: excellent example of Gupta art in maturity — delicacy and refinement of form; relaxed attitude by bending body slightly on its own axis (litheness and movement) vs columnar rigidity of similar Mathura works; even seated figure’s slender physiognomy conveys movement.
  • Art of casting metals reached high development. Fa-Hien saw over 25 metre high copper Buddha image — not traceable now.
  • As Guptas supported Brahmanism, images of Vishnu, Shiva and some other Hindu gods fashioned for first time during their period. Images of Siva, Vishnu and other Brahmanical gods sculptured in some of finest panels of Deogarh temple (Jhansi district). Relief carving of Krishna lifting Govardhana mountain found at Varanasi. Of Brahmanical images perhaps most impressive is the Great Boar (Varaha) at entrance of a cave in Udayagiri.
Detail the three main Gupta sculpture schools: Mathura, Sarnath and Nalanda.Three Main Schools of Gupta Sculpture — Mathura, Sarnath, Nalanda:
  • Three main schools of Gupta sculpture are often recognised, based in Mathura, Varanasi/Sarnath and to a lesser extent Nalanda.
Characterise Mathura school under the Guptas: stone, style, pantheon and named examples.→ Mathura School:
  • This school had started in post-Mauryan period and continued as one of the main two schools of Gupta Empire art, joined by the school of Sarnath.
  • Mathura sculpture is characterized by its usage of mottled red stone.
  • The art of Mathura continued to become more sophisticated during the Gupta Empire. The pink sandstone sculptures of Mathura evolved during the Gupta period to reach a very high fineness of execution and delicacy in the modeling, displaying calm and serenity.
  • Artistic details tend to be less realistic, as seen in the symbolic shell-like curls used to render the hairstyle of the Buddha, and the ornate / orante halos around the head of the Buddhas. The art of the Gupta is often considered as the pinnacle of Indian Buddhist art, achieving a beautiful rendering of the Buddhist ideal.
  • Gupta art is also characterized by an expansion of the Buddhist pantheon, with a high importance given to the Buddha himself and to new deities, including Bodhisattvas such as Avalokitesvara or divinities of Brahmanical inspiration, and less focus on the events of the life of the Buddha which were abundantly illustrated through Jataka stories in earlier period.
  • Examples: Vishnu statue, 5th century, Mathura; Head of a Buddha, 6th century; Standing Buddha (434 CE), Mathura.
Characterise Sarnath school: themes, stone, drapery, mudras and style markers.→ Sarnath School:
  • It was a new school emerged in Sarnath during Gupta period.
  • It was essentially Buddhist sculptural art.
  • Buddhist theme is reflected in Images of Buddha, Images of Bodhisattavas, scenes of Buddha’s life.
  • It was a stone sculptural art.
  • This school represents both 3D and relief art.
  • There is refined executions of details of the faces, the halo and the robes. The halo is highly ornamented.
  • It shows more elegant, more graceful and sophisticated image.
  • Buddha is shown in transparent dress-code.
  • Drapery is too much clinging and having no folds and it reveals the forms of body beneath and sometimes it gives an impression of having figures unclothed. Facial features of Buddha characterized by gently smiling expressions and also expression of peace and tranquility.
  • It is also characterized by the feeling of introspection and the feeling of contemplation (act of thinking deeply).
  • Buddha is shown in various mudras: *Dhyanmudra*; *Bhumisparsha mudra*; *Abhay Mudra*; *dharmachakra pravartana mudra*.
  • It is characterized by its yellowish sandstone from the quarries of Chunar. It lacks the foreign influences seen in Mathura.
Describe Nalanda–Pataliputra and Udayagiri as other sculpture centres.→ Other Areas — Nalanda / Pataliputra; Udayagiri Caves (Vidisha):
  • Nalanda: Gupta sculptural qualities tend to deteriorate with time, as in Nalanda in Bihar in the 6th century BCE, figures become heavier and tend to be made in metal. This evolution suggests a third school of Gupta art in the area Nalanda and Pataliputra, besides the two main centres of Mathura and Varanasi / Vanarasi.
  • The colossal Sultanganj Buddha in bronze from the area of Pataliputra is a uniquely large survival from this school, but typical in style.
  • Udayagiri Caves / Vidisha: The “first dated sculptures in a fully-fledged early Gupta style” come from the rock-cut Udayagiri Caves and the surrounding area near Vidisha in Madhya Pradesh.
  • Though the caves, all but one Hindu, are “of negligible importance architecturally”, around the cave entrances are a number of rock relief panels, some with large deities. They are in a relatively crude and heavy style, but often with a powerful impact.
  • e.g. *mukhalinga* sculpture, Vishnu in form of Varaha.
Describe terracotta sculpture production, Bhitargaon, Ahichchhatra and Devnimori.Terracotta Sculptures:
  • Terracotta art includes small figurines and plaques found at many places including Kaushambi, Tajghat, Bhita and Mathura.
  • Terracotta Images of Ganga and Yamuna, originally installed in niches flanking main steps leading to upper terrace of Shiva temple at Ahichhatra, Gupta period 4th century A.D. Ganga stands on her vehicle the *makara*; Yamuna on the *cacchap*.
  • The very elegant pair of river goddesses excavated from a temple at Ahichchhatra are 1.47 metres high.
  • Terracotta relief panel depicting a scene from the Rāmāyaṇa built during Gupta era; terracotta relief panel of a meditating Buddha from Gupta era also noted.
  • There are many sculptures in terracotta of very fine quality, and they are similar in style across the empire, to an even greater extent than the stone sculpture.
  • Some can still be seen in their original settings on the brick temple at Bhitargaon, where the large relief panels have almost worn away, but various heads and figures survive at higher levels.
  • Terracotta Buddha head was found at Devnimori, Gujarat.
  • Vakatakas paramount in Deccan contemporary with Guptas in North; high watermark of perfection in their region best seen in later caves at Ajanta, early ones at Ellora and those at Aurangabad.
Detail metal sculpture: Sultanganj copper Buddha, lost-wax casting and Mirpur Khas Brahma.Sculpture in Metal:
  • The over life-size copper Sultanganj Buddha is “the only remaining metal statue of any size” from the Gupta period.
  • It was made by lost-wax casting, is comparable to slightly earlier stone Buddha figures from Sarnath school.
  • The Brahma from Mirpur Khas (in Sindh, Pakistan) is a famous bronze image of Brahma made.
Analyse Gupta coins as art: origins, *Dinara*, types, silver/copper and ‘rain of gold’.Coins and Metalwork as Art:
  • The Gupta coins are also pieces of art. They are well designed and meticulously crafted. They carry aesthetically impressive depictions of the activities of the rulers.
  • The lyrist type of gold coins issued by Samudragupta show him playing a lute (*vina*). His interest in music can be detected from this representation.
  • Gupta coinage only started with the reign of Samudragupta (335/350–375 CE), or possibly at the end of the reign of his father Chandragupta I, for whom only one coin type in his name is known (“Chandragupta I and his queen”).
  • Gupta period in the Indian history saw a considerable increase in the coinage. Trade relation with Roman empire had resulted in heavy inflow of gold.
  • Early gold coin of Gupta closely resembles the coins of later Kushanas.
  • Guptas adopted Kushana coins weight standard, techniques and designs, following the conquests of Samudragupta in the northwest.
  • The Guptas even adopted from the Kushans the name of Dinara for their coinage. The imagery on Gupta coins was initially derived from Kushan types.
  • Later these coins were completely Indianised — i.e. became more Indian in both style and subject matter.
  • The Gupta monarchs were famous for their gold coins. They also issued silver coins. However, coins made of copper, bronze or any other alloy metals are scarce. The abundance of gold coins from the Gupta era has led some scholars to regard this phenomenon as the ‘rain of gold’.
  • The silver coinage of the Guptas was made in imitation of the coinage of the Western Satraps following their overthrow by Chandragupta II, inserting the Gupta peacock symbol on the reverse but retaining traces of the Greek legend and the ruler’s portrait on the obverse.
  • Kumaragupta and Skandagupta continued with the old type of coins (the Garuda and the Peacock types) and also introduced some other new types.
  • The copper coinage was mostly confined to the era of Chandragupta II and was more original in design. Eight out of the nine types known to have been struck by him have a figure of Garuda and the name of the king on it.
  • The usual layout is an obverse with a portrait of the king that is normally full-length, whether standing, seated or riding a horse, and on the reverse a goddess, most often seated on a throne and an inscription in Sanskrit.
  • The artists depicted the ruler in various poses. There were many types of such coins, e.g.: (i) Tiger tiger coin (ii) Lyrist type of coin (iii) Asvamedha type of coin (iv) Archer type of coin (v) Couch type of coin (vi) Chhattra type of coin (vii) Lion Slayer type coin (j) Horsemen type coin. The gradual deterioration in design and execution of the gold coins and the disappearance of silver money, bear ample evidence to their curtailed territory.
Classify the five types of free-standing Gupta temples with named examples.Architecture (a) — Free Standing Temple; Five Types:
  • Gupta period was poor in architecture. Doctrine of *bhakti* and growing importance of image worship led to construction of free standing temple with sanctuary (*garbha griha*) for first time, in which central cult image was placed. Gupta period marks beginning of Indian temple architecture. Temples simple and unpretentious but bearing upon later developments of great significance. Five well-defined types:
    1. Flat roofed, square temple with a shallow pillared porch in front.
    2. Flat roofed, square temple with a covered ambulatory around the sanctum and preceded by a pillared porch, sometimes with a second story above.
    3. Square temple with a low and squat *sikhara* (tower) above.
    4. Rectangular temple with an apsidal back and a barrel-vaulted roof above.
    5. Circular temple with shallow rectangular projections at the four cardinal faces.
  • First three types may be regarded as forerunners of medieval Indian temple styles.
  • Type 1 examples: temple No. XVII at Sanchi; Kankali Devi temple at Tigawa; Vishnu and Varaha temples at Eran. Nucleus of a Temple (*garbha-griha*) with single entrance and porch (*mandapa*) appears for first time as integrated composition in this type. Vishnu Temple at Eran is most complete temple in that complex with intact doorway; two mandapa pillars still standing with corresponding pilasters; walls between these have not survived.
  • Type 2 examples: Parvati temple at Nachna Kuthara; Siva temple at Bhumara (both in M.P.); Lad Khan temple of Aihole — shows many characteristic features of the *dravida* style.
  • Type 3 examples: so-called Dasavatara Temple at Deogarh (Jhansi district; earliest known *Panchayatana* temple in North India) and brick temple at Bhitargaon (Kanpur district). Importance: innovation of *shikhara* or tower capping the sanctum — main feature of the *nagara* style. Bhitargaon: terraced brick building fronted with terracotta panel; built in 6th century during Gupta Empire; oldest remaining terracotta Hindu shrine with a roof and a high Sikhara. Dasavatara: Vishnu reclining on serpent Shesha (Ananta) on side panel (5th century); Nara Narayana panel on eastern wall. Bhitargaon walls decorated with terracotta panels depicting aquatic monsters, Shiva and Vishnu etc.
  • Type 4 examples: temple at Ter (Sholapur district) and Kapileshvara temple at Aihole. Trivikram Temple Ter looks like Buddhist Stupa.
  • Type 5 example: solitary monument known as Maniyar Matha at Rajgir, Bihar.
Explain the two-phase evolution of Gupta temple architecture (4th–5th vs 6th century).→ Temple Architecture — Two Phases (Art Source Classification):
  • Gupta period marks the beginning of Indian temple architecture. It is for the first time in the Gupta period that the temples in the form of structures were constructed in north India.
  • Gupta period temples laid down the foundation of the Nagara architectural style. Generally the images placed in the center as a chief deity.
  • It can be divided in 2 phases.
  • Features in phase 1 (4th and 5th centuries):
    • Small structure.
    • *Garbhagriha* — Sanctum.
    • *Mandapa* assembly hall having pillars → it is open *mandapa*.
    • Pillars have bell shaped capitals.
    • Square plan of the temple.
    • In general flat roof.
    • One example of 2nd storey temple at Nachnakuthar in M.P.
    • Absence of ornamentation on both exterior and interior wall.
    • Examples: Eran temple, M.P.; Sanchi temple, M.P.; Tigwa temple, M.P.
  • Features in phase 2 (6th century AD):
    • Square ground form.
    • Distinct form of square plan known as cruciform.
    • *Mandapa* and *Garbhagriha*.
    • Pillars.
    • Bell capital.
    • Ornamentation on wall → generally exterior wall.
    • Decorated doorway.
    • *Antral* (vestibule) e.g. at Bhitargaon temple — *Antral* is a structure which connects *garbhagriha* with *Mandap*.
    • Tower (aka *Shikhar*) and because of its typical shape it is curvilinear tower → *rekha shekhara*.
    • *Panchayatana* style: e.g. Deogarh temple.
    • Examples are found at Deogarh (in Jhanshi) and Bhitargaon (in Kanpur) in Uttar Pradesh.
    • Nagara style emerged in this phase.
List Gupta-period rock-cut caves and Andhra cave sites with key features.Architecture (b) — Rock Cut Caves; Andhra Caves:
  • Rock-cut caves continue old forms to a large extent. Some caves at Ajanta and Ellora (Maharashtra), Bagh (M.P.), Kanheri (Mumbai; first century BCE to 10th century CE), Elephanta (Mumbai; between 5th and 8th centuries) may be assigned to Gupta period.
  • In Elephanta, most important sculpture is the Trimurti — “masterpiece of Gupta-Chalukyan art”; also known as Trimurti Sadashiva and Maheshmurti. Three heads represent three essential aspects of Shiva: creation, protection and destruction.
  • Both Chaitya and Vihara caves excavated at Ajanta; Vihara cave No. XVI and XVII and Chaitya cave no. XIX are best artistic monuments of Gupta period. Earliest Brahmanical shrines in group of caves at Udayagiri (M.P.).
  • Mogulrajapuram / Mogalarajapuram Caves (Vijayawada): five rock-cut sanctuaries around 5th century; idols of Lord Nataraja and Lord Vinayaka in some; Mogalarajapuram Temple enshrined with statue of ‘Ardhanarisvara’ believed oldest in South India.
  • Undavalli Caves (Guntur District; 6 km SW from Vijayawada; near southern bank of Krishna): monolithic Indian rock-cut architecture; carved out of solid sandstone on hillside in 4th to 5th centuries A.D. Best known largest cave has four stories with huge recreated statue of Vishnu in reclining posture sculpted from single block of granite inside second floor. Example of how many Buddhist artifacts and stupas in Andhra were converted into Hindu temples and deities; originally Jain cave resembling Udayagiri and Khandgiri architecture. Main cave one of earliest examples of Gupta architecture — primarily primitive rock-cut monastery cells. First floor retains Jain style; vihara exhibits Jain monastics and tirthankara sculptures; first level carved vihara includes Buddhist art work; site served as Bhikkhu monastic complex; walls display sculptures; associated with Jain kings of 420 to 620 A.D. Also notes Hanuman on a wall; Lord Brahma carved on inside walls.
  • Akkana Madanna cave temple (Vijayawada): temple built in 17th century though caves date from 6th and 7th centuries; another nearby cave dated from 2nd century BC. Trimurti of Brahma, Vishnu and Shiva hosted there.
Explain the Gupta-period hiatus in rock-cut architecture and detail Ajanta, Bagh and Udayagiri caves.→ Cave Architecture — Hiatus; Ajanta; Bagh; Udayagiri:
  • For reasons that are not entirely clear, for the most part the Gupta period represented a hiatus in Indian rock-cut architecture, with the first wave of construction finishing before the empire was assembled, and the second wave beginning in the late 5th century, just as it was ending.
  • This is the case, for example, at the Ajanta Caves, with an early group made by 220 CE at the latest, and a later one probably all after about 460.
  • Ajanta cave:
    • It represents Buddhist cave.
    • It was constructed in two phases: earlier under Satavahanas; later under Vakatakas during Gupta period.
    • Out of total 29 caves, 4 are Chaityas — i.e. cave 9, cave 10, cave 19, and cave 26. Rest are Viharas.
    • It has 1 storey cave as well as 2 storey cave also.
    • Paintings are found in only 6 caves. Cave no. 1, 2, 9, 10, 16 and 17.
    • In some caves facades are ornamented.
    • Unique feature of the facade in some cave (like 19 and 26) is what is known as Chandrasala (large semicircular window).
    • Engravings are Buddhist and folk (*nagas* and *Yakshas*).
    • Image of Buddha; Image of Rahul; Events of Buddha’s life; Jataka scene.
    • In cave number 26, there is very unique engravings on wall i.e. reclining Buddha (symbol of *parinirvana* or *mahaparinirvana* of Buddha).
    • Another unique engraving is depiction of the scene “Maravijaya”. Mara represents evil spirit which tries to disturb Buddha and Buddha got victory over Mara. Earth as a witness of victory over Mara — *Bhumisparsh Mudra*.
    • Ajanta art represents a beautiful blend of architecture, sculpture and painting.
  • Bagh cave and Udayagiri cave:
    • There are 9 caves in Bagh.
    • They are simple and plain; ornamentation is limited.
    • Some caves have pillars.
    • Some caves has painting.
    • There are 20 caves at Udayagiri — some rock cut and some stone built.
    • These caves are Brahmanical/Hindu affiliation.
    • Caves have engravings of Vishnu, Durga, Varaha etc.
Where were major stupas of the period built, and what are Dhamekh and Nalanda details?Architecture (c) — Stupa; Nalanda Brick University:
  • Stupas also built in large numbers; best found at Sarnath (Dhamekh Stupa — recorded by Xuanzang while visiting Sarnath in 640 CE), Rajgir (Jarasindha ki Baithak), Mirpur Khan in Sindh and Ratnagiri (Orissa).
  • The construction of two Buddhist stupas — Dhemakh Stupa of Sarnath and Jarasangha meeting at Rajgriha — is believed to have taken place during the period of Gupta. Dhamekh Stupa is 128 feet high, which is constructed on a flat surface without a platform. To keep Buddhist statues at its four corners are made *takhs*.
  • In Nalanda, the Buddhist university was set up in 5th century. It was made in bricks.
Characterise Gupta painting: Ajanta, Bagh, technique, themes and influence.Paintings — Ajanta, Bagh, General Characteristics:
  • Art of painting reached height of glory and splendour. Most important examples on wall frescos of Ajanta caves and Bagh caves. School which these paintings represent was source from which half the art of Asia drew its inspiration. Although paintings covered period from first century BC to seventh century AD, most relate to Gupta times. Depict various events in life of Gautama Buddha and previous Buddhas whose birth stories related in Jatakas. Lifelike and natural; brilliance of colours not faded even after fourteen centuries.
  • Ajanta (now Maharashtra) lies in Western Ghats marking boundary of Deccan land separating it from Khandesh along valley of river Tapti. Outstanding feature: combines architecture, sculpture and painting in marvellous unity of conception. Selection of site shows good taste; situation romantic and full of natural scenery. Mural paintings among best of Ajanta art. Ajanta tradition furnished basis for new creations in India and other countries — frescoes at Sigiriya in Ceylon; painting at Bagh in Gwalior district; frescoes in temple of Sittannsvasal in Tamil Nadu and many more. Nothing to show that Guptas were patrons of Ajanta paintings. Cave No. XVI has scene known as “Dying Princess”. Cave no. XVII has been called a picture gallery.
  • Characteristics: Gupta art had religious and spiritual appeal. Artists were *Shilpa-Yogins* — monks who dedicated lives to higher things and gave their best in chiselling scenes. Great simplicity of style and felicity of expression; technique and subject blended harmoniously. Marked by refinement and restraint — signs of highly developed cultural taste and aesthetic enjoyment. Balance, freedom and elegance properly combined. Worship of beauty but not at cost of good taste. Besides Buddhism, a streak of Hinduism can also be traced in wall paintings from Gupta Empire.
  • Painting was evidently a major art in Gupta times, and the varied paintings of the Ajanta Caves, which are much the best survivals, show a very mature style and technique, clearly the result of a well-developed tradition.
  • The other survivals are from the Bagh Caves.
  • Fresco Secco technique has been used.
Detail Ajanta painting technique, colours, themes, human figures and stylistic markers.→ Ajanta Paintings — Technique, Themes, Style:
  • At Ajanta, it is thought that established teams of painters were brought in when required to decorate a cave.
  • Paintings are found in 6 caves (some chaityas and some viharas).
  • Paintings are found at walls, ceilings, door-frames and pillars.
  • There is significant difference between Ceiling painting and door-frames and pillar painting in format and colors.
  • White color is widely used on ceilings and not on walls.
  • Absence of framing. No clear demarcation of scenes. One scene merges into other.
  • Some kind of ‘multiple perspective’ and elements of technique of foreshortening is used. Pattern of highlighting certain parts in the face e.g. nose, eyebrows etc. This represents highlighting and shading pattern. Under this, luminous glow is given to certain parts.
  • Painting exhibit stylistic variation. This is indication of painting by different hands.
  • Paintings are in general multi-color paintings.
  • 6 main colors are white, red, yellow, black, green and blue. Besides the blend of these 6 are visible.
  • Buddhist themes depicted into paintings. They are narrative paintings.
  • Events of Buddha’s life. Scenes of Jataka’s.
  • Depiction of Bodhisattvas and the most common is Avlokiteshwar also known as Padmapani.
  • Depiction of *yaksha*, *Yakshini*, *Apsaras* and *Gandharvas*.
  • Whole life of ancient India depicted in Panorama.
  • Depiction of women in homes, workers with loads and peasants cultivating fields. Depiction of birds, animals, trees, and flowers etc.
  • Depiction of ascetics performing penance, beggars seeking alms etc.
  • Human figures at Ajanta painting is slender figure and well proportioned figure. These figures are highly elegant and graceful.
  • Faces of women are marked by highly arched eyebrows and elongated eyes. Costumes depicted are highly refined and sophisticated.
  • Figures are characterized by ornament which also depicts refinement and sophistication.
  • Hair style is also graceful and elegant.
Detail Bagh paintings: caves 4 and 5, secular-religious themes and named scenes.→ Bagh Paintings (Caves 4 & 5, M.P.):
  • Paintings are found in cave number 4 and cave number 5.
  • Paintings are both religious and secular.
  • Some of paintings shows processions where people shown riding horses and elephants.
  • Scenes of princes in grief and a companion consoling.
  • Scenes of 2 divines and 2 princely figures. Both seated in conversation.
  • Scenes of flying monks and devotees playing musical instruments.
  • Some scenes depicts beautiful birds and animals. Some depicts floral decoration.
What evidence of music and drama survives from the Gupta age?Other Forms of Art — Music and Drama:
  • Music: Coin (Lyrist type coin) during Samudragupta / Samundragupta period showed he was a good musician also. e.g. One of Samudragupta’s coin types shows him playing the *vina* (lyre).
  • Drama: Various Sanskrit plays were written during this period. e.g. *Abhigyanashakuntalam* / *Abhigyanshakuntalam* and *Vikramorvasiyam* / *vikramorvasiyam* by Kalidasa / Kalidas; *Mudrarakshasa* / *Mudrarakshasha* by Vishakhadatta / Vishakhadutta; and *Mricchakatika* by Shudraka.
Compare Mauryan and Gupta art across patronage, material, architecture, pillars, coins, images and painting.Differences between Gupta and Mauryan Art (Comparison):
AspectMauryan ArtGupta Art
PatronageMost of Mauryan sculptures, architectures were associated with the King and court (e.g. Ashokan pillars, Stupas and Banabar / Barabar Caves etc.)While there is no evidence that sculptures, architectures and caves of Gupta period were constructed at the direction of Kings
Material transitionMauryan arts reflects the transition from the use of wood to stoneWhile Gupta arts reflects the transition from the use of stone to bricks
Architecture originsMauryan period saw starting of cave architectureWhile temple architecture started during Gupta period
PillarsLarge-scale stone pillars were constructed during Mauryan periodWhile in Gupta period we find the iron pillar e.g. Mehrauli pillar constructed during Chandragupta II
CoinsCoin of Mauryan period (only punch marked coins) doesn’t reflect the artistic elegance like that of Gupta periodGupta coins show artistic elegance; Lyrist type coin during Samudragupta period showed he was a good musician also (one of Samudragupta’s coin types shows him playing the vina / lyre); no such tradition of music is visible from Mauryan period
Relation to earlier formsMauryans are considered as pioneer of the art form existing during Maurya periodGupta arts are generally further evolution of the art forms already existing from early period (Mauryan and post Mauryan period)
Brahmanical imagesBrahmanical images are not visible in art form of Mauryan periodBrahmanical images appear; synthesis of Brahmanical / Buddhist / Jain sculpture traditions (enormous amount of Hindu, Buddhist and Jain sculptures)
PaintingPaintings art is not visible in Mauryan artWhile Painting during Gupta period had reached its perfection (mural painting perfection at Ajanta and Bagh)

15. Gupta Literature


15. Gupta Literature
Cue WordsNotes
What was the status of Sanskrit, and how were Epics and Puranas treated in the Gupta age?Sanskrit Court Language; Epics and Puranas; Smritis:
  • Sanskrit language and literature after centuries of evolution, through lavish royal patronage, reached level of classical excellence. Sanskrit was the court language of the Guptas. Bright phase in history of classical literature; developed ornate style different from old simple Sanskrit. From this period onwards greater emphasis on verse than on prose, and also a few commentaries.
  • Puranas had existed much before Guptas as bardic literature; in Gupta age finally compiled and given present form. A section of the *Visnudharmottara Purana* deals with painting and gives detailed instructions about surface preparation in fresco paintings and use of different colors. Two great epics — Ramayana and Mahabharata — almost completed by 4th century A.D. Although compiled by brahmanas, they represent kshatriya tradition; replete with myths, legends and exaggerations; may reflect social developments but not dependable for political history.
  • Bhāravi best known for *Kiratarjuniya*, written around 550 CE — Kirat is Shiva who speaks to Arjuna in form of mountain dwelling hunter; epic style Kavya in Sanskrit.
  • Period also saw compilation of various Smritis or law-books written in verse: Smritis of Yajnavalkya, Narada, Katyayana and Brihaspati. Phase of writing commentaries on Smritis begins after Gupta period.
Detail secular literature: Kalidasa, Bhasa, Shudraka, Vishakadatta, Dandin, Panchatantra and philosophical authors.Secular Literature — Major Authors and Works:
  • Gupta period remarkable for production of secular literature. Greatest known Sanskrit poet of the period: Kalidasa, who lived in court of Chandragupta II. Most important works: *Abhijnanashakuntalam*, *Ritusamhara*, *Malavikagnimitra*, *Kumarasambhava*, *Meghaduta*, *Raghuvamsha* and *Vikrama Urvashiyam*. *Abhijnanashakuntalam* highly regarded in world literature — love story of King Dushyanta and Shakuntala, whose son Bharata appears as famous ruler; one of earliest Indian works translated into European languages (other: Bhagavadgita). *Kumarasambhava* deals with union of Shiva and Parvati and birth of their son Kartikeya.
  • Bhasa: important poet in early phase of Gupta period; wrote thirteen plays in Sanskrit with substantial Prakrit. Author of drama *Dradiracharudatta*, later refashioned as *Mrichchhakatika* or the Little Clay Cart by Shudraka. Play deals with love affair of a poor brahmana trader with a beautiful courtesan; considered one of the best works of ancient drama. Bhasa uses term *yavanika* for curtain — suggests Greek contact. Shudraka wrote drama *Mrichchhakatika* / Little Clay Cart.
  • Vishakadatta: author of *Mudrarakshasa* (schemes of shrewd Chanakya); *Devichandraguptam* another drama, survived only in fragments.
  • Plays of Gupta period have two common features: (1) all comedies — no tragedies; (2) characters of higher and lower classes do not speak same language — women and shudras use Prakrit; higher classes use Sanskrit. (Recall: Ashoka and Satavahanas used Prakrit as state language.)
  • Vyasa: *Vyasabhasya* — commentary on Yoga philosophy. Ishwar Krishna: *Sankyakarika* — commentary on Samkhya Philosophy. Vatsyayana: author of *Nyaya Sutra Bhashya* (first commentary on Gautama’s Nyaya Sutras); also wrote *Kamasutra*, treatise on Human Sexual behavior, part of Kamashashtra.
  • Dandin: *Kavyadarshana* and *Dasakumarcharita*; lived in Kanchi; best known for *Dasakumarcharita* “The Tale of the Ten Princes” depicting adventures of 10 princes; first translated in 1927 as Hindoo Tales and The Adventures of the Ten Princes.
  • *Panchatantra*: storybook of that era; originally composed to impart to young princes instruction in political science and practical conduct. Author Visnu Sarma / Vishnu Sharma. Earlier version known as *Tantrakhyayika*, most probably composed around C. 250 A.D.; *Panchatantra* version written some time during Gupta period.
What developments occurred in Sanskrit grammar, Buddhist/Jaina literature, Prakrit and literary inscriptions?Grammar, Buddhist-Jaina Literature, Prakrit, Inscriptions:
  • Development of Sanskrit grammar based on Panini (*Ashtadhyayi*) and Patanjali (*Mahabhashya*). Particularly memorable: compilation of *Amarakosha* by Amarasimha, luminary in court of Chandragupta II — lexicon learnt by heart by traditional Sanskrit students. Buddhist scholar from Bengal Chandragomia / Chandragomin composed *Chandravyakaranam* — popular in Kashmir, Nepal and Tibet; later reached Sri Lanka. Bhartrhari composed *Vakyapadiya* — philosophy of language; discusses sentence and word in Sanskrit.
  • Buddhist and Jaina literature in Sanskrit also written. Buddhist scholars Arya Deva, Arya Asanga and Vasubandhu most notable; most works in prose with verse passages in mixed Sanskrit. First regular Buddhist work on logic written by Vasubandhu; disciple Dignaga also author of many works. Epics and Puranas recast in Jaina version to popularise doctrines. Vimala produced Jaina version of Ramayana. Siddhasena Divakara laid foundation of logic among Jainas.
  • Evolution of many Prakrit forms: Suraseni (Mathura and vicinity), Ardhamagadhi (Oudh and Bundelkhand), Magadhi (Bihar), Maharashtri (Berar).
  • Literary inscriptions: Allahabad Pillar inscription of Samudragupta by Harisena and Mandasor inscription by Vatsabhatti possess characteristics of Sanskrit Kavya. Three other inscriptions of considerable literary merit: Junagadh inscription, Mehrauli iron pillar inscription, and Mandasor inscription of Yasovarman by Vasula.
Present the source table of important literary works and creators of the Gupta period.Important Literary Works During the Gupta Period (Source Table):
CategoryWorksCreators
EpicsRamayanValmiki
EpicsMahabharataVed Vyasa
Epics / KavyaRaghuvansa, Ritusamhara, MeghadutaKalidas
Epics / KavyaRavanabadhaBatsabhatti
Epics / KavyaKavyadarshana and DasakumarcharitaDandin
Epics / KavyaKiratarjuniyamBharavi
Epics / KavyaNitishatakaBhartrihari
DramasVikramovarshiya, Malvikagnimitra and AbhijnansakuntalamKalidasa
DramasMrichchakatika(Shudraka — see prose)
DramasPratignayaugandharayanaBhasa
DramasMudrarakshasa and DevichandraguptamVishakhadatta
EulogyPragya-PrasastiHarisena
PhilosophySankhyakarikaIshwar Krishna
PhilosophyNyaya BhasyaVatsyayana
PhilosophyVyasa BhasyaAcharya Vyasa
GrammarAmarakoshaAmarsimha
GrammarChandravyakaranaChandragomin
Grammar / PoeticsKavyadarshaDandin
Narrative StoryPanchatantra and HitopadeshaVishnu Sharma
Mathematics and AstronomyAryabhattiyaAryabhatta
Mathematics and AstronomyBrihatsamhita and PanchasidhantikaVaramihira
Mathematics and AstronomySuryasidhantaBrahmagupta
MiscellaneousNitisastraKamandaka
MiscellaneousKamsutraVatsyayana
MiscellaneousKavyalankaraBhamah

16. Science and Technology


16. Science and Technology
Cue WordsNotes
Detail Aryabhata’s life, works, mathematical and astronomical contributions and legacy.(a) Aryabhata — Works, Discoveries, Legacy:
  • Aryabhata (`476–550 CE`) was astronomer and mathematician. Went to Kusumapura for advanced studies; both Hindu and Buddhist tradition, as well as Bhaskara I (7th-century mathematician), identify Kusumapura as Paṭaliputra (modern Patna).
  • Works: *Aryabhatiya* (`499 CE`, when he was 23) and *Arya-siddhanta*. *Aryabhatiya* is a compendium of mathematics and astronomy; mathematical part covers arithmetic, algebra, plane trigonometry, spherical trigonometry; also continued fractions, quadratic equations, sums-of-power series, and a table of sines. *Arya-siddhanta*, a lost work on astronomical computations, known through writings of contemporary Varahamihira and later mathematicians including Brahmagupta and Bhaskara I; appears based on older Surya Siddhanta.
  • Work and Legacy (source numbered points):
    1. Awareness of both zero system and decimal system. (Gupta inscription of AD 448 from Allahabad district suggests decimal system known in India at beginning of fifth century.)
    2. Definitions of sine (*jya*), cosine (*kojya*), versine (*utkrama-jya*), and inverse sine (*otkram jya*) influenced birth of trigonometry; first to specify sine and versine (1 − cos x) tables, in 3.75° intervals from 0° to 90°, to accuracy of 4 decimal places.
    3. Largely through his efforts astronomy recognized as separate discipline from mathematics.
    4. Calculated pi to 3.1416 and length of solar year to 365.3586805 days — both remarkably close to recent estimates.
    5. Believed earth was sphere and rotated on its axis; shadow of earth falling on moon caused eclipses. In *Aryabhatiya* gives number of rotations of earth in yuga. Calculated sidereal rotation as 23 hours, 56 minutes, and 4.1 seconds (modern value 23:56:4.091).
    6. Described a geocentric model of the solar system in which Sun and Moon are each carried by epicycles.
    7. Discovered that Moon and planets shine by reflected sunlight.
    8. Calendric calculations devised by Aryabhata and followers in continuous use in India for practical purposes of fixing *Panchangam* (Hindu calendar). In Islamic world formed basis of Jalali calendar introduced in 1073 CE by a group of astronomers — versions are national calendars in use in Iran and Afghanistan today.
    9. Work of great influence in Indian astronomical tradition and neighbouring cultures through translations. Some results cited by Al Khwarizmi; in 10th century Al-Biruni stated Aryabhata’s followers believed Earth rotated on its axis.
Detail Varahamihira’s treatises, five siddhantas and contributions to math and physics.(b) Varahamihira:
  • Indian astronomer, mathematician and astrologer who lived towards end of fifth century in Ujjain; wrote several treatises on astronomy and horoscopy. Considered one of the Navaratnas of the court of legendary ruler Yashodharman Vikramaditya of Malwa (source places him both in Vikramaditya of Gupta tradition and Yashodharman tradition — see Admin Alerts).
  • *Panchasiddhantika* deals with five schools of astronomy: Surya Siddhanta, Romaka Siddhanta, Paulisa Siddhanta, Vasishtha Siddhanta and Paitamaha Siddhantas. Two of these reflect close knowledge of Greek astronomy. He declared Suryasiddhanta the best of all five extant siddhantas available to him. Romaka Siddhanta (“Doctrine of the Romans”) and Paulisa Siddhanta (“Doctrine of Paul”) were two works of Western origin which influenced his thought; in astronomy, Romaka Sidhanta influenced by Greek and Roman ideas.
  • Also an astrologer; wrote on all three main branches of Jyotisha astrology: *Laghu Jataka*, *BrihatJataka* and *Brihat Samhita*. Improved accuracy of sine tables of Aryabhata I; defined algebraic properties of zero as well as of negative numbers; among first mathematicians to discover a version of what is now known as Pascal’s triangle — used it to calculate binomial coefficient. Contribution to physics: statement that reflection is caused by back-scattering of particles and refraction. Indian astronomers valued work of Greek astronomers with which they were familiar, but arrived at results independently, usually more correct.
Detail Brahmagupta’s major works and results on zero, geometry and astronomy.(c) Brahmagupta (`598–670 CE`):
  • Wrote two works: *Brāhmasphuṭasiddhānta* (Extensive Treatise of Brahma — theoretical) and *Khaṇḍakhādyaka* (more practical). *Brahmasphutasiddhanta* contains good understanding of role of zero, rules of using zero with negative and positive numbers, method for computing square roots, methods of solving linear and quadratic equations, and rules for summing series. Written completely in verse without mathematical notation; contained first clear description of quadratic formula; also first surviving text containing systematic discussion of astronomical instruments and methods of computing astronomical elements from readings. Earliest known text to treat zero as a number in its own right. Uses 3 as a “practical” value of π and √10 as an “accurate” value of π. Most famous geometric result: formula for area of cyclic quadrilaterals.
  • *Khandakhadyaka* (“edible bite”): astronomical treatise; eight chapters covering longitudes of planets, diurnal rotation, lunar and solar eclipses, risings and settings, moon’s crescent and conjunctions of planets. Known in Sanskrit to al-Biruni; written as response to Aryabhata’s Ardharatrikapaksa. Criticized Puranic view that Earth was flat or hollow; observed that Earth and heaven were spherical.
Who was Bhaskara I and what did he contribute just after the Guptas?(d) Bhaskara I (just after Guptas, 7th Century):
  • Avoid confusion with 12th century mathematician Baskara II. 7th-century Indian mathematician; apparently first to write numbers in Hindu decimal system with a circle for the zero; gave unique and remarkable rational approximation of the sine function in commentary on Aryabhata’s work. Commentary *Aryabhaṭiyabhaṣya*, written in 629 CE, oldest known prose work in Sanskrit on mathematics and astronomy. Also wrote two astronomical works in line of Aryabhata’s school: *Mahābhāskarīya* and *Laghubhāskarīya*.
Summarise medical science, veterinary science and metal work achievements of the period.Medical Science & Metal Work:
  • Ayurved sastra achieved great advancement. Charka / Charaka (from Kashmir, contributors to ancient art and science of Ayurveda) and Sushruta (ancient Indian surgeon) were doctors of this period. ‘Ashtang Sanghra’, ‘Sushruta Samhita’, ‘Charak Samhita’ and other books on medical science produced in Gupta period.
  • Charaka Samhita: early text on Ayurveda; with Sushruta Samhita one of two foundational texts surviving from ancient India. States wholesome diet essential for good health and to prevent diseases; unwholesome food important cause of diseases; foods are source of heat, nutritive value and physiological substances that act like drugs; along with medicine, proper nutrition essential for recovery from sickness or surgery.
  • Sushruta Samhita: describes sciences and practices of medicine, pediatrics, geriatrics, diseases of ear/nose/throat/eye, toxicology, aphrodisiacs and psychiatry; surgical techniques of making incisions, probing, extraction of foreign bodies, alkali and thermal cauterization, tooth extraction, excisions, and trocars for draining abscess, draining hydrocele and ascitic fluid, removal of prostate gland, urethral stricture dilatation, vesiculolithotomy, hernia surgery, caesarian section, management of haemorrhoids, fistulae, laparotomy and management of intestinal obstruction, perforated intestines, accidental perforation of abdomen with protrusion of omentum, and principles of fracture management. Translated to Arabic as *Kitab-i-Susrud* in 8th century.
  • Great Acharya of Ayurved Sastra Dhanvantri product of Gupta period; works not available, but no disease he could not have cured. *Hastayurveda* or veterinary science (of elephant through medication and surgery), authored by Palakalpya, attests advances in medical science. *Navanitakam*, medical work manual of recipes, formula and prescriptions, compiled during this period. Vagbhaṭa: one of most influential classical writers of ayurveda; principally *Astanga hṛidaya* (Heart of Medicine) and *Aṣṭāṅgasaṅgraha*. Kasyapa’s Compendium of 7th Century deals principally with ailments of women and children.
  • Metal Work: Gupta craftsmen distinguished themselves in iron and bronze. Bronze images of Buddha began to be produced on considerable scale because of advanced metal technology of smiths. Best iron object example: iron pillar at Mehrauli in Delhi — manufactured in fourth century AD; has not gathered any rust over subsequent fifteen centuries — great tribute to technological skill (arid conditions in Delhi may also have contributed). Impossible to produce such a pillar in any iron foundry in the West until about a century ago. Later Indian craftsmen could not develop this knowledge further.

17. Education and Educational Institutions


17. Education and Educational Institutions
Cue WordsNotes
List the major Buddhist universities named in the source and the role of teaching monks.Rise of Buddhist Universities — Named Centres:
  • With rise of Buddhism in India, many centres of learning arose which did not exist before. Buddhist monks could opt for life of meditation in forests, or life of teaching, preaching, propagating the Dharma. As a result of activities of teaching monks, seats of learning arose. Seats of monastic learning (*Pirivenas*) gradually developed; some became full-fledged universities. Buddhist India came to have many major universities which achieved wide fame: 1. Nalanda, 2. Vikramasila, 3. Odantapuri, 4. Somapura, 5. Jagadalala / Jagaddala, 6. Vallabhi.
  • (1) Nalanda University: referenced in source as “Click Here” (external link placeholder; founding attributed elsewhere in source to Kumaragupta; Yuan Chwang notes on estate of 100 villages and 10,000 students).
Detail Vallabhi University: patrons, sect, Hiuen Tsang and I-Tsing accounts, curriculum and fate.(2) Vallabhi:
  • Achieved as much fame as Nalanda. Maitraka kings who ruled Western India constructed a monastery at Vallabhi their capital. While Nalanda was centre for Mahayana Buddhism, Vallabhi achieved fame as centre for Hinayana Buddhism. Maitraka kings spent lavishly; gave every encouragement and assistance to Buddhist studies. In 7th century Vallabhi was as prosperous and famous as Nalanda.
  • Hieum Tsang / Hiuen Tsang “Ta-Tang-Si-Yu-Ki”: “The population of Vallabhi is very large. The country is rich and prosperous. There are over a hundred millionaire families there. Imported luxury goods are seen in this city. There are about 100 monasteries with about 6,000 Buddhist monks. Most of them belong to the Sammitiya Sect. There are also many Hindu temples and a large Hindu population in this part of the country. The Buddha had visited this land during his ministry. There are stupas erected by King Asoka to mark the spots hallowed by the Buddha’s visit.” About 100 shrines and about 6,000 resident monks; they do not believe Abhidharma was teaching of Buddha; believed in Antarabhava doctrine.
  • I-Tsing: foreign students found at Vallabhi from many lands far and near — internationally recognised like Nalanda. Large library maintained by fund established by the King; inscription of King Guhasena confirms this. Precedence given to Sammitiya doctrines. Course of studies included Comparative Religion, Six systems of Hindu Philosophy, various other schools of Buddhism, Politics, Law, Agriculture, Economics. Graduates displayed skill in presence of royalty, nobles and other eminent people. Elders Gunamoti and Sthiramatic were Nalanda’s alumni and taught there for a time; said to be founders of Vallabhi. As founders came from Nalanda, Vallabhi followed Nalanda pattern in most activities. Flourished from 475 to 1200 A.C.; met same fate as other Universities at hands of Muslim invaders.
Detail Vikramasila: founder, network of five mahaviharas, hierarchy and stupa art.(3) Vikramshila / Vikramasila University:
  • Village Antichak, district Bhagalpur, Bihar — one of two most important centres of Buddhist learning in India during Pala empire along with Nalanda, on banks of the Ganges. Established by King Dharmapala (`783` to `820`) in response to supposed decline in quality of scholarship at Nalanda. Prospered about four centuries before destroyed by Bakhtiyar Khilji during fighting with Sena dynasty along with other major centres of Buddhism around 1200. Known mainly through Tibetan sources, especially writings of Taranatha (16th–17th centuries).
  • Number of monasteries grew up during Pala period. According to Tibetan sources, five great Mahaviharas stood out: Vikramashila (premier university of the era); Nalanda (past its prime but still illustrious); Somapura; Odantapura or Uddandapura (established by King Gopala of Pala dynasty); and Jagaddala. Five monasteries formed a network — “all of them were under state supervision” and there existed “a system of co-ordination among them”; different seats of Buddhist learning under Pala regarded together as interlinked group; common for great scholars to move easily from position to position among them. Subjects: philosophy, grammar, metaphysics, Indian logic etc.; most important branch of learning was tantrism. Centre for Vajrayana; employed Tantric preceptors — first Buddhajnanapad, followed by Dipankarabhadra and Jayabadhra. First two active during Dharmapāl’s reign; third early to mid 9th century. Jayabadhra first prominent commentator on *Cakrasamvara tantra* in Vajrayana Buddhism.
  • Organisation hierarchy:
    1. Abbot (*Adhyakṣa*)
    2. Six gate protectors or gate scholars (*Dvarapala* or *Dvarapaṇḍita*) — one each for Eastern, Western, First Central, Second Central, Northern, and Southern Gates
    3. Great Scholars (*Mahapaṇḍita*)
    4. Scholars (*Paṇḍit*), roughly 108 in number
    5. Professors or Teachers (*Upadhyaya* or *Acharya*), roughly 160 in number including paṇḍits
    6. Resident monks (*bhikhhu*), roughly 1,000 in number
  • Stupa: Main stupa at centre — brick structure laid in mud mortar in centre of square monastery. Walls of both terraces decorated with mouldings and terracotta plaques testifying high excellence of terracotta art of Pala period (8th to 12th centuries). Plaques depict many Buddhist deities — Buddha, Avalokiteshvara, Manjusri, Maitreya, Jambala, Marichi, Tara; scenes related to Buddhism; some social and hunting scenes; few Nath deities like Adinath/Vishnu, Paddabati/Parvati, Ardhanarisvara (Nath) and Hanuman (Nath). Many human figures (ascetics, yogis (Nath), preachers, drummers, warriors, archers, snake charmers etc.) and animal figures (monkeys, elephants, horses, deer, boar, panthers, lions, wolves, birds).
Summarise Odantapuri, Somapura and Jagaddala with founders, scale and fate.(4) Odantapuri; (5) Somapura; (6) Jagaddala:
  • Odantapuri: Considered second oldest of India’s universities. Situated in Maghada, about 6 miles from Nalanda (Near Biharsharif). Acharya Sri Ganga of Vikramasila had been a student here; later joined Odantapuri. King Gopala (`660–705`) was the patron who helped found this university. Tibetan records: about 12,000 students. Knowledge obscure. Perished at hands of Muslim invaders; said they mistook universities with high walls for fortresses; thought Buddhist monks were “Shaven headed Brahmins” who were idolaters.
  • Somapura Mahavihara: Situated in Bangladesh. King Devapala (`AC 810–850`) said to have erected the Dharmapala-Vihara at Somapura. Ruins cover about 1 square mile. Large gate; buildings surrounded by high wall; about 177 cells for monks in addition to shrines and image houses; common refectory and kitchen among ruins; remains of three-storeyed buildings. Flourished about 750 years before abandoned after Muslim invasion.
  • Jagaddala: King Ramapala (`1077–1129`) said founder. Largest construction works undertaken by Pala Kings. Centre for study and dissemination of Tantric Buddhism; followed methods, practices and traditions of Nalanda. According to Tibetan works many books translated to Tibetan language at Jagaddala. Buddhist teacher Sakya Sri Bhadra entered for his studies; pupil Danaseela translated ten books to Tibetan. Sakya Sri Bhadra responsible for propagation of Tantric Buddhism in Tibet; lived seven years at Jagaddala. In 1027 Muslim invaders sacked and destroyed Jagaddala. (Source date for sack as given.)

18. The Vakatakas Dynasty


18. The Vakatakas Dynasty
Cue WordsNotes
Who were the Vakatakas, what was their geographical span, sources, and relationship with Guptas and other powers?Overview — Origin, Geography, Sources, Matrimonial Network:
  • In northern Maharashtra and Vidarbha (Berar), the Satavahanas were succeeded by the Vakatakas, a local power. They were contemporaneous with the Guptas in northern India.
  • The Vakaṭaka Empire was a royal Indian dynasty that originated from the Deccan in the mid third century CE. Their state is believed to have extended from the southern edges of Malwa and Gujarat in the north to the Tungabhadra River in the south as well as from the Arabian Sea in the west to the edges of Chhattisgarh in the east.
  • History of the Vakatakas is largely known from inscriptions and from texts such as the Puranas. The Vakatakas, who were brahmanas themselves, are known from a large number of copper plate land grants issued by them.
  • They were great champions of the brahmanical religion and performed numerous Vedic sacrifices. Culturally, the Vakataka kingdom served as a channel for the transmission of brahmanical ideas and social institutions to the south. Their political history is more linked to north India than to south India.
  • Chandragupta II married his daughter Prabhavati Gupta into the Vakataka royal family and with its support conquered Malwa and Gujarat from the Shaka Kshatrapas in the last quarter of the fourth century AD. This dynasty had matrimonial ties with the imperial Guptas, Nagas of Padmavati, Kadambas of Karnataka, and Vishnukundins of Andhra.
  • The Ajanta inscription of the time of Harishena alludes in poetic terms to his military achievements. Vakataka rule lasted from the mid-3rd to the late 5th/early 6th centuries CE. The Vakataka power was followed by that of the Chalukyas of Badami in Deccan.
Where was the original home of the Vakatakas — South India theory vs Vindhyan region theory?Location of Original Home — South India vs Vindhyan Region:
  • South India theory: Some scholars place original home in South India, based on: mention of ‘Vakataka’ in a fragmentary inscription at Amaravati in Andhra Pradesh; certain similarities between some technical terms in Vakataka inscriptions and the Hirehadagalli and Mayidavolu grants of the Pallava king Shivaskandavarman; Basim plates of Vindhyashakti II use the title Haritiputra for Pravarasena I and Dharmamaharaja for Sarvasena I and the reigning king — titles also occurring in inscriptions of southern dynasties such as the Pallavas, Kadambas, and Chalukyas of Badami; certain inscriptions of the time of Harishena (last known king of the Vakataka line of Vatsagulma) describe the family of one of his ministers as hailing from Vallura, which may be identified with Velur near Hyderabad.
  • Vindhyan region theory: Inscriptions and the Puranas indicate that this dynasty initially established its base in the Vindhyan region, north of the Narmada. The Puranas refer to the dynasty as the Vindhyakas. The town of Kanchanaka, mentioned in the Puranas in connection with one of the early kings, Pravarasena I, can be identified with Nachna village in Panna district of Madhya Pradesh. Several early Vakataka inscriptions and structural remains of the period have been found here. This clearly indicates that the Vakatakas first established themselves in the Vindhyan region; from here they extended their power southwards, eventually becoming a major political power in the Deccan.
Trace the Pravarpura-Nandivardhana branch from Vindhyashakti I through Prithivishena II.Pravarpura–Nandivardhana Branch — Rulers:
  • Vindhyashakti I (`250–270 CE`) — founder of the dynasty. In the Cave XVI inscription of Ajanta he was described as the banner of the Vakataka family and a *Dvija*. It is stated in this inscription that he added to his power by fighting great battles and he had a large cavalry. Other Vakataka inscriptions describe kings of this dynasty as Brahmanas belonging to the Vishnuvriddha gotra.
  • Pravarasena I (`270–330`) — second king of the line; seems to have extended the empire southwards into Vidarbha and the adjoining areas of the Deccan. His capital was Kanchanaka (modern Nachna). He conducted wars with the Naga kings. The marriage between his son Gautamiputra and the daughter of the Naga king Bhavanaga cemented an important political alliance. The Puranas mention him as performing several vajapeya and vajimedha sacrifices, accompanied by the distribution of many lavish gifts. Inscriptions mention his four ashvamedhas and several other sacrifices (also agnishtoma, brihaspatisava, vajapeya). Pravarasena I was the only Vakataka king with the imperial title *samrat*; the others had the relatively modest title *maharaja*.
  • During the later part of Prithivishena I’s reign, his son Rudrasena II was married to Prabhavatigupta, daughter of the Gupta emperor Chandragupta II. When Rudrasena died fortuitously after a very short reign in 385 C.E, his sons Damodarasena and Pravarasena II were minors, and Prabhavatigupta held the reins of government for a very long time as a regent on behalf of her two sons.
  • Prabhavatigupta (`385–405`) — inscription mentions about one “Deva Gupta” who is her father and the historians equated him with Chandra Gupta II. Prabhavatigupta’s inscriptions give her natal genealogy and emphasize her natal connections. Her gotra is given as Dharana, not Vishnuvriddha, the gotra of the family into which she had married. During this period the Vakataka realm was practically a part of the Gupta Empire. Many historians refer to this period as the Vakataka–Gupta age. Nandivardhana (identified with Nandardhan near Nagpur) seems to have become the capital during this period. The seal of Prabhavatigupta’s Miregaon plates describes her as ‘mother of two kings’.
  • Pravarasena II — the largest number of Vakataka inscriptions including copper plate inscriptions belong to his reign. The earlier ones were issued from Nandivardhana and the later ones from Pravarapura (identified with Paunar in Wardha district). He shifted the capital from Nandivardhana to Pravarapura, a new city founded by him. He built a temple dedicated to Rama in his new capital. A Prakrit work called *Setubandha* or *Ravanavaho*, woven around Rama’s journey to Lanka and his victory over Ravana, has been attributed to Pravarasena II. A few verses of the *Gaha Sattasai* (originally by Hala) are also attributed to him. Prabhavatigupta continued to issue inscriptions in her own right and died during the later part of her son’s reign. Remains of the Pravareshvara Shiva temple built by Pravarasena II at Mansar, Nagpur.
  • Other rulers: The death of Pravarasena II may have been followed by a succession struggle. Narendrasena (`440–460`) ultimately emerged successful. The last known king of this line was Prithivishena II. A copper coin from Paunar seems to belong to his reign. After his death in 480, his kingdom was probably annexed by Harishena of the Vatsagulma branch of Vakataka.
  • The Sudarshana lake at Junagadh seems to have acquired a celebrity status, for the name Sudarshana became popular for lakes and reservoirs in the northern Deccan. A reservoir built by Prabhavatigupta’s children in their mother’s memory was known as Sudarshana.
Trace the Vatsagulma branch from Sarvasena through Harishena, including Ajanta patronage.Vatsagulma Branch — Sarvasena to Harishena:
  • Sarvasena (`330–355`) — founded the Vatsagulma branch; second son of Pravarasena I. Took the title of Dharmamaharaja. Author of *Harivijaya* in Prakrit, based on the story of bringing the *parijat* tree from heaven by Krishna; this work, praised by later writers, is lost. Also known as the author of many verses of the Prakrit *Gaha Sattasai* originally by Hala.
  • Vindhyasena / Vindhyashakti II (`355–400`) — known from the well-known Washim plates which recorded the grant of a village situated in the northern *marga* of Nandikata (presently Nanded). The genealogical portion of the grant is written in Sanskrit and the formal portion in Prakrit. This is the first known land grant by any Vakataka ruler. He also took the title of Dharmamaharaja.
  • Pravarasena II of Vatsagulma (`400–415`) — next ruler. The Cave XVI inscription of Ajanta says that he became exalted by his excellent, powerful and liberal rule.
  • Harishena (`475–500`) — great patron of Buddhist architecture, art and culture; Ajanta is surviving example of his works. The rock-cut architectural cell-XVI inscription of Ajanta states that he conquered: Avanti (Malwa) in the north; Kosala (Chhattisgarh); Kalinga and Andhra in the east; Lata (Central and Southern Gujarat) and Trikuta (Nasik district) in the west and Kuntala (Southern Maharashtra) in the south. Varahadeva, a minister of Harishena and the son of Hastibhoja, excavated the rock-cut vihara of Cave XVI of Ajanta. Three of the Buddhist caves at Ajanta — two viharas (caves XVI and XVII) and a chaitya (cave XIX) — were excavated and decorated with painting and sculptures during the reign of Harishena. Spink attributes the Ajanta caves of the period to a single, intense burst of enthusiasm during the reign of Harishena; it was Harishena’s death, he argues, that marked the end of the golden age. There were two phases of activity at this site — five caves excavated in the Satavahana period, while 23 belong to the Vakataka period (inscriptional evidence establishes this). Indra, Vishnu, Rama, Hara, and Kama are mentioned in a donative inscription of Varahadeva in one of the Buddhist caves at Ajanta. The scale and magnificence of the Ajanta caves suggest that they must have housed a prominent monastic community which attracted lavish patronage from the elites of the Vakataka kingdom. The second phase of painting in Ajanta corresponds to the Vakataka period. Painting of Padmapani and Vajrapani in Ajanta noted among surviving works.
How does Dandin’s Dashakumaracharita narrate the end of the Vakatakas?End of Vakataka — Dandin’s *Dashakumaracharita* / *Dasakumaracarita*:
  • According to *Dasakumaracarita* of Dandin / Dain, written probably around 125 years after the fall of the Vakataka dynasty, Harishena’s son, though intelligent and accomplished in all arts, neglected the study of the *Dandaniti* (Political Science) and gave himself up to the enjoyment of pleasures and indulged in all sorts of vices.
  • Finding this a suitable opportunity, the ruler of Ashmaka instigated the ruler of Vanavasi (in the North Kanara district) to invade the Vakataka territory.
  • The king called all his feudatories and decided to fight his enemy on the bank of the Varada (Wardha).
  • While fighting with the forces of the enemy, he was treacherously attacked in the rear by some of his own feudatories and killed. The Vakataka dynasty ended with his death.
Describe Vakataka administrative structure: rashtras/rajyas, officers, coercive apparatus and feudatory terms.Administrative Structure of the Vakataka Kingdom:
  • Vakataka inscriptions offer comparatively less information regarding administrative structure.
  • *Rashtras* or *rajyas* (provinces): empire divided into provinces called *rashtras* or *rajyas*. E.g. the Pakkana rashtra in the Belora plates; Bhojakata rashtra in the Chammaka plates; Varuchha rajya in the Pandhurna plates; Arammi rajya in the Dudia and Padhurna plates (all these inscriptions belong to the reign of Pravarasena II).
  • *Rajyadhikritas* (Governor): the *rajyas* were administered by governors known as *rajyadhikritas*. (Related term also: *Uparikas* / provincial governors in comparative Gupta–Vakataka frame of source notes.)
  • *Vishayas*: provinces further subdivided into *vishayas*.
  • *Aharas* and *bhogas* or *bhuktis*: *vishayas* further divided into *aharas* and *bhogas* or *bhuktis*.
  • *Sarvadhyaksha* and *Kulaputra*: Vakataka grants refer to an officer called the *sarvadhyaksha*, who appointed and directed subordinate officers known as *kulaputras*. Duties of *kulaputras* included the maintenance of law and order.
  • *Chhatras* and *bhatas*: usually understood as referring to irregular and regular troops; represented the coercive arm of the state. They wandered about the countryside, extracting taxes due to the state, and may have also been responsible for maintaining law and order.
  • *Rajuka*: known in Maurya sources as an officer connected with revenue assessment; mentioned in the Indore plates of Pravarasena II as the writer of the land grant charter.
  • *Senapati* and *dandanayaka*: military officers. Interestingly, the Vakataka charters are described as drafted in the *senapati*’s office. Inscriptions belonging to various years of the reign of Pravarasena II mention different persons as *senapati* — this either indicates changes in the occupancy of the post, or that several individuals had this designation.
  • Other officials (feudatory inscriptions): The *rahasika*, mentioned in the Bamhani plates of Bharatabala, a ruler of Mekala, seems to have been a confidential officer attached to the king. The same inscription mentions the *gramakuta* or village headman. The *devavarika* may have been the head of the village police. The *gandakas* may have been the equivalents of the *bhatas* of Vakataka grants. The *dronagrakanayaka* may have been in charge of the administrative unit known as the *dronagraka* or *dronamukha*.
Detail Vakataka land grants: scale under Pravarasena II, Basim/Washim/Chammak/Riddhapur/Poona/Pauni exemptions and stipulations.Land Grants by Vakatakas — Exemptions and Stipulations:
  • While the imperial Guptas were not apparently great donors of land to Brahmanas, the Vakatakas were. The tally of the gifted villages mentioned in Vakataka inscriptions is 35. A large number of these gifts were made during the reign of Pravarasena II — his 18 inscriptions record the gift of 20 villages in all.
  • A wide range of technical terms are mentioned in the grants, indicating the exemptions and privileges that were bestowed on the gifted land and the donees. Thirteen inscriptions mention the area of land, ranging from 20 to 8000 *nivartanas* by the royal measure. There are also a few instances of villages being donated in exchange for previous gifts. The Yavatmal plates of Pravarasena II record the renewal of an earlier grant. From the time of Pravarasena II, there seems to have been a shift in the location of gifted villages from the eastern to the western part of the Vakataka kingdom, particularly to the Tapi valley.
  • Basim plates of Vindhyashakti II record the king’s grant of Akasapadda village to certain Atharva Veda Brahmanas. Exemptions and privileges associated with the grant (language a mixture of Prakrit and Sanskrit):
    • to last as long as the moon and the sun i.e., forever;
    • not to be entered by the district police;
    • exempt from the royal prerogative of digging salt and purchasing fermented liquor;
    • exempt from the obligations to gift grain and gold to the king;
    • exempt from the obligation to supply flowers and milk;
    • exempt from the obligation to supply to the state customary cows and bulls;
    • exempt from providing pastures, hides, and charcoal to touring officials;
    • not to be entered by royal soldiers;
    • not to provide sleeping cots, water pots, and slaves to touring officers;
    • not to pay taxes;
    • not to provide draught cattle for the transport of officials;
    • along with the right to hidden treasures and deposits;
    • along with major and minor taxes;
    • exempted with all kinds of immunities.
  • The Poona plates of Prabhavatigupta also refer to the donees being granted the right to mines and *khadira* trees.
  • The term in some of the plates of Pravarasena II and Riddhapur plates of Prabhavatigupta indicates that the gifted land was free from forced labour.
  • The Riddhapur plates of Prabhavatigupta state that the field was granted along with a farmhouse and four farmers’ huts.
  • The Pauni grant of Pravarasena II records the gift of a village along with the habitations. Some of the grants contain the phrase which means ‘not to be entered by regular and irregular troops’.
  • The Chammak plates of Pravarasena II have a curious stipulation. The donees — 1,000 Brahmanas — were to enjoy the gifted land: as long as they did not commit treason against the kingdom; as long as they were not found guilty of the murder of a Brahmana, or of theft, adultery, and high treason, etc.; as long as they did not wage war and did not harm other villages. It was declared that if they indulged in or assented to any such acts, the king would be justified in taking the land away from them.
What cultural patronage, Panchatantra link, economy debates, occupational settlements and women’s gift-giving appear in Vakataka evidence?Culture, *Panchatantra*, Economy, Artisans, Queens and Gift-Giving:
  • The Vakatakas are noted for having been patrons of the arts, architecture and literature. They led public works and their monuments are a visible legacy. The rock-cut Buddhist viharas and chaityas of Ajanta Caves were built under the patronage of Vakataka King Harishena of Vatsagulma branch.
  • *Panchatantra*: an example of a *nidarshana* — a work which shows through illustration what should and should not be done. Date and authorship uncertain; stories presented as narrated by a sage named Vishnusharman. The three princes whom Vishnusharman instructs in *niti* (policy, statecraft) through many engaging stories have names ending in the suffix ‘shakti’, which suggests the possibility that the work was composed in the Vakataka empire. The text is divided into five sections illustrating: splitting an alliance that is contrary to one’s interest; forming an alliance; waging war; getting the better of a fool; and the results of action without reflection. Most of the *Panchatantra* stories are amusing, satirical tales in which animals play an important role. The style is elegant prose, interspersed with verses.
  • Economy debate (Shrimali): With specific reference to the Vakataka kingdom, Shrimali argues for a decline in trade, traders, and the urban economy. Shrimali asserts that the inscriptions convey a picture of a nonmonetary, small-scale village economy; an expansion of rural settlements; a contraction of urbanism; and an early onset of feudalism.
  • Artisans, traders and occupational groups in inscriptions: several references exist. The Indore plates of Pravarasena II mention a merchant (*vanijaka*) named Chandra, who bought half a village and donated it to some Brahmanas (also: bought half of the village that was gifted by the king to certain Brahmanas). The gifted village Charmanka in the Chammak copper plates of Pravarasena II may have been a settlement of leather workers. The Thalner copper plates record the gift of Kamsakaraka and Suvarnakara, which, from their names, seem to have been villages of bronze workers and goldsmiths. A goldsmith named Ishvaradatta is mentioned as the engraver of the Pattan plates. Kallara (Pandhurna plates) and Madhukajjhari (Patna Museum plates) may have been villages of alcohol distillers. The inhabitants of Ishtakapalli of the Mandhal plates may have specialized in brickmaking. Places such as Ishtakapalli, Hiranyapura, Lavanatailaka, and Lohanagara seem to have been connected with brickmaking, goldwork, salt manufacture, and iron working respectively.
  • Queens and gift-giving by women: The Vakataka genealogies do not generally mention queens. However, Vakataka inscriptions reveal the exercise of political power by queen Prabhavatigupta during the reigns of three consecutive Vakataka rulers. Some royal women took the initiative in gift-giving. Prabhavatigupta made grants in her own right. The Masoda plates of Pravarasena II records a grant made at the request of an unnamed chief queen. A fragmentary inscription found on the walls of the Kevala-Narasimha temple in Ramtek (Nagpur district) records the construction of this temple (given the name Prabhavatisvamin) in memory of the deceased queen Prabhavatigupta by her daughter.

19. Account of Yijing (I-Tsing / I Tsing)


19. Account of Yijing (I-Tsing / I Tsing)
Cue WordsNotes
Who was Yijing, when did he travel, and how does his work compare with Faxian and Xuanzang?Identity, Dates and Comparative Standing:
  • Yijing (`635–713 CE`) was a Tang Chinese Buddhist monk. The written records of his 25-year travels contributed to the world knowledge of the ancient kingdom of Srivijaya, as well as providing information about the other kingdoms lying on the route between China and the Nalanda Buddhist university in India. He was also responsible for the translation of a large number of Buddhist texts from Sanskrit into Chinese.
  • Compared to Faxian and Xuanzang, the work of Yijing attracted limited attention. He embarked on his trip to India in 671 and returned in 695.
Trace Yijing’s itinerary from Guangzhou via Srivijaya to Nalanda and the 687–689 paper-and-ink trips.Itinerary — Srivijaya, India, Nalanda, Return Translations:
  • Traveling by a Persian boat out of Guangzhou, he arrived in Srivijaya (today’s Palembang of Sumatra) after 22 days, where he spent the next six months learning Sanskrit grammar and Malay language.
  • He then arrived at the East coast of India, where he met a senior monk and stayed a year to study Sanskrit. Both later followed a group of merchants and visited 30 other principalities. Halfway to Nālandā, Yijing fell sick and was unable to walk; gradually he was left behind by the group. He was looted by bandits and stripped naked. He heard the natives would catch white skins to offer sacrifice to the gods, so he jumped into mud and used leaves to cover his lower body; he walked slowly to Nalanda where he stayed for 11 years.
  • In the year 687, Yijing stopped in the kingdom of Srivijaya on his way back to Tang China. At that time, Srivijaya was a centre of Buddhism where foreign scholars gathered, and Yijing stayed there for two years to translate original Sanskrit Buddhist scriptures into Chinese. In the year 689 he returned to Guangzhou to obtain ink and papers (as Srivijaya then had no paper and ink) and returned again to Srivijaya the same year.
What are Yijing’s two major works, and what do they record about Indian monastic practice and Chinese pilgrims?Two Works — *The Record of Buddhism As Practiced in India* and *Memoirs of Eminent Monks*:
  • Before returning to China, he completed and sent to China from Kingdom of Srivijaya two works of immense importance: *The Record of Buddhism As Practiced in India* and the *Memoirs of Eminent Monks* (who visited India and Neighboring Regions in Search of the Law during the great Tang Dynasty).
  • The former work is a detailed account of how Buddhist doctrines and monastic rules were practiced in India. By recording the practice of monastic rules of Indian monasteries, Yijing wanted to rectify what he calls the errors in the applications of the original Buddhist principles in China. He describes 40 practices at Indian monasteries ranging from cleaning after meals to regulations for ordination and compares them to the procedures in China. He underscores consequences of not following the original intent of the monastic rules. On other occasion he recommends compromise due to cultural differences between India and China (e.g. Indians eat by right hand but Chinese use chopsticks).
  • The latter contains biographies of 56 Chinese monks who traveled to India in the 7th century. In Yijing’s *Memoirs of Eminent Monks*, he reveals that despite the perilous nature of the journey, Buddhist monks from China visited India frequently during the seventh century. Some came overland through Central Asia and Tibet to India. Others, similar to Yijing, took the maritime routes via Southeast Asian ports. Some returned back and some stayed in India. These biographies are short accounts of pilgrimages of Chinese monks who have left no records of their trip to India.
What does Yijing’s biography of Xuanzhao record about Gaozong’s longevity-drugs mission, and what is the borderland complex?Xuanzhao Biography, Gaozong Mission, Borderland Complex (*biandi*):
  • In the biography of Xuanzhao, Yijing gives his genealogy and narrates his experience learning the Buddhist doctrine, the long journey he took to India through Tibet, the education he received at Indian monasteries and his return to China through Nepal and Tibet. Shortly after reaching China, Xuanzhao was ordered by Tang Emperor Gaozong to return to India to procure for him longevity drugs and physicians. Yijing reports that Xuanzhao accomplished his objective but died before he could return to China.
  • These pilgrims (Faxian, Xuanzang, Yijing etc), by returning with Buddhist texts, relics, and other paraphernalia, tried to recreate in China an Indic world where followers could perform pilgrimages without embarking on the arduous journey to India and at the same time dispel their feeling of borderland complex (*biandi*). Through their narratives, they sought to provide the followers of the Buddhist doctrine in China an opportunity to envision the sites and events in the life of the Buddha that they considered sacred.

UPSC RECALL: TRAPS


UPSC RECALL: TRAPS
Cue WordsNotes
Critique the ‘Golden Age’ label and list high-frequency factual traps from this topic.Golden Age Myth & Common Traps:
  • Golden Age critique: Valid for elite Sanskrit literature, architecture, mathematics and metallurgy; period of socio-economic regression for lower castes, women (rise of Sati), and decline of urban commerce and long-distance trade.
  • Mehrauli Iron Pillar: Dedicated to King Chandra (identified as Chandragupta II) — a Gupta monument, not Mauryan. In Mauryan–Gupta art comparison, it is the Gupta counterpart to Mauryan monolithic stone pillars.
  • Sultanganj Buddha height variants: One source layer states 7½ feet high copper; another states two-metre-high bronze from Sultanganj near Bhagalpur — do not collapse without verification.
  • Nalanda school dating phrase: Art source says sculptural qualities deteriorate “in Nalanda in Bihar in the 6th century BCE” — retain as stated; likely century label conflict with Gupta chronology — do not silently “correct”.
  • Ajanta patronage: Nothing to show that Guptas were patrons of Ajanta paintings; later phase under Vakatakas during Gupta period.
  • Bagh paintings location: Paintings specifically in caves 4 and 5 (of 9 Bagh caves); both religious and secular themes.
  • Vishti: Not voluntary labour — compulsory, exploitative state-mandated forced labour tax; more common in `300`–`600 CE`; treated as tax/source of state income in land grants; concentration of epigraphic references in Madhya Pradesh and Kathiawar.
  • Slavery vs slave society: Slavery existed from Vedic *dasi* gifts onward (contra Megasthenes), but ancient India was **not** a slave society — production burden on vaishya/shudra peasants, artisans, merchants; shudras as collective property of three higher *varnas* performed tasks that slaves did in Greece and Rome.
  • Slave category counts: Tripitaka 8 / Arthashastra 5 / Manu 15 / Narada 15 — do not collapse; Narada’s 15 are elaborations of known types (war, debt, voluntary).
  • Manumission: Jar-breaking ceremony (Narada) is specific — water jar off shoulder, break, parched grain + flowers, thrice ‘You are no longer a *dasa*’; general freedom also via *sanyas* or master’s will; *dasi* bearing master’s son freed with legitimate child (Kautilya).
  • Kalinga 150,000: Source itself flags the figure as seeming exaggerated — do not present as hard census.
  • Karikala 12,000: Sri Lankan captive slaves for 160 km Kaveri embankment — Sangam-age, not Gupta royal labour force.
  • Fa-Hien: Did not mention Chandragupta II by name; vegetarian ideal vs common meat-eating is a source tension.
  • Ramagupta: Official genealogies omit him; only play + Durjanpur Jaina images + copper coins support historicity — succession debate with Chandragupta II.
  • Samudragupta coin types: Source states eight types but enumerates seven named types — do not invent the eighth.
  • Eran Sati: First concrete epigraphic memorial of Sati at Eran, 510 AD / Gupta Era 191 — Bhanugupta–Goparaja context; also Samudragupta’s earlier Eran stone inscription is a separate undated record.
  • Nalanda founding vs Pala universities: Nalanda associated with Kumaragupta; Vikramasila, Odantapuri, Somapura, Jagaddala are largely Pala-period foundations — do not collapse all six into Gupta patronage alone.
  • Chess (*caturaṅga*): Believed to have originated in India during Gupta Empire (6th century CE form).
  • Gopasvamin vs Gopasramin: *Akshapataladhikrita* of Samudragupta appears as Gopasvamin (spurious Gaya copper plate layer) and Gopasramin (existing admin layer) — retain both forms; do not silently pick one.
  • Allahabad name lists: Aryavarta and Dakshinapatha personal/place-name spellings vary across source layers (e.g. Rudradeva/Rudradwa; Kaurata/Kairala; Sanakanithan/Sarakinakas; kakas/Kavas; Kartipura/Kartripura) — present merged variants; do not invent a single “correct” list.
  • Ajanta patronage (reaffirm): later phase under Vakataka Harishena (Vatsagulma); Cave XVI Varahadeva; Spink’s single-burst thesis tied to Harishena’s death — not Gupta royal patronage.
  • Vakataka *samrat* exclusivity: only Pravarasena I used imperial title *samrat*; others *maharaja* / *Dharmamaharaja*.
  • Prabhavatigupta gotra: natal gotra Dharana retained in her inscriptions — not Vishnuvriddha of the Vakataka marital line; Miregaon seal ‘mother of two kings’.
  • Yijing vs I-Tsing early-Gupta note: I-Tsing also appears in early-Gupta first-three-rulers tradition; the dedicated Yijing travelogue (`671–695`) is a separate 7th-century Tang pilgrimage corpus — do not collapse the two roles into one episode.

Mains Perspective


Mains Perspective
Cue WordsNotes
Critically evaluate the ‘Golden Age’ label by contrasting elite cultural achievements with social and economic regression.Golden Age Evaluation: The Gupta age crystallised classical Sanskrit literature (Kalidasa’s corpus), perfect types of Buddhist and Brahmanical sculpture (Sarnath–Mathura), free-standing temple beginnings (*garbha-griha*, early *nagara* *shikhara* at Deogarh/Bhitargaon), and scientific heights (Aryabhata’s *Aryabhatiya*, Varahamihira’s *Panchasiddhantika*, metallurgy of the Mehrauli pillar). Simultaneously, large-scale *agrahara*/*devagrahara* grants, *vishti*, subinfeudation, intensification of untouchability (Fa-Hien’s Chandala clapper), decline of women’s status (pre-pubertal marriage, sati at Eran 510 CE), debased late dinars under Skandagupta, and atrophy of long-distance trade after Byzantine silk self-sufficiency and Huna disruption qualify any unqualified “Golden Age” claim. Mains answers should treat the label as sector-specific, not civilisationally total.
Explain political expansion under Samudragupta and Chandragupta II as a graded imperial system rather than uniform annexation.Graded Imperialism — Four Categories to Vakataka-Gupta Age: Samudragupta’s Allahabad Prasasti encodes a graded system: capture–release of twelve Dakshinapatha kings; violent extermination of eight Aryavarta rulers; tribute and obedience from forest realms, five *pratyantas* and nine republics; and prestige-tribute from Daivaputra Shahi Shahanushahi, Shakas, Murundas and Sinhala (Meghavarman’s Mahabodhi Sangharama request). Chandragupta II then deepened control through Naga and Vakataka marriage (Prabhavatigupta regency 385–405), Sakari conquest of Rudrasimha III, western seaboard prosperity and Ujjain as second capital — producing what many historians call the Vakataka-Gupta Age. This is not Mauryan uniform centralisation but layered suzerainty culminating in feudalising local autonomy after Skandagupta.
Analyse Huna pressure and multi-causal decline from Skandagupta to c. 550 CE.Huna Crisis & Multi-causal Decline: Skandagupta’s 455 victory and Sudarshana lake repair (Parnadatta–Chakrapalita) show residual imperial capacity, but debased coinage and loss of western silver minting signal fiscal stress. Toramana’s push to Eran and Mihirakula’s Sakala-centred empire, checked only by the 528 coalition of Yasodharman (Sondani pillars; samvat 589/532 AD; “Ajay Jarto Hunan”) and Narasimhagupta Baladitya, coincide with weak post-Skanda succession (Purugupta through Bhanugupta), Vakataka competition, Pushyamitra unrest, *samanta* feudalisation and trade disruption. By c. 550 CE Gupta power was already insignificant — a textbook case of frontier military shock meeting internal administrative and fiscal unravelling.
Explain feudalization via land grants as a structural consequence for post-Gupta polity.Post-Gupta Feudalization Trajectory: *Agrahara* to Brahmanas and *devagrahara*/secular grants (e.g. Uccakalpa grant to Pulindabhatta) transferred fiscal and administrative rights, produced serfdom and tenants-at-will through subinfeudation, and elevated *samantas* — weakening central authority even when powerful kings (Samudragupta, Chandragupta II, Skandagupta) temporarily recentralised coercion. Combined with hereditary *kumaramatya* offices and feudatory-supplied armies, this administrative devolution frames the transition from classical empire to regional polities of the sixth century. Vakataka evidence intensifies the same trajectory: 35 gifted villages (Pravarasena II alone 18 inscriptions / 20 villages), Basim/Washim/Chammak/Riddhapur-style immunities (no police entry, salt/liquor prerogatives waived, freedom from *vishti*), and Shrimali’s reading of a nonmonetary village economy with early feudal onset.
Analyse Gupta revenue theory and fiscal vocabulary as Mains material on state capacity.Land Ownership & Tenure Master Note (Analytical Line): The ancient Indian land-rights debate is best written as a **hierarchy of concurrent claims**, not as a single exclusive ownership model. Communal say (boundaries, sales, pastures, water; *yoga-kshema*; Jamini–Shabara common-earth thesis) was real but rarely equals full corporate title in epigraphy. Royal *bhu-swamin* claims (Megasthenes; Manu’s mine-share; Katyayana’s 1/4th; later Narsimha Purana and Bhattaswamin commentaries) coexist with the counter-school that taxes are **wages for protection**, and with kings **buying** land for donation. From c. `300 CE`, private property sits under a theoretical royal umbrella; Ashrafpur’s enjoyer–cultivator–donee stack illustrates layered rights. Technical tenure vocabulary (*nividharma*, *akshaya-nivi*/*aprada-dharma*, *nivi-dharmakshaya*, *bhumichhidranyaya*) and the **11** eastern pious-sale inscriptions with the five-step *pustapala* procedure operationalise this layered agrarian order for Mains answers on Gupta/post-Gupta economy and land grants.

Revenue Theory and Fiscal Vocabulary: Narada’s framing of bhaga as the king’s one-sixth share owed for protection, Kamandaka’s florist/milkman principle of seasonal nurture-and-tax, and the stern “bleed the abscess” rule against corrupt officials together encode a normative fiscal ethic rather than a single rigid rate (Manu’s 1/6–1/8–1/12 range and the conventional character of 1/6th confirm this). Operationally, Akshapataladhikrita and Pustapalas organised records and land transfers, while a dense vocabulary — kara, bali, udranga, uparikara, hiranya, bhoga, shulka/shaulkika, vata-bhuta, halirakara, plus Vakataka klipta/upaklipta and vishti — shows multiple overlapping claims on agrarian and urban surplus. Mains answers should treat this as layered extraction plus local exemptions (agrahara), not as a simple “land tax only” model.

Assess the Vakataka–Gupta political and cultural axis including Prabhavatigupta regency and Ajanta.Vakataka–Gupta Axis and Ajanta: Matrimonial alliance (Gautamiputra–Bhavanaga earlier; Rudrasena II–Prabhavatigupta later) and Prabhavatigupta’s regency (`385–405`), with Dharana natal gotra retained and Miregaon ‘mother of two kings’, made the Vakataka realm practically part of the Gupta empire — the so-called Vakataka–Gupta age that enabled Chandragupta II’s western expansion against the Shaka Kshatrapas. Culturally, Harishena’s Vatsagulma patronage (Cave XVI Varahadeva; caves XVI, XVII, XIX) and Spink’s single-burst thesis locate Ajanta’s classical phase outside direct Gupta court patronage, while Dandin’s *Dashakumaracharita* moralises the dynasty’s end through neglect of *Dandaniti* and feudatory treachery.
Place Yijing’s travelogue in the series of Chinese Buddhist witnesses and the borderland complex.Yijing and the Chinese Buddhist Witness Series: Yijing (`671–695` travel; works completed from Srivijaya after 687–689 paper/ink runs) complements Faxian and Xuanzang by shifting attention from royal courts to monastic rulebooks (40 practices) and a collective biography of 56 seventh-century Chinese monks, including Xuanzhao’s Gaozong-ordered longevity-drugs mission. His project of correcting Chinese applications of monastic rules, while allowing chopsticks-style cultural compromise, and the pilgrims’ attempt to recreate an Indic sacred geography in China to dispel the *biandi* (borderland) complex, supply a Mains-ready cultural-history angle on Buddhism’s Sino-Indian transmission after the classical Gupta age.
Analyse ancient Indian slavery from Vedic dasi gifts through Mauryan state farms to Gupta vishti, and contrast with Greco-Roman slave society.Slavery & Vishti — Continuity without Slave Society: Slavery is continuous from Rig Vedic *dasi* gifts in *Dana Stutis* (household, often female, war/debt enslavement; ethnic *dasa*/*dasyu* substrate) through post-Vedic male *dasas* in agriculture, trade and army, NBPW regularisation of large-plot cultivation with slaves and *kammakaras*, and Buddhist typology (*antojatako*, *dhanakkito*, *karamaraanito*, self-enslavement) with *sangha* exclusion until manumission and rare resistance (Sakya *dasa-kammakaras*; *dasi* Kali testing Vaidehi). Mauryan evidence contradicts Megasthenes: *Arthashastra* *dasas*/*ahitakas*, private and state slaves, large state farms with slaves and hired labourers, maternity protections, son-bearing *dasi* manumission, possible Kalinga captives (150,000 flagged as exaggerated), and Ashokan RE 9/11 courtesy to *dasas* and *bhatakas* as *dhamma*. Sangam Yavana women-slave imports and Karikala’s 12,000 Sri Lankan captives for the 160 km Kaveri embankment show southern coercive labour. In `300`–`600 CE`, *vishti* intensifies as a land-grant tax (especially Madhya Pradesh and Kathiawar), while Narada’s 15 slave types, heritable property rules, foot-amputation for abducting a slave woman, and the jar-breaking thrice-spoken manumission ceremony legalise a mature but still domestic-centred institution. The decisive Mains contrast: India was **not** a Greco-Roman slave society — shudras as collective property of the three higher *varnas*, with vaishya/shudra peasants, artisans and merchants, carried production and taxation.