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Cities of the Far South

Cities of the Far South — Overview & Greco-Roman Context

Cue Words	Notes
How do Greco-Roman sources and modern scholarship frame early historical South Indian urban centres?	Sources & Framework: Greco-Roman sources mention many towns and cities and use the term emporium for coastal towns associated with foreign trade. Champakalakshmi (1996: 117–40) has given a comprehensive account of the urban centres of early historical South India.

Chera Cities — Vanji / Kuravur / Karur

Cue Words	Notes
Analyse Vanji/Kuravur/Karur as a Chera political, craft, and trade centre with literary, numismatic, and excavation evidence.	Identity & Location: Vanji or Kuravur/Karur (Vanchi): Situated on the Amaravati river (a tributary of the Kaveri). Political centre as well as an important centre of crafts and trade, as per many literary and non-literary sources. Numismatics & Roman Contact: Chera mint claimed to be located here due to discovery of copper and silver Chera coins. Large quantity of Roman coins found at nearby area Vellavur. Roman king Claudius coin found on the bed of the Amaravati River. Excavations: Yielded BRW (some with graffiti marks), pieces of Roman amphorae, and locally made rouletted ware. Crafts & Inscriptions: Literary sources refer to jewel making as an important craft of Karuvur. Confirmed by discovery of finger rings with various motifs carved on them (including those in the Graeco-Roman style) and legends giving the names of various individuals. Donations by rulers and merchants are mentioned in early Tamil-Brahmi donative inscriptions at Pugalur and Arachchalur.

Cue Words

Notes

Analyse Vanji/Kuravur/Karur as a Chera political, craft, and trade centre with literary, numismatic, and excavation evidence.

Identity & Location:

Vanji or Kuravur/Karur (Vanchi): Situated on the Amaravati river (a tributary of the Kaveri).
Political centre as well as an important centre of crafts and trade, as per many literary and non-literary sources.

Numismatics & Roman Contact:

Chera mint claimed to be located here due to discovery of copper and silver Chera coins.
Large quantity of Roman coins found at nearby area Vellavur.
Roman king Claudius coin found on the bed of the Amaravati River.

Excavations:

Yielded BRW (some with graffiti marks), pieces of Roman amphorae, and locally made rouletted ware.

Crafts & Inscriptions:

Literary sources refer to jewel making as an important craft of Karuvur.
Confirmed by discovery of finger rings with various motifs carved on them (including those in the Graeco-Roman style) and legends giving the names of various individuals.
Donations by rulers and merchants are mentioned in early Tamil-Brahmi donative inscriptions at Pugalur and Arachchalur.

Chera Cities — Muchiri / Muziris

Cue Words	Notes
What do the Periplus, Pliny, and the Vienna Papyrus record about Muchiri/Muziris as a Chera trade emporium?	Classical & Documentary Sources: Periplus of the Erythraean Sea: Speaks of cargo-laden ships landing here from Arabia and Egypt, and gives long lists of imports and exports. Pliny’s Natural Historia: States that due to the danger of pirates, ships had to anchor some distance away. Vienna Papyrus (2nd Century CE): Records an agreement concerning the transportation of goods between two merchants — one based in Alexandria, the other in Muchiri.

Cue Words

Notes

What do the Periplus, Pliny, and the Vienna Papyrus record about Muchiri/Muziris as a Chera trade emporium?

Classical & Documentary Sources:

Periplus of the Erythraean Sea: Speaks of cargo-laden ships landing here from Arabia and Egypt, and gives long lists of imports and exports.
Pliny’s Natural Historia: States that due to the danger of pirates, ships had to anchor some distance away.
Vienna Papyrus (2nd Century CE): Records an agreement concerning the transportation of goods between two merchants — one based in Alexandria, the other in Muchiri.

Pandya Cities — Madurai

Cue Words	Notes
Describe Madurai as a Pandya urban centre from Maduraikkanchi, Arthashastra, craft references, and Alagarmalai inscriptions.	Literary Description (Maduraikkanchi / Pattuppattu): Maduraikkanchi text, part of the Pattuppattu, describes it as a large, grand city, enclosed by walls on three sides and the Vaigai river on the fourth. Mention of its palace, temples, large houses, and two markets. Crafts & Trade: Literary sources describe it as a major centre of crafts: making of gold ornaments, ivory work, inlay work, chank cutting, and bangle making. References to its traders selling pearls and precious stones. The Arthashastra mentions Madurai as a centre of fine cotton textiles. Epigraphy: Inscriptions at Alagarmalai record endowments made by merchants from Madurai.

Cue Words

Notes

Describe Madurai as a Pandya urban centre from Maduraikkanchi, Arthashastra, craft references, and Alagarmalai inscriptions.

Literary Description (Maduraikkanchi / Pattuppattu):

Maduraikkanchi text, part of the Pattuppattu, describes it as a large, grand city, enclosed by walls on three sides and the Vaigai river on the fourth.
Mention of its palace, temples, large houses, and two markets.

Crafts & Trade:

Literary sources describe it as a major centre of crafts: making of gold ornaments, ivory work, inlay work, chank cutting, and bangle making.
References to its traders selling pearls and precious stones.
The Arthashastra mentions Madurai as a centre of fine cotton textiles.

Epigraphy:

Inscriptions at Alagarmalai record endowments made by merchants from Madurai.

Pandya Cities — Korkai

Cue Words	Notes
Why was Korkai celebrated as a pearl-fisheries centre, and what do excavation and location evidence show?	Reputation & Sources: Sangam poems, Indica, and Arthashastra celebrated it as a centre of pearl fisheries. Confirmed by pearl oysters found in the excavations. Location Then vs Now: Right now, an inland site on the Vaigai River, but during early historical times it was no doubt right on the sea coast. Material Culture & Chronology: BRW and locally made rouletted ware found, along with traces of NBPW sherds from the site. A radiocarbon date takes the beginning of the settlement to as early as the 8th century BCE.

Cue Words

Notes

Why was Korkai celebrated as a pearl-fisheries centre, and what do excavation and location evidence show?

Reputation & Sources:

Sangam poems, Indica, and Arthashastra celebrated it as a centre of pearl fisheries.
Confirmed by pearl oysters found in the excavations.

Location Then vs Now:

Right now, an inland site on the Vaigai River, but during early historical times it was no doubt right on the sea coast.

Material Culture & Chronology:

BRW and locally made rouletted ware found, along with traces of NBPW sherds from the site.
A radiocarbon date takes the beginning of the settlement to as early as the 8th century BCE.

Chola Cities — Uraiyur

Cue Words	Notes
Analyse Uraiyur as early Chola capital: fortifications, textiles, megalithic burial grounds, and three excavation periods.	Political & Literary Profile: Uraiyur — capital of the early Cholas. Sangam poems describe it as a great fortified city with magnificent buildings. Poems also mention burial grounds full of stones on its outskirts — a description strongly reminiscent of megaliths. Fine textiles of Uraiyur are mentioned in Tamil and Graeco-Roman texts. Excavation Phases: Three phases of occupation at the site. Period I pottery: BRW, russet-coated painted ware, rouletted ware, and arretine ware; some potsherds had graffiti and inscriptions in Brahmi of the 1st and 2nd centuries CE. Period II: BRW gradually replaced by red-slipped ware; a rectangular cistern found at this level was identified as a dyeing vat. Period III: Belonged to the early medieval period.

Cue Words

Notes

Analyse Uraiyur as early Chola capital: fortifications, textiles, megalithic burial grounds, and three excavation periods.

Political & Literary Profile:

Uraiyur — capital of the early Cholas.
Sangam poems describe it as a great fortified city with magnificent buildings.
Poems also mention burial grounds full of stones on its outskirts — a description strongly reminiscent of megaliths.
Fine textiles of Uraiyur are mentioned in Tamil and Graeco-Roman texts.

Excavation Phases:

Three phases of occupation at the site.
Period I pottery: BRW, russet-coated painted ware, rouletted ware, and arretine ware; some potsherds had graffiti and inscriptions in Brahmi of the 1st and 2nd centuries CE.
Period II: BRW gradually replaced by red-slipped ware; a rectangular cistern found at this level was identified as a dyeing vat.
Period III: Belonged to the early medieval period.

Chola Cities — Kaverippumpattinam / Pumpuhar / Puhar

Cue Words	Notes
Detail Puhar (Kaverippumpattinam) as port capital: classical names, Pattinappalai markets, irrigation, boat platforms, Buddhist remains, and later Chola coin evidence.	Names, Span & Classical Identity: Kaverippumpattinam / Pumpuhar / Puhar (3rd century BCE – 12th century CE). Classical accounts refer to it as Khaberis or Camara. An entire Sangam collection — the Pattinappalai — is devoted to a description of this place. Urban Layout & Society: References to its two bustling markets laid out between the two sectors of the city, guarded by officers of the king. Inhabitants who spoke different languages. Infrastructure & Archaeology: At Vanagiri: remains of an artificial channel that drew water from the Kaveri into a reservoir for irrigation purposes, probably built in the early centuries CE. At Kilayur: brick platforms for landing boats. At Pallavanesvaram: a Buddhist temple and monastery dated to about the 3rd century. Later Continuity: Large number of early medieval Chola coins found at Kaveripattinam indicates that it continued to be an important port in later times as well.

Cue Words

Notes

Detail Puhar (Kaverippumpattinam) as port capital: classical names, Pattinappalai markets, irrigation, boat platforms, Buddhist remains, and later Chola coin evidence.

Names, Span & Classical Identity:

Kaverippumpattinam / Pumpuhar / Puhar (3rd century BCE – 12th century CE).
Classical accounts refer to it as Khaberis or Camara.
An entire Sangam collection — the Pattinappalai — is devoted to a description of this place.

Urban Layout & Society:

References to its two bustling markets laid out between the two sectors of the city, guarded by officers of the king.
Inhabitants who spoke different languages.

Infrastructure & Archaeology:

At Vanagiri: remains of an artificial channel that drew water from the Kaveri into a reservoir for irrigation purposes, probably built in the early centuries CE.
At Kilayur: brick platforms for landing boats.
At Pallavanesvaram: a Buddhist temple and monastery dated to about the 3rd century.

Later Continuity:

Large number of early medieval Chola coins found at Kaveripattinam indicates that it continued to be an important port in later times as well.

Chola Cities — Kachchi (Kanchi) & Vasavasamudram

Cue Words	Notes
What early historical remains link Kanchi of the Sangam texts to later Pallava Kanchipuram, and how does Vasavasamudram fit as its sea port?	Kachchi (Kanchi): Famous temple city and Pallava capital of Kanchipuram in later centuries. Remains of the early historical period excavated in the area of the Shankara matha. Findings (Shankara Matha Area): BRW, black-slipped ware and rouletted ware, conical jars, terracotta figurines, and a Satavahana coin of the 2nd century CE. Findings near Kamakshi Temple: Three rouletted ware, terra sigillata, beads, terracottas, and iron artefacts. A structure was identified as a Buddhist shrine. Vasavasamudram (Port Link): At the mouth of the Palar river; probably the port connecting Kanchi to the sea. Excavations yielded amphorae sherds, rouletted ware, and beads. Remains of brick structures, terracotta double ring wells, and heaps of shell lime and beads. No BRW was reported. Possible identification with Nirppeyarru, a port mentioned in texts.

Cue Words

Notes

What early historical remains link Kanchi of the Sangam texts to later Pallava Kanchipuram, and how does Vasavasamudram fit as its sea port?

Kachchi (Kanchi):

Famous temple city and Pallava capital of Kanchipuram in later centuries.
Remains of the early historical period excavated in the area of the Shankara matha.

Findings (Shankara Matha Area):

BRW, black-slipped ware and rouletted ware, conical jars, terracotta figurines, and a Satavahana coin of the 2nd century CE.

Findings near Kamakshi Temple:

Three rouletted ware, terra sigillata, beads, terracottas, and iron artefacts.
A structure was identified as a Buddhist shrine.

Vasavasamudram (Port Link):

At the mouth of the Palar river; probably the port connecting Kanchi to the sea.
Excavations yielded amphorae sherds, rouletted ware, and beads.
Remains of brick structures, terracotta double ring wells, and heaps of shell lime and beads.
No BRW was reported.
Possible identification with Nirppeyarru, a port mentioned in texts.

Chola Cities — Kodumanal

Cue Words	Notes
Why is Kodumanal critical for early literacy and craft production in the Tamil region (3rd CBC–3rd CAD)?	Site Profile: Kodumanal (3rd century BCE – 3rd century CE): Habitation-cum-burial site on the northern bank of the Noyyal, a tributary of the Kaveri. Identifiable with the ancient city of Kodumanal, famed in Sangam texts for gem and jewellery work. Industrial Evidence: Iron-and-steel making: two furnaces and iron slag found. Gemstone cutting, spinning, weaving, and manufacture of shell bangles — major industrial centre. Literacy Evidence: Over 100 inscribed pieces of pottery in Tamil language and Tamil-Brahmi script found in excavations. A few inscriptions are in the Prakrit language and Brahmi script. Kodumanal gives important evidence of the beginnings of literacy and the development of centres of craft production.

Cue Words

Notes

Why is Kodumanal critical for early literacy and craft production in the Tamil region (3rd CBC–3rd CAD)?

Site Profile:

Kodumanal (3rd century BCE – 3rd century CE): Habitation-cum-burial site on the northern bank of the Noyyal, a tributary of the Kaveri.
Identifiable with the ancient city of Kodumanal, famed in Sangam texts for gem and jewellery work.

Industrial Evidence:

Iron-and-steel making: two furnaces and iron slag found.
Gemstone cutting, spinning, weaving, and manufacture of shell bangles — major industrial centre.

Literacy Evidence:

Over 100 inscribed pieces of pottery in Tamil language and Tamil-Brahmi script found in excavations.
A few inscriptions are in the Prakrit language and Brahmi script.
Kodumanal gives important evidence of the beginnings of literacy and the development of centres of craft production.

Kautilya’s Timetable for a King

Kautilya’s Timetable for a King (Arthashastra 1.19.16)

Cue Words	Notes
How does Arthashastra 1.19.16 structure the king’s day and night, and what activities fill each unit?	Time Division: Arthashastra 1.19.16 recommends that the king divide the day and night into eight parts each. Total of 16 units of time, each consisting of 1½ hours, each associated with specific activities. Bath and sleep activities are eliminated from discussion in the summary table below (though sleep-related night slots appear in the schedule as recorded). Day Timetable (Immediately After Sunrise): Receive reports on defence and accounts of income and expenditure. Look into affairs of people of cities and countryside. Receive revenue in cash and assign tasks to Heads of Departments (HoD). Consult his council of ministers through correspondence and receive secret information brought in by spies. Relax and enjoy himself or hold consultations. Review elephants, horses, chariots, and troops. Discuss military policy with the commander-in-chief. Night Timetable: Interview secret agents. Go to bed to strains of musical instruments. Continue to sleep. Awaken to the sound of musical instruments and ponder over the science of statecraft and on the work to be done. Consult counsellors; dispatch secret agents. Receive blessings from priests; see his physician, chief cook, and astrologer.

Cue Words

Notes

How does Arthashastra 1.19.16 structure the king’s day and night, and what activities fill each unit?

Time Division:

Arthashastra 1.19.16 recommends that the king divide the day and night into eight parts each.
Total of 16 units of time, each consisting of 1½ hours, each associated with specific activities.
Bath and sleep activities are eliminated from discussion in the summary table below (though sleep-related night slots appear in the schedule as recorded).

Day Timetable (Immediately After Sunrise):

Receive reports on defence and accounts of income and expenditure.
Look into affairs of people of cities and countryside.
Receive revenue in cash and assign tasks to Heads of Departments (HoD).
Consult his council of ministers through correspondence and receive secret information brought in by spies.
Relax and enjoy himself or hold consultations.
Review elephants, horses, chariots, and troops.
Discuss military policy with the commander-in-chief.

Night Timetable:

Interview secret agents.
Go to bed to strains of musical instruments.
Continue to sleep.
Awaken to the sound of musical instruments and ponder over the science of statecraft and on the work to be done.
Consult counsellors; dispatch secret agents.
Receive blessings from priests; see his physician, chief cook, and astrologer.

Raja Sawai Jai Singh II (1686–1743)

Raja Sawai Jai Singh II — Title, Politics & Jaipur City Planning

Cue Words	Notes
How did Sawai Jai Singh II obtain the title ‘Sawai’, abolish Jaziya influence, and plan Jaipur on a grid of nine cosmic zones?	Title ‘Sawai’: Title of ‘Sawai’ from Emperor Aurangzeb, who declared him a quarter superior to his famous forebearer Mirza Raja Jai Singh (d. 1667) after he captured the Fort of Vishalgarh from the Marathas in 1701. Officially recognized by an Imperial Edict in 1712. To commemorate it, the rulers of Jaipur began the practice of flying two flags — one full and one quarter-sized. Political Role: On his instigation, the new Emperor abolished the hated Jaziya tax imposed on the Hindus. Jaipur Grid Planning: Constructed Jaipur by combining aspects of the ancient Hindu treatise on architecture, the Shilpa Shastra, and plans of many European cities of the period with Jai Singh’s own ideas. Built on the grid system with nine rectangular zones corresponding to the nine divisions of the universe. Different zones allotted to different professions. European travellers of the time — Frenchman Louis Rousselet and English bishop Heber — were greatly impressed by Jai Singh’s unparalleled excellence in city-planning.

Cue Words

Notes

How did Sawai Jai Singh II obtain the title ‘Sawai’, abolish Jaziya influence, and plan Jaipur on a grid of nine cosmic zones?

Title ‘Sawai’:

Title of ‘Sawai’ from Emperor Aurangzeb, who declared him a quarter superior to his famous forebearer Mirza Raja Jai Singh (d. 1667) after he captured the Fort of Vishalgarh from the Marathas in 1701.
Officially recognized by an Imperial Edict in 1712.
To commemorate it, the rulers of Jaipur began the practice of flying two flags — one full and one quarter-sized.

Political Role:

On his instigation, the new Emperor abolished the hated Jaziya tax imposed on the Hindus.

Jaipur Grid Planning:

Constructed Jaipur by combining aspects of the ancient Hindu treatise on architecture, the Shilpa Shastra, and plans of many European cities of the period with Jai Singh’s own ideas.
Built on the grid system with nine rectangular zones corresponding to the nine divisions of the universe.
Different zones allotted to different professions.
European travellers of the time — Frenchman Louis Rousselet and English bishop Heber — were greatly impressed by Jai Singh’s unparalleled excellence in city-planning.

Raja Sawai Jai Singh II — Jantar Mantar Observatories & Zij-e-Muhammad-Shahi

Cue Words	Notes
What was Jai Singh’s astronomical programme: observatories, Zij-e-Muhammad-Shahi, and his eclectic manuscript library?	Observatories (Jantar Mantar Tradition): Received Imperial backing for building his Astronomy Observatories at Delhi, Jaipur, Varanasi, Ujjain and Mathura. Zij-e-Muhammad-Shahi: Titled the astronomical work he completed in 1728 as ‘Zij-e-Muhammad-Shahi’. Grand Passion — Scholarship & Instruments: Astronomy was Jai Singh’s grand passion. Scholar with an eclectic collection of astronomical manuscripts and tables from Arabia and Europe, including: Englishman John Flamsteed’s Historia Coelestis Britannica Portuguese Pere de la Hire’s Tabulae Astronomicae Turkish royal astronomer Ulugh Beg’s tables Zij Ulugh Begi Greek Ptolemy’s Almagest Reproduced de la Hire’s reflection table. Used a European Telescope to study celestial bodies.

Cue Words

Notes

What was Jai Singh’s astronomical programme: observatories, Zij-e-Muhammad-Shahi, and his eclectic manuscript library?

Observatories (Jantar Mantar Tradition):

Received Imperial backing for building his Astronomy Observatories at Delhi, Jaipur, Varanasi, Ujjain and Mathura.

Zij-e-Muhammad-Shahi:

Titled the astronomical work he completed in 1728 as ‘Zij-e-Muhammad-Shahi’.

Grand Passion — Scholarship & Instruments:

Astronomy was Jai Singh’s grand passion.
Scholar with an eclectic collection of astronomical manuscripts and tables from Arabia and Europe, including:
- Englishman John Flamsteed’s Historia Coelestis Britannica
- Portuguese Pere de la Hire’s Tabulae Astronomicae
- Turkish royal astronomer Ulugh Beg’s tables Zij Ulugh Begi
- Greek Ptolemy’s Almagest
Reproduced de la Hire’s reflection table.
Used a European Telescope to study celestial bodies.

Rana Kumbha (1433–1468 CE)

Rana Kumbha — Forts, Wars & Vijay Stambha

Cue Words	Notes
List Rana Kumbha’s five forts, his foes, and the context and dimensions of the Vijay Stambha at Chittorgarh.	Five Forts: Built five forts to secure his kingdom: Achalgarh, Kumbhalgarh, Kolana, Vairat, and Maddan. Kumbhalgarh is Rajasthan’s highest fort. Military Context: Surrounded by foes: Mahmud Khalji of Malwa, Qutbuddin Ahmad Shah II of Gujarat Sultanate, Shams Khan of Nagaur, and Rao Jodha of Marwar. Successfully defended Mewar and expanded his kingdom. Vijay Stambha (Victory Tower): To commemorate his resounding victory over the combined armies of Malwa and Gujarat in 1440 AD. Erected the famed 37 metre, 9-storey high ‘Vijay Stambha’ at Chittorgarh. Completed in 1448 AD.

Cue Words

Notes

List Rana Kumbha’s five forts, his foes, and the context and dimensions of the Vijay Stambha at Chittorgarh.

Five Forts:

Built five forts to secure his kingdom: Achalgarh, Kumbhalgarh, Kolana, Vairat, and Maddan.
Kumbhalgarh is Rajasthan’s highest fort.

Military Context:

Surrounded by foes: Mahmud Khalji of Malwa, Qutbuddin Ahmad Shah II of Gujarat Sultanate, Shams Khan of Nagaur, and Rao Jodha of Marwar.
Successfully defended Mewar and expanded his kingdom.

Vijay Stambha (Victory Tower):

To commemorate his resounding victory over the combined armies of Malwa and Gujarat in 1440 AD.
Erected the famed 37 metre, 9-storey high ‘Vijay Stambha’ at Chittorgarh.
Completed in 1448 AD.

Rana Kumbha — Music, Literature & Kirti Stambh Prashashti

Cue Words	Notes
What music treatises and literary works are associated with Rana Kumbha’s reign?	Personal Scholarship: Accomplished veena player. Wrote a commentary on Jaidev’s Gita Govinda. Wrote an explanation for Chandisatkam. Music Treatises: Sangeet raj Sangeet mimansa Sangeet ratnakar Shudprabandha Court Scholars: Scholars Atri and his son Mahesa wrote Prashashti on the Kirti Stambh.

Cue Words

Notes

What music treatises and literary works are associated with Rana Kumbha’s reign?

Personal Scholarship:

Accomplished veena player.
Wrote a commentary on Jaidev’s Gita Govinda.
Wrote an explanation for Chandisatkam.

Music Treatises:

Sangeet raj
Sangeet mimansa
Sangeet ratnakar
Shudprabandha

Court Scholars:

Scholars Atri and his son Mahesa wrote Prashashti on the Kirti Stambh.

Rani ki Vav

Rani ki Vav (Also on ₹100 Note)

Cue Words	Notes
Who built Rani ki Vav, for whom, in what style, and what is its architectural character?	Patronage & Setting: Built on the Saraswati River in the 11th century by Chalukyan/Solanki queen Udaymati for her husband King Bhima-I. Also considered as an Inverted Temple. Style & Structure: Solanki Architecture / Maru-Gurjara Style. Seven levels of stairs. Also appears on the ₹100 note.

Cue Words

Notes

Who built Rani ki Vav, for whom, in what style, and what is its architectural character?

Patronage & Setting:

Built on the Saraswati River in the 11th century by Chalukyan/Solanki queen Udaymati for her husband King Bhima-I.
Also considered as an Inverted Temple.

Style & Structure:

Solanki Architecture / Maru-Gurjara Style.
Seven levels of stairs.
Also appears on the ₹100 note.

Rakhigarhi

Rakhigarhi — Harappan Township & Excavation Findings

Cue Words	Notes
What is Rakhigarhi’s rank among Harappan townships, who excavated it, and what materials and structures were found?	Status: One of the five known biggest townships of the Harappan civilization. Excavator: Excavated by Shri Amarendra Nath. Material and Findings: Mud-brick and burnt-brick houses Drainage system Ceramic industry Animal sacrificial pit (lined) Triangular and circular fire altars Cylindrical seal with a symbol of an alligator Wheel of terracotta

Cue Words

Notes

What is Rakhigarhi’s rank among Harappan townships, who excavated it, and what materials and structures were found?

Status:

One of the five known biggest townships of the Harappan civilization.

Excavator:

Excavated by Shri Amarendra Nath.

Material and Findings:

Mud-brick and burnt-brick houses
Drainage system
Ceramic industry
Animal sacrificial pit (lined)
Triangular and circular fire altars
Cylindrical seal with a symbol of an alligator
Wheel of terracotta

Different Versions of the Ramayana

International & Regional Versions of the Ramayana

Cue Words	Notes
Map major Indian and international Ramayana versions with country and distinctive points.	Indian / Regional Versions: Paumachariya: Jain version — focuses on Ahimsa; Lakshmana killed Ravana. Chandrabati: Bengali poetess — focuses on Sita’s perspective. Dasarata Jataka: Buddhist version — Dashrath sends Ram and Sita to forest to save them from third wife; no abduction of Sita. Hobutsushu and Sambo-Ekotoba: Japan. Janakiharan: Sri Lanka. Siddhi Ramayana: Nepal. Southeast / East Asian Versions: Reamker: Cambodia. Yamayana: Myanmar. Hikayat Seri Laksman: Malay. Ramakovaca: Bali. Maharadia Lawana: Philippines. Liudu ji jing: China.

Cue Words

Notes

Map major Indian and international Ramayana versions with country and distinctive points.

Indian / Regional Versions:

Paumachariya: Jain version — focuses on Ahimsa; Lakshmana killed Ravana.
Chandrabati: Bengali poetess — focuses on Sita’s perspective.
Dasarata Jataka: Buddhist version — Dashrath sends Ram and Sita to forest to save them from third wife; no abduction of Sita.
Hobutsushu and Sambo-Ekotoba: Japan.
Janakiharan: Sri Lanka.
Siddhi Ramayana: Nepal.

Southeast / East Asian Versions:

Reamker: Cambodia.
Yamayana: Myanmar.
Hikayat Seri Laksman: Malay.
Ramakovaca: Bali.
Maharadia Lawana: Philippines.
Liudu ji jing: China.

Vijaya Temple / Bijamandal Mosque (Vidisha)

Vijaya Temple / Bijamandal Mosque — Builders, Dedication & Later History

Cue Words	Notes
Clarify the contested builders, dedication, Al-Biruni/Aurangzeb layers, and famous sculptures of the Vijaya Temple (Bijamandal) at Vidisha.	Modern Association: As per popular belief, an inspiration behind the New Parliament Building. Builders (No Clarity): Some sources claim one Vachaspati, probably the Pant Pradhan of the Chaulukya/Solanki dynasty. Other sources claim Maharaja Naravarman (Paramara) as one of its builders. There is no clarity on builders. Dedication & Local Tradition: Believed to be dedicated to Devi Vijaya Rani, which then came to be called Bija Mandal. Locals say the Vijaya Rani Bhavya Mandir had a beautiful idol of the eight-armed Goddess Charchika Mata. Perhaps in this time that traditional worship of Naga Devata began on the auspicious occasion of Naga Panchami. Destruction & Rebuilding: Al-Biruni mentions that Ghazni reduced the grandest temple of the 9th–10th century to rubble. He succeeded to some extent, but the temple was rebuilt by the Paramara kings. Aurangzeb Phase: Aurangzeb built the Alamgiri mosque over the ruins and renamed the city Alamgiripur. Famous Sculpture: Mahishasura Mardini Eight-armed Lord Ganesha Dancing women, musicians Dancing Sapta Matrikas Gajalakshmi Pavilion, Surya Temple & Stepwell: Vast pavilion made of stone had a temple dedicated to Surya Bhagawan as per an inscription. An ancient stepwell to the north of the temple has exquisitely carved pillars of the 8th century and scenes of Krishna Leela on its sides.

Cue Words

Notes

Clarify the contested builders, dedication, Al-Biruni/Aurangzeb layers, and famous sculptures of the Vijaya Temple (Bijamandal) at Vidisha.

Modern Association:

As per popular belief, an inspiration behind the New Parliament Building.

Builders (No Clarity):

Some sources claim one Vachaspati, probably the Pant Pradhan of the Chaulukya/Solanki dynasty.
Other sources claim Maharaja Naravarman (Paramara) as one of its builders.
There is no clarity on builders.

Dedication & Local Tradition:

Believed to be dedicated to Devi Vijaya Rani, which then came to be called Bija Mandal.
Locals say the Vijaya Rani Bhavya Mandir had a beautiful idol of the eight-armed Goddess Charchika Mata.
Perhaps in this time that traditional worship of Naga Devata began on the auspicious occasion of Naga Panchami.

Destruction & Rebuilding:

Al-Biruni mentions that Ghazni reduced the grandest temple of the 9th–10th century to rubble.
He succeeded to some extent, but the temple was rebuilt by the Paramara kings.

Aurangzeb Phase:

Aurangzeb built the Alamgiri mosque over the ruins and renamed the city Alamgiripur.

Famous Sculpture:

Mahishasura Mardini
Eight-armed Lord Ganesha
Dancing women, musicians
Dancing Sapta Matrikas
Gajalakshmi

Pavilion, Surya Temple & Stepwell:

Vast pavilion made of stone had a temple dedicated to Surya Bhagawan as per an inscription.
An ancient stepwell to the north of the temple has exquisitely carved pillars of the 8th century and scenes of Krishna Leela on its sides.

Cities of the Far South ​

Kautilya’s Timetable for a King ​

Raja Sawai Jai Singh II (1686–1743) ​

Rana Kumbha (1433–1468 CE) ​

Rani ki Vav ​

Rakhigarhi ​

Different Versions of the Ramayana ​

Vijaya Temple / Bijamandal Mosque (Vidisha) ​

Cities of the Far South

Kautilya’s Timetable for a King

Raja Sawai Jai Singh II (1686–1743)

Rana Kumbha (1433–1468 CE)

Rani ki Vav

Rakhigarhi

Different Versions of the Ramayana

Vijaya Temple / Bijamandal Mosque (Vidisha)